Catherine Barnett

2004 Winner in
Poetry

Catherine Barnett (born 1960 in San Francisco) is an American poet and educator. She is the author of Into Perfect Spheres Such Holes Are Pierced, winner of the 2003 Beatrice Hawley Award. Her most recent collection, The Game of Boxes (2012), received the James Laughlin Award of the Academy of American Poets. Her other honors include a Guggenheim Fellowship. She has published widely in journals and magazines including the Washington Post, Barrow Street, Shenandoah, Pleiades, the Iowa Review, Gulf Coast, the Hat, and the Massachusetts Review. Barnett is an instructor at New York University and Teachers & Writers Collaborative. As poet-in-residence at the Children’s Museum of Manhattan, she teaches writing to young mothers in New York City’s shelter system. She also works as an independent editor and recently collaborated with the composer Richard Einhorn on the libretto for "The Origin," his multimedia oratorio about the life of Charles Darwin. In addition, she is a member of the Alice James Books Cooperative Board. She received her BA from Princeton University and an MFA from Warren Wilson College MFA Program for Writers.

Photo Credit:
Jacqueline Mia Foster
Reviews & Praise

"Though the poems in the long-awaited second collection from Barnett are only a handful of lines each, they are deceptively sophisticated. . . . Barnett's emotions are so potent they become something you could choke on: 'He's a lozenge of smut,' she writes, with the acute, straightforward vulnerability that makes these poems brave." —Publishers Weekly, starred review [on The Game of Boxes]

"[Barnett] negotiates the varied paths of love and, with a wry eye, looks for the meaning of life lurking in every corner. . . . Barnett plays the game of Hangman backwards, removing everything but the essential and surprising us with rhyme, turn of phrase and idea and image. . . . Highly recommended." —Library Journal [on The Game of Boxes]

“Catherine Barnett’s indelible first book, Into Perfect Spheres Such Holes Are Pierced, has a long fore-life and comes to us as a work of full maturity. . . . Barnett’s poems are scrupulously restrained and beautifully made, though the speaker in them is at times wild and even crazed with feeling, unappeased by sorrow.”
—Edward Hirsch, The Washington Post

Selected Works

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