Lydia Davis is the author of one novel and seven story collections, most recently, Can't and Won't (2014). Her collection Varieties of Disturbance: Stories was a finalist for the 2007 National Book Award. She is the recipient of a MacArthur fellowship, the American Academy of Arts and Letters’ Award of Merit Medal, and was named a Chevalier of the Order of the Arts and Letters by the French government for her fiction and her translations of modern writers, including Maurice Blanchot, Michel Leiris, and Marcel Proust. Lydia Davis is the winner of the 2013 Man Booker International Prize.
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Break It DownStoriesFrom"What She Knew"
People did not know what she knew, that she was not really a woman but a man, often a fat man, but more often, probably, an old man. The fact that she was an old man made it hard for her to be a young woman. It was hard for her to talk to a young man, for instance, though the young man was clearly interested in her. She had to ask herself, Why is this young man flirting with this old man?
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Break It DownStoriesFrom"City Employment"
All over the city there are old black women who have been employed to call up people at seven in the morning and ask in a muffled voice to speak to Lisa. These women are part of a larger corps of city employees engaged to call wrong numbers. The highest earner of all is an Indian from India who is able to insist that he does not have the wrong number.
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Break It DownStoriesFrom"The Housemaid"
For years we have lived together in the basement. She is the cook; I am the housemaid. We are not good servants, but no one can dismiss us because we are still better than most. My mother’s dream is that someday she will save enough money to leave me and live in the country. My dream is nearly the same, except that when I am feeling angry and unhappy I look across the table at her clawlike hands and hope that she will choke to death on her food. Then no one would be there to stop me from going into her closet and breaking open her money box. I would put on her dresses and her hats, and open the windows of her room and let the smell out.
Break It Down:Stories
"A body of work probably unique in American writing, in its combination of lucidity, aphoristic brevity, formal originality, sly comedy, metaphysical bleakness, philosophical pressure, and human wisdom. I suspect that The Collected Stories of Lydia Davis will in time be seen as one of the great, strange American literary contributions." —James Wood, The New Yorker
"No one writes a story like Lydia Davis. In the years since she began publishing her lyrical, extremely short fiction, she has quietly become one of the most impactful influences on American writers, even if they don’t know it. That’s largely because she makes economy seem so easy. You could read several of her stories into a friend’s voicemail box before you were cut off (and you should). You could fit one of her stories in this column. Some you could write on your palm." —Jonathan Messinger, Time Out Chicago
“Davis is one of the most precise and economical writers we have.” —Dave Eggers, McSweeney’s
“Davis is a magician of self-consciousness. Few writers now working make the words on the page matter more.” —Jonathan Franzen
“One of the quiet giants of American fiction.” —Los Angeles Times Book Review
Selected Works
- Print Books
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- E-Books
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