Benjamin Percy

2008 Winner in
Fiction

Benjamin Percy is the author of four novels: The Dark Net (Houghton Mifflin Harcourt, 2017), The Dead Lands, a post-apocalyptic reimagining of the Lewis and Clark passage (Grand Central/Hachette, 2015), Red Moon (Grand Central/Hachette, 2013) and The Wilding (Graywolf Press, 2010), two books of short stories, Refresh, Refresh (Graywolf Press, 2007) and The Language of Elk (Grand Central/Hachette, 2012; Carnegie Mellon University Press, 2006), and one book of essays, Thrill Me (Graywolf Press, 2016). His fiction and nonfiction have been read on National Public Radio, performed at Symphony Space, and published by Esquire (where he is a contributing editor), GQ, Time, Men’s Journal, Outside, The Wall Street Journal, The Paris Review, McSweeney’s, Ploughshares, Glimmer Train, and Tin House. He also writes for the comic books Green Arrow and Teen Titans. His honors include a fellowship from the National Endowment for the Arts, two Pushcart Prizes, the Plimpton Prize, and inclusion in Best American Short Stories and Best American Comics. He is adapting Red Moon as a series with Oscar-winner Akiva Goldsman (A Beautiful Mind, I am Legend) and producer Ilene Staple for FOX TV. He is also  currently at work on the screenplay adaptation of The Wilding for filmmaker Tanya Wexler (Hysteria). He has taught at the Iowa Writers’ Workshop. He is currently the writer-in-residence at St. Olaf College and teaches in the low-residency MFA program at Pacific University.

Photo Credit:
Jennifer May
Reviews & Praise

“No question this is speculative fiction on steroids, a muscular political allegory for a post 9/11 world. In Percy’s plagued fictional reality the allegorical connections to current affairs are complex and clever. Read lycans as citizens fighting against occupation, or lycans as immigrants fighting for their rights or lycans as any ‘other’ fighting for identity in a world where fear and ignorance rule; or all of the above.” —The Minneapolis Star Tribune [on Red Moon]

“If it’s a thriller you’re after, The Wilding doesn’t disappoint, taking a story as old as the woods and fashioning it into something a bit sleeker and more psychological—a bit closer to where we live.” —Los Angeles Times

“What makes [‘Refresh, Refresh’] different, though, is that it deals neither with the soldiers nor with parents who have lost sons, but with the next generation, the sons of those called up to fight from the National Guard in the small fictional town of Tumalo . . . This devastating story plays out in surprising yet utterly convincing ways, and in it you get a glimpse of what life is like not only in the high desert of Oregon (where Percy was brought up), but in rural towns all over this country—where life chugs along in a kind of orderly boredom and people spend their leisure time in the wild, hunting and fishing.” —Roberta Silman, The Boston Globe [on Refresh, Refresh]