Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Turn signals blink through ice in the skin.
Snake dreams uncoil,
burrow into the spine of books.
Night spills from cracked eggs.
Thin hands vein oars in a canyon bed.
We follow deer tracks back to the insertion of her tongue.
I have come to see family history as similar to architecture in certain ways. Like architecture, it is quiet. It encompasses, but does not necessarily demand attention. You might not even notice that it’s there. Like architecture, too, family history can suddenly loom into consciousness. For example, you can sit in the New York Public Library at Forty-second Street—designed by Carrère & Hastings, and perhaps the greatest building in New York—with your nose in a book, or busy with the catalogue and transactions with clerks, all the while oblivious of the splendid interior around you. You can forget it utterly, or perhaps not have noticed it at all that day, and then, casually looking up, be astonished, even momentarily disoriented by what you see. So it is with family history. One can go about one’s life with no thought of the past, and then, as if waking from a dream, be astonished to see that you are living within its enclosure.
…one morning at the very end I heard him calling me in the rain. He was on top of our house in boxer shorts, yelling. Our neighbor tried to drive him off the roof by throwing a pot of geraniums at him. My dad started ripping apart the chimney and pitching bricks down on me and everybody else on the front lawn. We had to call the authorities. For a while he thought he was Jesus in a hospital called St. Judas, but it was really St. Jude’s and my dad, of course, wasn’t Jesus.
People in the street referred to her as al-tarsha, the deaf woman, and, among the Arabs in the marketplace, everyone and everything in her household was known in elation to the tarsha: the deaf woman’s father, the deaf woman’s home, her maid, her bicycle, her car, her husband. The motorcycle with which she had won an exhibition race on the Corniche in the early forties and which was later sold to a neighbor continued to be known as the tarsha’s mutusikl. When I was old enough to walk alone on the streets of Ibrahimieh, I discovered that I too was known as the tarsha’s son.
By our second day at Camp Crescendo, the girls in my Brownie troop had decided to kick the asses of each and every girl in Brownie Troop 909. Troop 909 was doomed from the first day of camp; they were white girls, their complexions a blend of ice cream: strawberry, vanilla. They turtled out from their bus in pairs, their rolled-up sleeping bags chromatized with Disney characters: Sleeping Beauty, Snow White, Mickey Mouse; or the generic ones cheap parents bought: washed-out rainbows, unicorns, curly-eyelashed frogs. Some clutched Igloo coolers and still others held on to stuffed toys like pacifiers, looking all around them like tourists determined to be dazzled.
MR. GREEN: Two verbs! Granted, they are irregular. But that’s no excuse, for these forms —
Do. Not. Change.
They are immutable!
More reliable than the people in your lives. More stable than governments. More dependable than churches or philosophies. These verbs are your deliverance!
Commit these patterns to memory. Determine the person, the number, the tense. Then remember the form. That’s all there is. To conjugation.
Conjugation. Such a beautiful word. Such a beautiful act.
Turn signals blink through ice in the skin.
Snake dreams uncoil,
burrow into the spine of books.
Night spills from cracked eggs.
Thin hands vein oars in a canyon bed.
We follow deer tracks back to the insertion of her tongue.
I have come to see family history as similar to architecture in certain ways. Like architecture, it is quiet. It encompasses, but does not necessarily demand attention. You might not even notice that it’s there. Like architecture, too, family history can suddenly loom into consciousness. For example, you can sit in the New York Public Library at Forty-second Street—designed by Carrère & Hastings, and perhaps the greatest building in New York—with your nose in a book, or busy with the catalogue and transactions with clerks, all the while oblivious of the splendid interior around you. You can forget it utterly, or perhaps not have noticed it at all that day, and then, casually looking up, be astonished, even momentarily disoriented by what you see. So it is with family history. One can go about one’s life with no thought of the past, and then, as if waking from a dream, be astonished to see that you are living within its enclosure.
…one morning at the very end I heard him calling me in the rain. He was on top of our house in boxer shorts, yelling. Our neighbor tried to drive him off the roof by throwing a pot of geraniums at him. My dad started ripping apart the chimney and pitching bricks down on me and everybody else on the front lawn. We had to call the authorities. For a while he thought he was Jesus in a hospital called St. Judas, but it was really St. Jude’s and my dad, of course, wasn’t Jesus.
People in the street referred to her as al-tarsha, the deaf woman, and, among the Arabs in the marketplace, everyone and everything in her household was known in elation to the tarsha: the deaf woman’s father, the deaf woman’s home, her maid, her bicycle, her car, her husband. The motorcycle with which she had won an exhibition race on the Corniche in the early forties and which was later sold to a neighbor continued to be known as the tarsha’s mutusikl. When I was old enough to walk alone on the streets of Ibrahimieh, I discovered that I too was known as the tarsha’s son.
By our second day at Camp Crescendo, the girls in my Brownie troop had decided to kick the asses of each and every girl in Brownie Troop 909. Troop 909 was doomed from the first day of camp; they were white girls, their complexions a blend of ice cream: strawberry, vanilla. They turtled out from their bus in pairs, their rolled-up sleeping bags chromatized with Disney characters: Sleeping Beauty, Snow White, Mickey Mouse; or the generic ones cheap parents bought: washed-out rainbows, unicorns, curly-eyelashed frogs. Some clutched Igloo coolers and still others held on to stuffed toys like pacifiers, looking all around them like tourists determined to be dazzled.
MR. GREEN: Two verbs! Granted, they are irregular. But that’s no excuse, for these forms —
Do. Not. Change.
They are immutable!
More reliable than the people in your lives. More stable than governments. More dependable than churches or philosophies. These verbs are your deliverance!
Commit these patterns to memory. Determine the person, the number, the tense. Then remember the form. That’s all there is. To conjugation.
Conjugation. Such a beautiful word. Such a beautiful act.