Denis Johnson is the author of nine novels, including Fiskadoro (1985), Nobody Move (2009), and Tree of Smoke, a novel about covert operations in the Vietnam War and winner of the 2007 National Book Award. Jesus’ Son (1992), his collection of short stories that focus on the lives of drug addicts, was made into a film of the same name in 1999. He is also the author of four collections of poetry, two collections of plays, and Seek (2001), a book of reportage. He received a Lannan Literary Award for Fiction and a Whiting Award in Fiction. Johnson passed away in 2017.
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AngelsA Novel
In the Oakland Greyhound all the people were dwarfs, and they pushed and shoved to get on the bus, even cutting in ahead of the two nuns, who were there first. The two nuns smiled sweetly at Miranda and Baby Ellen and played I-see-you behind their fingers when they’d taken their seats. But Jamie could sense that they found her make-up too thick, her pants too tight. They knew she was leaving her husband, and figured she’d turn for a living to whoring. She wanted to tell them what was what, but you can’t talk to a Catholic. The shorter nun carried a bright cut rose wrapped in her two hands.
Angels:A Novel -
AngelsA Novel
She’d discussed killing herself, she confessed, with Sarah Miller, her best friend, who’d gone to the same high school in West Virginia. Discussed how she’d do it in the style of Marilyn Monroe. She’d clean the trailer completely, and dress up in her black negligee. She’d use Sarah’s ex-husband’s revolver, and Sarah would listen in the night for the shot, and then listen in case the kids woke up. She’d stand right in the doorway when she did it, so she’d be the first thing he found when he came home late from running around on her, stretched out on the floor like a dark Raggedy Ann doll with her brains in the kitchen. Because already he’d stayed out two nights in a row. That was that, that was all, so long. The note would go like this: No Thanks.
Angels:A Novel -
AngelsA Novel
Now that the shooting was started, Bill Houston wanted it to go on forever. Holding his gun out toward the guard and firing was something like spraying paint—trying to get every spot covered. He wanted to make sure that no life was showing through. He didn’t want the guard to have any life left with which he might rise up and kill Bill Houston is return. When the guard was still, lying there at the open mouth of his C-shaped desk with his jaw hanging off to one side and the blood running down his neck and also back into his hair and his ear, Bill shot him twice more in the chest, and would have emptied his shotgun into the guard but caught himself up short, feeling he didn’t want to spend his shells, because shells were more precious than all the money that surrounded them now. The smoke of gunfire lay in sheets along the air around his head, where light played off the fountain’s pond and gave it brilliance. In the center of his heart, the tension of a lifetime dissolved into honey. He heard nothing above the ringing in his ears.
Angels:A Novel
“Denis Johnson is a true American artist, and Tree of Smoke is a tremendous book, a strange entertainment, very long but very fast, a great whirly ride that starts out sad and gets sadder and sadder, loops unpredictably out and around, and then lurches down so suddenly at the very end that it will make your stomach flop . . . Tree of Smoke is a massive thing and something like a masterpiece; it’s the product of an extraordinary writer in full stride.” —Jim Lewis, The New York Times Book Review
“[A] severely lovely tale . . . The visionary, miraculous element in Johnson’s deceptively tough realism makes beautiful appearances in this book. The hard, declarative sentences keep their powder dry for pages at a time, and then suddenly flare into lyricism; the natural world of the American West is examined, logged, and frequently transfigured.” —James Wood, The New Yorker [on Train Dreams]
"[Dennis Johnson is] a synthesizer of profoundly American voices: we can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world. And behind all these you sense something else: a visionary angel, a Kerouac, or, better yet, a Blake, who has seen his demon and yearned for God and forged a language to contain them both." —Newsday [on Jesus’ Son]
"The God I want to believe in has a voice and a sense of humor like Denis Johnson’s." —Jonathan Franzen
Selected Works
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- Print Books
- Powell's
- Barnes & Noble
- Alibris
- Abe Books
- E-Books
- Kobo
- Barnes & Noble
- Print Books
- Powell's
- Barnes & Noble
- Alibris
- Abe Books
- E-Books
- Kobo
- Barnes & Noble