Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Some of the subjects covered during Gamal’s hour of talk: the great friendship they will have; the difficulty Gamal has accepting Ib’s name—he prefers to call him Ibrahim; the movies of Kaleemt Ishtwud; the language of Arabic, which Gamal will make Ib speak like one good Arab Man, which Gamal says is the language everyone in the world knows; felucca rides on the Nile; the English language, the greatest language on earth, which Ib will teach Gamal to speak like on good English Man; this great beauty the singer Paula Abdul, but what is she a servant of (abdul means “servant of”) and how can we make her visit our house which we will build together near the Pyramids; the Pyramids, which Gamal feels one moment are the great monuments of the world we know, the next moment, garbage heaps, where bad people sell bad things that do not make Egypt look good; the right of a man to marry a woman for a few weeks, a very necessary right, men are much stronger and fairer this way, men grow beards more quickly, men walk in straight lines.
The street deserted. Nobody,
only you and one last
dirt colored robin,
fastened to its branch
against the wind. It seems
you have arrived
late, the city unfamiliar,
the address lost.
And you made such a serious effort –
pondered the obstacles deeply,
tried to be your own critic.
Yet no one came to listen.
Maybe they came, and then left.
After you traveled so far,
just to be there.
It was a failure, that is what they will say.
And we divorced in the survives and O
It was a comedy and first you ever slept with me
And marry me and marry me and O
How fat I used to be
Child or woman. Memory or need. Today, again, I can see you
in her eyes, today her eyes again pursue the ground, look
for some sign, some path to follow away from her route.
Her sweatshirt is zipped to the throat and I am realizing that
we are both then, somehow ashamed of what has suddenly happened
between us. And I’m slowing down a little, as if to let
the spring sun catch up to these hands on the steering wheel,
to these hands that will not ever stop needing breasts to
make them hands, as if to uncover my mouth
and yell across the lawns to her.
Faye fell to the deck in slow motion. It took forever for this part to end. “Hold still,” he warned as he cut her out of her clothes, the blade cool against her belly. “You won’t be needing these,” he said, and she knew rape wasn’t the last thing. She knew he intended to kill. That was next, when he had done with her. It meant something to him to know he was disgusting her now, hurting her, terrorizing her, it was why he did it, why he kept his eyes on her face, as he labored over her, his good arm corded and trembling, the point of the knife at her throat. She stared up past him to the square of sky framed by the hatch, waiting for it to be over, this now, waiting for the next thing, her next chance, her last chance.
By the time he was infamous enough to sell out bullfighting arenas, the Caruso C was a sort of burlesque number. He would inch to it from the frequencies below, nearly embrace the note, and then flat a bit before trumpeting, C! with full tenor fury. Toscanini chided him for grandstanding, but this in-and-out tease worked well with German and Latin American houses, which particularly enjoyed the punishment of a loud flirtation.
Some of the subjects covered during Gamal’s hour of talk: the great friendship they will have; the difficulty Gamal has accepting Ib’s name—he prefers to call him Ibrahim; the movies of Kaleemt Ishtwud; the language of Arabic, which Gamal will make Ib speak like one good Arab Man, which Gamal says is the language everyone in the world knows; felucca rides on the Nile; the English language, the greatest language on earth, which Ib will teach Gamal to speak like on good English Man; this great beauty the singer Paula Abdul, but what is she a servant of (abdul means “servant of”) and how can we make her visit our house which we will build together near the Pyramids; the Pyramids, which Gamal feels one moment are the great monuments of the world we know, the next moment, garbage heaps, where bad people sell bad things that do not make Egypt look good; the right of a man to marry a woman for a few weeks, a very necessary right, men are much stronger and fairer this way, men grow beards more quickly, men walk in straight lines.
The street deserted. Nobody,
only you and one last
dirt colored robin,
fastened to its branch
against the wind. It seems
you have arrived
late, the city unfamiliar,
the address lost.
And you made such a serious effort –
pondered the obstacles deeply,
tried to be your own critic.
Yet no one came to listen.
Maybe they came, and then left.
After you traveled so far,
just to be there.
It was a failure, that is what they will say.
And we divorced in the survives and O
It was a comedy and first you ever slept with me
And marry me and marry me and O
How fat I used to be
Child or woman. Memory or need. Today, again, I can see you
in her eyes, today her eyes again pursue the ground, look
for some sign, some path to follow away from her route.
Her sweatshirt is zipped to the throat and I am realizing that
we are both then, somehow ashamed of what has suddenly happened
between us. And I’m slowing down a little, as if to let
the spring sun catch up to these hands on the steering wheel,
to these hands that will not ever stop needing breasts to
make them hands, as if to uncover my mouth
and yell across the lawns to her.
Faye fell to the deck in slow motion. It took forever for this part to end. “Hold still,” he warned as he cut her out of her clothes, the blade cool against her belly. “You won’t be needing these,” he said, and she knew rape wasn’t the last thing. She knew he intended to kill. That was next, when he had done with her. It meant something to him to know he was disgusting her now, hurting her, terrorizing her, it was why he did it, why he kept his eyes on her face, as he labored over her, his good arm corded and trembling, the point of the knife at her throat. She stared up past him to the square of sky framed by the hatch, waiting for it to be over, this now, waiting for the next thing, her next chance, her last chance.
By the time he was infamous enough to sell out bullfighting arenas, the Caruso C was a sort of burlesque number. He would inch to it from the frequencies below, nearly embrace the note, and then flat a bit before trumpeting, C! with full tenor fury. Toscanini chided him for grandstanding, but this in-and-out tease worked well with German and Latin American houses, which particularly enjoyed the punishment of a loud flirtation.