Benjamin Percy is the author of four novels: The Dark Net (Houghton Mifflin Harcourt, 2017), The Dead Lands, a post-apocalyptic reimagining of the Lewis and Clark passage (Grand Central/Hachette, 2015), Red Moon (Grand Central/Hachette, 2013) and The Wilding (Graywolf Press, 2010), two books of short stories, Refresh, Refresh (Graywolf Press, 2007) and The Language of Elk (Grand Central/Hachette, 2012; Carnegie Mellon University Press, 2006), and one book of essays, Thrill Me (Graywolf Press, 2016). His fiction and nonfiction have been read on National Public Radio, performed at Symphony Space, and published by Esquire (where he is a contributing editor), GQ, Time, Men’s Journal, Outside, The Wall Street Journal, The Paris Review, McSweeney’s, Ploughshares, Glimmer Train, and Tin House. He also writes for the comic books Green Arrow and Teen Titans. His honors include a fellowship from the National Endowment for the Arts, two Pushcart Prizes, the Plimpton Prize, and inclusion in Best American Short Stories and Best American Comics. He is adapting Red Moon as a series with Oscar-winner Akiva Goldsman (A Beautiful Mind, I am Legend) and producer Ilene Staple for FOX TV. He is also currently at work on the screenplay adaptation of The Wilding for filmmaker Tanya Wexler (Hysteria). He has taught at the Iowa Writers’ Workshop. He is currently the writer-in-residence at St. Olaf College and teaches in the low-residency MFA program at Pacific University.
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The WildingA Novel
“You see my grandson over there.” Justin’s father humps his chin in Graham’s direction without taking his eyes off Seth. “You don’t want him to see what the inside of your skull looks like, do you?”
“You’d never do that,” Seth says. “I could walk right up to that rifle and stick my finger in it and you’d never do a thing.”
“Come on and try.”
“You’re so full of it.”
Then his father swings the barrel left and fires. The crack of the gunshot is followed by the chime of glass shattering, falling from the red pickup, its left headlight destroyed.
For a moment Seth stares at his truck. “You’ll fucking pay for that,” he says.
The Wilding:A Novel -
The WildingA Novel
Justin watches him in silence. There is something in his son’s face. A tightening of his jaw and a flaring of his nostrils that foretells what will come. He isn’t going to ask permission. He is going to shoot. It makes him seem faraway and unfamiliar. He is so enchanted by the desire to kill—the same acute and forceful feeling that drove primitive man to bring a blade of obsidian to a stick and sharpen it—that his current life, his school and his bicycle and his bedroom with the desk scored from the snarl of his pencil and the giant beer mug filled with brown pennies and the movie-monster posters hanging on the wall, has become nothing but a tiny black fly he brushes aside with his hand before bringing it to the stock and tightening his finger around the trigger.
The Wilding:A Novel -
The WildingA Novel
Justin waits for him to say something more and soon he does, when walking about the campsite, kicking through its remains. “Bears don’t unscrew a jar of peanut butter. They don’t unpeel a stick of jerky. Bears don’t drink a Pabst Blue Ribbon and neither do I.” He peers around the cooler and knocks closed its lid. “And bears don’t steal whiskey.”
The Wilding:A Novel
“No question this is speculative fiction on steroids, a muscular political allegory for a post 9/11 world. In Percy’s plagued fictional reality the allegorical connections to current affairs are complex and clever. Read lycans as citizens fighting against occupation, or lycans as immigrants fighting for their rights or lycans as any ‘other’ fighting for identity in a world where fear and ignorance rule; or all of the above.” —The Minneapolis Star Tribune [on Red Moon]
“If it’s a thriller you’re after, The Wilding doesn’t disappoint, taking a story as old as the woods and fashioning it into something a bit sleeker and more psychological—a bit closer to where we live.” —Los Angeles Times
“What makes [‘Refresh, Refresh’] different, though, is that it deals neither with the soldiers nor with parents who have lost sons, but with the next generation, the sons of those called up to fight from the National Guard in the small fictional town of Tumalo . . . This devastating story plays out in surprising yet utterly convincing ways, and in it you get a glimpse of what life is like not only in the high desert of Oregon (where Percy was brought up), but in rural towns all over this country—where life chugs along in a kind of orderly boredom and people spend their leisure time in the wild, hunting and fishing.” —Roberta Silman, The Boston Globe [on Refresh, Refresh]
Selected Works
- Print Books
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- Bookshop
- Print Books
- Find your local bookstore (via IndieBound)
- Bookshop
- Print Books
- Find your local bookstore (via IndieBound)
- Bookshop