Emily Hiestand is a writer, designer, and photographer. She has written three books: The Very Rich Hours (1993; tales of travels to Greece, Orkney, the Everglades, and Belize); Angela The Upside Down Girl (1998; stories about identity, community and place); and Green the Witch Hazel Wood (1989; poems). Emily's writing has been collected (in books such as Toward the Livable City, Best American Poetry, and The Road North), and appears in magazines (The Atlantic Monthly, The New Yorker, and The Nation, among them), and in literary journals including The Georgia Review, Southwest Review, and Agni. She is the Communications Director for the MIT School of Humanities, Arts, and Social Sciences.
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Green the Witch-Hazel WoodPoemsFrom"Likewise"
The pond is like a mackerel skin tonight,
the mackerel like a beaded evening bag.
This is like that, that is like this, oh,
let's call the whole thing off and take it straight:
nothing is like anything else.
Even the parrot and the apish ape
mirror, mimic and do like — unmatched.
To begin: algae, abalone, alewife —
each the spitting image of itself.
Likewise beetles (potato, scarab and whirligig.)
Nothing even comes close to barrel cactus,
nothing is more original than a bog,
more rare than the cougar and crane —
save all the above named.
I've never seen anything like it — dustbowls,
deer, the descent of man and estuaries,
flakes of snow (no two like) fire,
flax, gannets and gulls.
Honeybees and the Hoover Dam
are unique -- there is nothing like a dam.
Ditto inbreeding, ice ages, industrialization,
joshua trees, lagoons and the law
that to liken a lichen is tautological.
Indeed, the rule of diminishing simile holds
that all of these are idiosyncracies:
the Leakeys, legumes, maize, marsupials and moose.
Virtually nothing is extraneous here —
not orchids, ooze, pampas nor peat.
This is the world of plenitude and power —
every bit of it out of this world:
the rain and rattlers, sperm, swamps and swans.
As now we inch toward an end — vectors
and a winter that figures to be like no other,
say the selfsame earth is to your liking,
and let us continue — yeast, yuccas, zoons,
all things like, beyond compare.
Green the Witch-Hazel Wood:Poems -
Green the Witch-Hazel WoodPoemsFrom"Quiet Woman"
When Quiet Woman comes,
she fills my ears
with morning glories.
Morning glories
grow out my ears –
big blue trumpets
in those soft canals.
My hearing is better
than a geezer’s,
but the dog howls
when the telephone rings.
I do not answer
with a flower in my ear.
I hear only wind
and the scuttle of trinkets
she tosses my way:
garters, crosses, scars,
glimmers and brass.
Green the Witch-Hazel Wood:Poems -
Green the Witch-Hazel WoodPoemsFrom"Weird How the Word Works"
This little line got tongue-tied.
This little line is dumb.
This little line is cockeyed.
This… miracle! A blossom in the stream –
gibble gabble jaw jabber a priori blossom.
Weird how the word works.
BLOSSOM. Brainstem, blowsy,
two syllables, two lips oratorical.
Say Bloss some. Blah, blah, sum.
The blossom drums da Dum within the seed.
Hush, petal ear. Hear the earth’s ambition
creak – orchard to orchard.
Nova, Nova. It is a blooming universe.
Here is a line that opens like a starfish,
like a starfish eating sea blossoms,
embracing the blossoms and slowly,
deliciously, building the body of the world.
Green the Witch-Hazel Wood:Poems
“[Hiestand] looks beneath the surface of the familiar . . . A travel writer, poet and transplanted Southerner, Hiestand meanders, but never without intent . . . [A] spirited memoir whose whole is greater than the sum of its parts.” —The New York Times Book Review [on Angela the Upside-Down Girl]
“Categorizing The Very Rich Hours as a travel book seems at first an underestimation of its scope, but this tour de force of personal narrative is indeed an odyssey of sorts, a rich and rewarding literary journey told with the voice of a poet and the heart of a consummate observer. Hiestand has crafted a complex, yet elegant, naturalist approach to travel. This is a rare book, one that is astonishing fluid and keenly observant.” —The Boston Globe
“Green the Witch-Hazel Wood . . . is a dazzling, engaging book, wherein the chief pleasure is watching the play of Hiestand's imagination and curiosity. Constantly, she swings from earth and the quotidian to space and the larger connections of nature . . . She moves easily from the cosmic swirl to ‘the motion of a peach to become a pie.’ [This is] a bountiful group of superb poems. Like Gerard Manley Hopkins . . . Hiestand praises the diversity of the world.” —San Jose Mercury News
Selected Works
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