Thylias Moss was born in Cleveland, Ohio, on February 27, 1954. She earned a BA from Oberlin College and an MA from the University of New Hampshire. Her books of poetry include Wannabe Hoochie Mama Gallery of Realities' Red Dress Code (2016), Tokyo Butter (2006), Slave Moth: A Narrative in Verse (2004), Last Chance for the Tarzan Holler (1998), Small Congregations: New and Selected Poems (1993), Rainbow Remnants in Rock Bottom Ghetto Sky (1991), At Redbones (1990), Pyramid of Bone(1989), and Hosiery Seams on a Bowlegged Woman (1983). She is the author of a memoir, Tale of a Sky-Blue Dress (1998), and two plays, Talking to Myself (1984) and The Dolls in the Basement (1984). Among her honors are a MacArthur Fellowship, a Guggenheim Fellowship, a Dewar’s Profiles Performance Award, and a Witter Bynner Award for Poetry. She was featured in the PBS documentary The United States of Poetry. More recently, Thylias Moss discovered an enriched identity as forkergirl who in applying principles of Limited Fork Theory, the study of interacting systems, to thinking and making, produces systems of work (poams: products of act[s] of making) in which form is part of what emerges to be configured and reconfigured in collaborations with idea, access, limits and possibilities: sensory perception, time, (temporary) mergers, technologies, and space on multiple scales. Poams are both shifting (on some scale[s]) habitats and shifting (on some scale[s]) populations of habitats. To learn more, visit Limited Fork Theory at http://www.4orkology.com (also: Limited Fork Theory at http://www.4orked.com). Moss lives in Michigan.
-
Rainbow Remnants in Rock Bottom Ghetto SkyPoemsFrom"All Is Not Lost When Dreams Are"
Long ago a fish forgot what fins were good for
And flew out of the stream
It was not dreaming
It had no ambition but confusion
In Nova Scotia it lies on ice in the sun
and its eye turns white and pops out like a pearl
when it’s broiled
The Titanic is the one that got away.
Rainbow Remnants in Rock Bottom Ghetto Sky:Poems -
Rainbow Remnants in Rock Bottom Ghetto SkyPoemsFrom"The Nature of Morning"
Here’s a reason to mourn: letting the best man get
away, marrying a lesser, non-superlative groom. It
happens at every wedding. Mistakes
are any nation’s chief product. Apology
travels incognito, in the form of toothbrush, in
the form of maid, doing my dirty work for me, keeping
my hands clean, business as usual, elbows off the
table, grace before the meal in which teeth
could be innocent bystanders were they not gladiators.
All that I don’t doubt is the nature of a thing.
Rainbow Remnants in Rock Bottom Ghetto Sky:Poems -
Rainbow Remnants in Rock Bottom Ghetto SkyPoemsFrom"Miss Liberty Loses Pageant"
Should be a headline but it’s not
newsworthy, more ordinary than anchovies
gossipping olfactions of fishy scandal.
The Lady of the Harbor, Fatima rip-off
except she came first with a crown like
the one of thorns on another whose cause is
masses. Avant-garde refugee from 50’s horror
flick Attack of the 50-foot Woman, here turned
to stone fleeing Gomorrah, Gotham, some G (god-
damned) place. There she is, Miss America, your
ideal; there must be a mistake, Miss Liberty
should have won. Why was there a contest? And
what about that talent? Professional model, posed,
picture perfect. Mannequin displayed where the world
window shops. In case of emergency, break glass.
She lost her fire. Holds an ice-cream cone.
Maybe she’ll court Prometheus, this green old
paradoxical maid in Spinster Army uniform.
Rainbow Remnants in Rock Bottom Ghetto Sky:Poems
"Through the course of this emotionally arresting poetry sequence . . . it's that young woman's complexity and confusion that make Slave Moth one of the most profoundly startling and beautifully rendered of the neo-slave narratives." —The San Francisco Chronicle
"[Moss] is a poet of many gifts and she produces a poetry that takes risks. Last Chance for the Tarzan Holler is strikingly expansive . . . " —Judith Kitchen, The Georgia Review
“ . . . Moss ponders large philosophical questions like the nature of good and evil . . . her analysis of her own surrender is impressive in its depth and unwillingness to settle for the simple role of victim . . .” —Paula Friedman, The New York Times Book Review [on Tale of a Sky-Blue Dress]
“Thylias Moss is a poet who perpetually delights and astonishes me, with a wit comparable to that of Canadian poet Anne Carson. Her hallucinatory force is difficult to describe, her originality being so enormous.” —Harold Bloom, African-American Poets: Volume 2
Selected Works
- Print Books
- Find your local bookstore (via IndieBound)
- Print Books
- Find your local bookstore (via IndieBound)
- Powell's
- Barnes & Noble
- Alibris
- Abe Books
- E-Books
- Kobo
- Barnes & Noble