Eva Hoffman

1992 Winner in
Nonfiction

Eva Hoffman is the author of the best-selling memoir, Lost in Translation: A Life in a New Language (1989), and of four other non-fiction works: Exit Into History: A Journey Through the New Eastern Europe (1993), Shtetl: The Life and Death of a Small Town and an Extinguished World (1997), After Such Knowledge: Memory, History and the Legacy of the Holocaust (2004), and most recently, Time (2009). She has also published two novels, The Secret (2002) and Appassionata (2009). Eva Hoffman grew up in Cracow, Poland. After emigrating to Canada in her teens, she went on to study in the United States, receiving a PhD in English and American Literature from Harvard University. Subsequently, she worked as senior editor, writer and book reviewer on The New York Times. She has taught literature and creative writing at various universities in the U.S. and Britain, including Columbia University, University of East Anglia and MIT. Her work has been translated into several languages and she has received a Guggenheim Fellowship, a prize from the American Academy of Arts and Letters, and the Prix Italia for radio. She has written for and appeared on numerous radio and television programs and has lectured widely in the U.S., Britain and other European countries on cultural and social issues, Polish-Jewish history and psychoanalytic approaches to autobiography, language and memory.

Reviews & Praise

“A turbulent tale that grips the reader's attention. Hoffman's musical training, her sensitivity to current events, and her own traumatic life experiences combine to make for a distinctive novel that is fully worthy of our attention.” —Chicago Tribune [on Appassionata]

“Hoffman’s consistent sensitivity is informed by her wide erudition . . . The Secret is compelling throughout for Hoffman’s prose, for her insights on identity, for her reflections on history.” 
—The New York Times Book Review

“It is the enormous merit of Hoffman's book that it is free from ideological claptrap. It is beautifully written, full of word pictures that stay in the mind. She understands the way human beings have been moulded by politics, gender, race and generation.” —The Independent [on Exit into History]

Selected Works

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