Colson Whitehead was born in 1969, and was raised in Manhattan. After graduating from Harvard College, he started working at the Village Voice, where he wrote reviews of television, books, and music. His books include The Intuitionist (2000), winner of the Quality Paperback Book Club's New Voices Award; John Henry Days (2001), winner of the Young Lions Fiction Award and the Anisfield-Wolf Book Award and a finalist for the National Book Critics Circle Award, the Los Angeles Times Fiction Award, and the Pulitzer Prize; The Colossus of New York (2003), a New York Times Notable Book of the Year; Apex Hides the Hurt (2006), winner of the PEN/Oakland Award; Sag Harbor (2009), a finalist for the PEN/Faulkner award and the Hurston/Wright Legacy Award; Zone One (2011), a New York Times Bestseller; The Noble Hustle: Poker, Beef Jerky & Death (2014); and The Underground Railroad (2016), winner of the Pulitzer Prize, the National Book Award, the Carnegie Medal for Fiction, and a #1 New York Times Bestseller. Whitehead’s reviews, essays, and fiction have appeared in a number of publications, such as the New York Times, The New Yorker, New York Magazine, Harper's and Granta. He has received a MacArthur Fellowship, A Guggenheim Fellowship, a Whiting Award in Fiction, the Dos Passos Prize, and a fellowship at the Cullman Center for Scholars and Writers. He has taught at the University of Houston, Columbia University, Brooklyn College, Hunter College, New York University, Princeton University, Wesleyan University, and been a Writer-in-Residence at Vassar College, the University of Richmond, and the University of Wyoming. In 2018, Whitehead was named New York's Author Laureate. He lives in New York City.
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The IntuitionistA Novel
“You aren’t one of those voodoo inspectors, are you? Don’t need to see anything, you just feel it, right? I heard Jimmy make jokes about you witch doctors.”
She says, “Intuitionist.” Lila Mae rubs the ballpoint of the pen to get the ink flowing. The W of her initials belongs to a ghost alphabet.
The super grins. “If that’s the game you want to play,” he says, “I guess you got me on the ropes.” There are three twenty-dollar bills in his oily palm. He leans over to Lila Mae and places the money in her breast pocket. Pats it down. “I haven’t ever seen a woman elevator inspector before, let alone a colored one, but I guess they teach you all the same tricks.”
The Intuitionist:A Novel -
The IntuitionistA Novel
She learned plenty her first semester at the Institute for Vertical Transport. She learned about the animals in the Roman coliseums hoisted to their cheering deaths on rope-tackle elevators powered by slaves, learned about Villayer’s “flying chair,” a simple pulley, shift and lead counterweight concoction described in a love letter from Napoleon I to his wife, the Archduchess Marie Louise. About steam, and the first steam elevators. She read about Elisha Graves Otis, the cities he enabled through his glorious invention, and the holy war between the newly deputized elevator inspectors and the elevator companies’ maintenance contractors. The rise of safety regulation, safety device innovations, the search for a national standard. She was learning about Empiricism but didn’t know it yet.
The Intuitionist:A Novel -
The IntuitionistA Novel
The man enters the car on the first floor and declares, “Department of Elevator Inspectors.” He flips open the badge, that gold nova, to the agitated wives, who suddenly see their afternoon assignation get complicated. “Everybody out.” He is authority… Look at that gray fedora slashing across his brow, brim bent downward to hide his eyes, casting shadows just where shadows need to be, the sophisticated craftsmanship of his solemn pinstripe suit, cut in a Continental, the skin of his authority. Look at that. He is an elevator inspector down from the capitol to kick their hamlet into shape, taking charge, checking for rust.
The Intuitionist:A Novel
"This splendid novel reads as though a stray line in Pynchon or Millhauser had been meticulously unfolded to reveal an entire world, one of spooky, stylish alternate-Americana, as rich and haunted as our own. The care and confidence of the prose, the visionary metaphor beating like a heart at the center—these do not outweigh the poignance and humor, the human presence here. The Intuitionist rises someplace new, and very special." —Jonathan Lethem
"A multilayered debut novel . . . The Intuitionist reads like a pure feat of the imagination, elevated by . . . stylistic sorcery and a gnawing sense of the narrative's urban dislocation." —Village Voice Literary Supplement
"Every now and then a book comes along that reaches the marrow of your bones, settles in, and stays forever. This is one. It's a tour de force, and I don't say that lightly." —Oprah Winfrey, O Magazine [on The Underground Railroad]
Selected Works
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