Rick Hilles

2008 Winner in
Poetry

Rick Hilles's ecent poems, translations, and essays have appeared or are forthcoming in: American Literary Review, Cimarron Review, Five Points, Kenyon Review, Literary Imagination, Michigan Quarterly Review, Narrative Magazine, New Letters, Smartish Pace, Southern Review, storySouth, and Tar River Poetry. In 2022, his chapbook My Roberto Clemente, winner of the 2020 Winter Soup Bowl competition, was published by C&R Press. In the summer of 2023, he was the recipient two returning fellowship residency opportunities to the James Merrill House in Stonington, CT and to the Bogliasco Foundation (in Bogliasco, Italy), where he read at the 2023 International Poetry Festival (in Genoa and Bogliasco).

Reviews & Praise

“Complex and symphonic, with sections and movements that unfold slowly and inform each other, the poems in Rick Hilles’ lovely second collection examine the nature of memory and the trials of coming to grips with the past. Many of the poems are narrative-based—story-like, plotted and wonderfully compelling . . . Whether sifting through his own memories or channeling the voices of the past, Hilles composes poems that, ultimately, honor history and the personal stories that lie behind it.” —BookPage [on A Map of the Lost World]

“Rick Hilles should be commended for taking on the large and risky task of writing poems on various cultures and their political histories in this book. From the Holocaust to ancient Egyptian mysteries to the work of Paul Eluard, Hilles approaches complex dimensions of history in highly crafted and brilliant poems. He is successful because he gives himself the lyrical room and forms to succeed. Each poem is different, is structured in challenging ways, and resonates with the skill and talent of a young poet coming into his own and bringing the world with him.” —Bloomsbury Review [on Brother Salvage]

”Shows the power of the narrative in poetry to remind us, in concise and elegant language, of our shared humanity . . . Between Hilles’ mastery of Keats’ ‘negative capability’ and his command of language both elegant yet clear and clean, these poems and their narrators move before the reader’s eyes, engage and entice us to listen to stories that, no matter how large or small, deserve to be heard and treasured.”
--Ohioana Quarterly [on Brother Salvage]