"[D'Ambrosio's] toolkit, finite and familiar, is the English language, the same one ticker-taping through your conscious mind and mine, but with it he constructs sentences, paragraphs, entire pages of such sustained insight and fluency that you can't help but feel a little fraudulent as a fellow user of the same mother tongue."  —The L Magazine [on Loitering]

“These evocative stories are dark and graceful, as deeply nuanced as novels. D’Ambrosio evokes lives of regret and resignation, and there’s never a false note, only the quiet desperation of souls seeking the elusive promise of redemption.” —The Miami Herald [on The Dead Fish Museum]

“Impossible to put down. D’Ambrosio’s prose is fluid, even insinuating. Sentence leads on to sentence with a momentum that mimics the twisted logic of madness, the small steps and sudden turns that lead people from well-lit streets and into dark alleys.” —The Seattle Times [on The Dead Fish Museum]

“Charles D’Ambrosio works a rich, deep, dangerous seam in the brokenhearted rock of American Fiction. His characters live lives that burn as dark and radiant as the prose style that conjures them, like the blackness at the center of the candle’s flame. No one today writes better short stories than these.” —Michael Chabon