Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
On the way home, going,
with the hill & mammoth clouds
behind me, rushing to the house
before the rain, those beautiful Pakistani girls,
their faces happy as poppies, I thought, those girls
rushing home as I was rushing home
to beat the first small pieces
of rain falling down
like nickels in departing light. There
was the laughing of the beautiful girls,
shrieking gulls, five or six of them (depending
on whether I count myself), the bright
& shining planets of their dresses
lifting, just so, in the wind. & their black hairs.
& the black sound of horses, horses
hoofing it home, the click
& clop of their patent leather hooves—Still, it touches
my ear, this sound. I touch
my heart. I can’t stop touching
my heart & saying, Today is my birthday,
you see? For the beautiful clamor of planets
dressed as girls who, running home, have heads.
Whose heads swing black night, running home
on the black feet of horses, from the rain.
Now I understand. Today is my birthday.
It is Thursday, my day. My black day.
There are no limits to our verbs, our forms:
think of the knife
that slits an orange or bundled iris stems, the one strapped
to the rooster’s varnished spur. The dagger, poniard, dirk.
Edge that snips the line, whittles an owl, juliennes, traces a lip.
A cut, an incision, a gouge. In Sudan, the story goes, when the slogan
of reform was The Future’s in Your Hands, men scavenged the streets
waving machetes, hacking off hands above the wrist, asking
How will you hold the future now? The stiletto, the skean, the scythe,
The choosing, the mark, the tool. Beneath a concrete bridge,
shirtless & drunk, a boy works his way through the swallows’ nests,
slashing until each mud cone-shape drops into the river, dissolves.
Yet to say so is hardly enough. To say pigsticker’s, bayonet, shiv.
The movie is entertaining and intriguing. At four points during it I rotate my eyes to observe Rebecca. The monitor is mirrored on her glasses and behind them her eyes are very wide. Although I am a more experienced programmer, I am certain her ideas on the movie are more complex than mine.
MERRICK
(resumptive)
So that's why I'm running. To dismantle the institutions that have enslaved us and humiliated us and conned us out of our money for far too long.
WATSON
You're running for election to the government so you can dismantle the government?
MERRICK
(no hesitation, total confidence)
Yes.
WATSON smiles pleasantly.
WATSON
Cool. Good luck.
When I say my wives are cages, I don’t mean I’m a bird.
Collapsible shelves, they hide their usefulness when not
in use. All my wives contain terrariums: terrible and fetid
atmospheres in which their salamander selves linger atop
damp rocks. Their hands are damp as the tissues they ball
in their hands, though none of my wives could make a fist,
not even if I asked, no, not even if I commanded them to,
an amusing idea I must someday revisit. My wives are like
the Small Mammal House at the zoo, their rooms kept dark
so visitors may view their nocturnal truths, that anonymous
wakefulness we sleepers do not care to know. None of my
wives are like lanterns, nor do their ribs sing with canaries...
On the way home, going,
with the hill & mammoth clouds
behind me, rushing to the house
before the rain, those beautiful Pakistani girls,
their faces happy as poppies, I thought, those girls
rushing home as I was rushing home
to beat the first small pieces
of rain falling down
like nickels in departing light. There
was the laughing of the beautiful girls,
shrieking gulls, five or six of them (depending
on whether I count myself), the bright
& shining planets of their dresses
lifting, just so, in the wind. & their black hairs.
& the black sound of horses, horses
hoofing it home, the click
& clop of their patent leather hooves—Still, it touches
my ear, this sound. I touch
my heart. I can’t stop touching
my heart & saying, Today is my birthday,
you see? For the beautiful clamor of planets
dressed as girls who, running home, have heads.
Whose heads swing black night, running home
on the black feet of horses, from the rain.
Now I understand. Today is my birthday.
It is Thursday, my day. My black day.
There are no limits to our verbs, our forms:
think of the knife
that slits an orange or bundled iris stems, the one strapped
to the rooster’s varnished spur. The dagger, poniard, dirk.
Edge that snips the line, whittles an owl, juliennes, traces a lip.
A cut, an incision, a gouge. In Sudan, the story goes, when the slogan
of reform was The Future’s in Your Hands, men scavenged the streets
waving machetes, hacking off hands above the wrist, asking
How will you hold the future now? The stiletto, the skean, the scythe,
The choosing, the mark, the tool. Beneath a concrete bridge,
shirtless & drunk, a boy works his way through the swallows’ nests,
slashing until each mud cone-shape drops into the river, dissolves.
Yet to say so is hardly enough. To say pigsticker’s, bayonet, shiv.
The movie is entertaining and intriguing. At four points during it I rotate my eyes to observe Rebecca. The monitor is mirrored on her glasses and behind them her eyes are very wide. Although I am a more experienced programmer, I am certain her ideas on the movie are more complex than mine.
MERRICK
(resumptive)
So that's why I'm running. To dismantle the institutions that have enslaved us and humiliated us and conned us out of our money for far too long.
WATSON
You're running for election to the government so you can dismantle the government?
MERRICK
(no hesitation, total confidence)
Yes.
WATSON smiles pleasantly.
WATSON
Cool. Good luck.
When I say my wives are cages, I don’t mean I’m a bird.
Collapsible shelves, they hide their usefulness when not
in use. All my wives contain terrariums: terrible and fetid
atmospheres in which their salamander selves linger atop
damp rocks. Their hands are damp as the tissues they ball
in their hands, though none of my wives could make a fist,
not even if I asked, no, not even if I commanded them to,
an amusing idea I must someday revisit. My wives are like
the Small Mammal House at the zoo, their rooms kept dark
so visitors may view their nocturnal truths, that anonymous
wakefulness we sleepers do not care to know. None of my
wives are like lanterns, nor do their ribs sing with canaries...