Aracelis Girmay holds a B.A. from Connecticut College and an M.F.A. from New York University. She is the author of three poetry collections, Teeth (Curbstone, 2007), Kingdom Animalia (BOA Editions, 2011), for which she won the Isabella Gardner Poetry Award and which was a finalist for the National Book Critics Circle Award, and The Black Maria (BOA Editions, 2016). Her awards include a 2011 National Endowment for the Arts Fellowship and a 2015 Whiting Award in Poetry. Girmay has received fellowships from Cave Canem, The Jerome Foundation, the Watson Foundation, and the Civitella Ranieri Foundation. She currently teaches poetry as an assistant professor at Hampshire College. Originally from Santa Ana, California, she splits her time between New York and Amherst, Massachusetts.
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Kingdom AnimaliaPoemsFrom"Running Home, I Saw the Planets"
On the way home, going,
with the hill & mammoth clouds
behind me, rushing to the house
before the rain, those beautiful Pakistani girls,
their faces happy as poppies, I thought, those girls
rushing home as I was rushing home
to beat the first small pieces
of rain falling down
like nickels in departing light. There
was the laughing of the beautiful girls,
shrieking gulls, five or six of them (depending
on whether I count myself), the bright
& shining planets of their dresses
lifting, just so, in the wind. & their black hairs.
& the black sound of horses, horses
hoofing it home, the click
& clop of their patent leather hooves—Still, it touches
my ear, this sound. I touch
my heart. I can’t stop touching
my heart & saying, Today is my birthday,
you see? For the beautiful clamor of planets
dressed as girls who, running home, have heads.
Whose heads swing black night, running home
on the black feet of horses, from the rain.
Now I understand. Today is my birthday.
It is Thursday, my day. My black day.
Kingdom Animalia:Poems -
Kingdom AnimaliaPoemsFrom"To Waste My Hands"
Three years ago, I stood on the dock near my father’s house
While the small shark suffocated & was killed.
He was like an angel culled up from the purple sea.
& the air smashed into him like an anvil
& his muscles sank desperately into the ribs. Terrible
terrible, terrible, terrible, terrible, terrible, terrible
to watch him that way. More terrible to waste my hands, just
standing.
Kingdom Animalia:Poems -
From"“American” Versus"
At thirteen, when I first bled, came
the knowledges:
in the domestic space of the aunt’s laundry room,
to the work of the washer and dryer,
surrounded by the hangers, man-collars, and sheets,
my mother warned me of everything. This is my fear,
This is my fear, This is my fear,
This is my fear, she said.
And later, my pecan, colored brother
heading home from work with friends
in beautiful darkskinned
skins who were also boys and almost-men,
over the telephone, This is my fear, This is my fear,
This is my fear, she said,
for she loved us, and warning was
what she knew, in this country, loving should be.
"American" Versus:- Print Books
“Kingdom Animalia . . . has a wonderfully fresh voice and approach . . . [it] does a beautiful job of balancing archetypal concerns with a contemporary perspective. The book also shows that while life may be fragile and fleeting, the human heart can continue beating despite abuse, injustices and war.” —Elizabeth Lund, The Washington Post
“There is a saying in Spanish, ‘Cada cabeza es un mundo,’ which translates ‘every mind is a universe unto itself.’ And Girmay’s world, universe, opens new ways of seeing the simplest things and giving them voice. Everything contains some clue of another self, body or kindred spirit. Like an archaeologist, she digs deeply finding herself in every living thing, even in the inanimate. Her magic is poetry at its best.” —National Book Critics Circle [on Kingdom Animalia]
“A cunning consideration of mortality, humanity, and the responsibility of the voice that bears witnesses . . .” —Los Angeles Review [on Kingdom Animalia]
“In her powerful debut collection of poems . . . Aracelis Girmay reaches out to her various cultural lineages (Eritrean, Puerto Rican and African American) and weaves them into a distinct voice, political and beautiful as "bullets of ivory” . . . Teeth delivers on its promise to be a fierce, proud book of poems that provokes thought and invites its readers to a poet's unique and expectant universe, where celebration and protest, lament and solace, sound and silence, intertwine and thrive . . . ” —Rigoberto González, El Paso Times
Selected Works
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- Print Books
- Find your local bookstore (via IndieBound)
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Aracelis Girmay’s poetry rides upon a huge visceral momentum. Her lines are rhythmic and they push forward into sonic and lyric revelation. These poems are always in service of a moral vision, a deep concern for who we are, who we have been. Her project seems to be our deep and ongoing subjectivity, our vulnerability to history, to one another, to desire and to the belief in something large and lasting that we might belong to. There’s empathy, play, and fearlessness here, and both formal and emotional range. The beauty of these poems is always married to a deep, implacable pang. Their consolation is rooted in the unifying force of remembered loss.