Named among Time magazine’s “100 Innovators for the Next Wave,” Suzan-Lori Parks is one of the most acclaimed playwrights in American drama today. She is the first African-American woman to receive the Pulitzer Prize in Drama, is a MacArthur “Genius” Award recipient, and in 2015 was awarded the prestigious Gish Prize for Excellence in the Arts. Other grants and awards include those from the National Endowment for the Arts, Rockefeller Foundation, Ford Foundation, New York State Council on the Arts and New York Foundation for the Arts. She is also a recipient of a Lila-Wallace Reader’s Digest Award, a CalArts/Alpert Award in the Arts, a Whiting Award in Drama, and a Guggenheim Foundation Grant. She is an alum of New Dramatists and of Mount Holyoke College. Parks’ project 365 Days/365 Plays (where she wrote a play a day for an entire year) was produced in over 700 theaters worldwide, creating one of the largest grassroots collaborations in theater history. Her adaptation of Gershwin’s Porgy and Bess won the 2012 Tony Award for Best Revival of a Musical. Her other plays include: Topdog/Underdog (2002 Pulitzer Prize winner); The Book of Grace; Unchain My Heart: The Ray Charles Musical; In the Blood (2000 Pulitzer Prize finalist); Venus (1996 OBIE Award); The Death of the Last Black Man in the Whole Entire World; Imperceptible Mutabilities in the Third Kingdom (1990 OBIE Award, Best New American Play); The America Play, Fucking A, and Father Comes Home From The Wars (Parts 1, 2 & 3; Horton Foote Prize, Edward M. Kenney Prize for Drama and 2015 Pulitzer Prize Finalist).

-
America Play and Other WorksFrom"The Death of the Last Black Man in the Whole Entire World"
BLACK WOMAN WITH FRIED DRUMSTICK: Yesterday today next summer tomorrow just uh moment uhgoh in 1317 dieded thuh last black man in thuh whole entire world. Uh! Oh. Dont be uhlarmed. Do not be afeared. It was painless. Uh painless passin. He falls twenty-three floors to his death. 23 floors from uh passin ship from space tuh splat on thuh pavement. He have uh head he been keeping under thuh Tee V. On his bottom pantry shelf. He have uh head that hurts. Dont fit right. Put it on tuh go tuh thuh store in it pinched him when he walks his thoughts dont got room. Why dieded he huh? Where he gonna go now that he done dieded? Where he gonna go tuh wash his hands?
The America Play (parameric)Premiered in1994- Print Books
- Powell's
- Barnes & Noble
- Alibris
- Abe Books
- Dramatists Play Service (Acting Edition)
- E-Books
- Kobo
- Google Books
- Barnes & Noble
-
America Play and Other WorksFrom"The America Play"
THE FOUNDLING FATHER AS ABRAHAM LINCOLN: There was once a man who was told that he bore a strong resemblance to Abraham Lincoln. He was tall and thinly built just like the Great Man. His legs were the longer part just like the Great Mans legs. His hands and feet were large as the Great Mans were large. The Lesser Known had several beards which he carried around in a box. The beards were his although he himself had not grown them on his face but since he’d secretly bought the hairs from his barber and arranged their beard shapes and since the procurement and upkeep of his beards took so much work he figured that the beards were completely his. Were as authentic as he was, so to speak. His beard box was of cherry wood and lined with purple velvet. He had the initials “A.L.” tooled in gold on the lid.
The America Play (parameric)Premiered in1994- Print Books
- Powell's
- Barnes & Noble
- Alibris
- Abe Books
- Dramatists Play Service (Acting Edition)
- E-Books
- Kobo
- Google Books
- Barnes & Noble
-
America Play and Other WorksFrom"The America Play"
BRAZIL: Him and Her would sit by thuh lip uhlong with thuh others all in uh row cameras clickin and theyud look down into that Hole and see – ooooo – you name it. Ever-y-day you could look down that Hole and see – ooooo you name it. Amerigo Vespucci hisself made regular appearances. Marcus Garvey. Ferdinand and Isabella. Mary Queen of thuh Scots! Tarzan King of thuh Apes! Washington Jefferson Harding and Millard Fillmore. Mistufer Columbus even. Oh they saw all thuh greats. Parading daily in thuh Great Hole of History.
The America Play (parameric)Premiered in1994- Print Books
- Powell's
- Barnes & Noble
- Alibris
- Abe Books
- Dramatists Play Service (Acting Edition)
- E-Books
- Kobo
- Google Books
- Barnes & Noble
“Father Comes Home From the Wars (Parts 1, 2 & 3), swoops, leaps, dives and soars across three endlessly stimulating hours, reimagining a turbulent turning point in American history through a cockeyed contemporary lens . . . [it] might just be the best new play I’ve seen all year . . . The wonder of Ms. Parks’s achievement is how smoothly she blends the high and the low, the serious and the humorous, the melodramatic and the grittily realistic; she, too, has eyes that go this way and that, and a voice that can transform blunt, vernacular language into fluid, flowing free verse.” —Charles Isherwood, The New York Times
"The play . . . vibrates with the clamor of big ideas, audaciously and exuberantly expressed . . . Topdog/Underdog considers nothing less than the existential traps of being African-American and male in the United States, the masks that wear the men as well as vice versa. But don't think for a second that Ms. Parks is delivering a lecture or reciting a ponderous poem . . . Topdog/Underdog is a deeply theatrical experience." —Ben Brantley, The New York Times
“In the Blood is about the way we live now, and it is truly harrowing . . . Ms. Parks's writing has grown leaner and hungrier . . . the dialogue alternates with beautifully timed and paced confessions from each character, delivered in a square of harsh white light . . . You will leave In the Blood feeling pity and terror. And because it is a work of art, you will leave thrilled, even comforted by its mastery.” —Margo Jefferson, The New York Times
Selected Works





- Print Books
- Powell's
- Barnes & Noble

- Print Books
- Powell's
- Barnes & Noble
- Alibris
- E-Books
- Kobo
- Google Books
- Barnes & Noble

- Print Books
- Powell's
- Barnes & Noble
- Alibris
- Theatre Communications Group