Mona Simpson was born in Green Bay, Wisconsin, then moved to Los Angeles as a young teenager. Her father was a recent immigrant from Syria and her mother was the daughter of a mink farmer and the first person in her family to attend college. Simpson went to Berkeley, where she studied poetry. She worked as a journalist before moving to New York to attend Columbia’s MFA program. During graduate school, she published her first short stories in Ploughshares, The Iowa Review, and Mademoiselle. She stayed in New York and worked as an editor at The Paris Review for five years while finishing her first novel, Anywhere But Here (1987). After that, she wrote The Lost Father (1992), A Regular Guy (1996) and Off Keck Road (2000). She is also the author of My Hollywood (2010), which she worked on for ten years, and Casebook (2014). In 2020, she was appointed publisher of The Paris Review. Her honors include a Whiting Award in Fiction, a Guggenheim Fellowship, a grant from the NEA, a Hodder Fellowship from Princeton University, a Lila Wallace Readers Digest Prize, a Chicago Tribune Heartland Prize, and a Literature Award from the American Academy of Arts and Letters.
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Anywhere But HereA Novel
At Bob’s Big Boy, one day in the summer, my mother and I pressed together in the phone booth and emptied her purse out on the metal ledge. There were hundreds of scraps of paper, pencils, leaking pens, scuffed makeup tubes, brushes woven with a fabric of lint and hair, a bra, and finally, my mother’s brown leather address book, with the pages falling out. We wanted to call my father in Las Vegas. It was already over a year since we’d flown there. The number was written, carefully, in brown ink.
Anywhere But Here:A Novel -
Anywhere But HereA Novel
I was feeling the napkin in my pocket, trying to assure myself that the cake was still there. I’d held the piece inside my pocket all the way home on the school bus. I’d held it tight. I was worried now; the napkin was still there, but it seemed empty, the cake must have somehow slipped out. My fingers dug into the pocket, touching every part of the lining. It seemed amazing, impossible. It never occurred to me that I might have crumbled it, holding too hard. Finally, while my grandmother dealt cards for double solitaire, I took the napkin out under the table and spread it open on my thighs. There was nothing but a pile of crumbs.
Anywhere But Here:A Novel -
Anywhere But HereA Novel
I passed Benny’s room every day, we kept the door shut and I was the only one who went in. I said I had to clean and I did clean every day, wiping dust with a soaked rag before it ever had a chance to settle. I oiled that old wood dresser, wiped the windowsill. We’d built the house ourselves when we were married, so it showed just how many years had gone, that wood. And then I polished each one of his things. He had that fish hanging on the wall that he caught in Florida, they each had their rifles mounted over his bed, and then there were all his models. He spent hours putting those together when he was little. He had such patience.
Anywhere But Here:A Novel
“Astute, clever, wide-ranging, sometimes funny, always sympathetic to the varieties of love and domesticity, My Hollywood will stay in the mind because it digs deep into contemporary life and manners, raising questions about how we live and what we need.” —The Washington Times
"Showcases the gifts of emotional sympathy and psychological observation that Ms. Simpson used to such enormous effect in Anywhere But Here. In fewer than 200 pages it gives us the shape and texture of two entire lives." —The New York Times [on Off Keck Road]
“Anywhere But Here is a wonder: big, complex, masterfully written, it's an achievement that lands [Simpson] in the front ranks of our best novelists.” —Newsweek
Selected Works
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