Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Daddy was often eager to play catch, since he felt society expected this from a loving, caring father. A confidence that soared and a glovehand that fell, still there was no baseball near either. Duplicity has killed more black men than gin. In a southpaw, what they appreciate most is this sort of "live arm." From his mouth words rushed like richly fed rapids, leaving him ever vulnerable to ascription.
To remain :: is to grieve
:: is to answer
:: what side of the río
we crown
:: or
:: where your ancestors
Coffin
Because there were no available roles for a woman who drove men wild and enjoyed them in bed by the dozen and gave as good as she got and didn’t want to marry and never suffered for any of it, Mae West had to become a writer before she could be a movie star. She began her literary career with a sketch for a vaudeville act in 1913, when she was twenty and her fame still rested largely on her ability to perform a well-advertised “muscle dance in a sitting position.” By the time her first successful theatrical opus, entitled Sex, got her arrested in New York, in 1927, she’d been honing her playwriting skill alongside her nonpareil shimmy and cooch for over a decade.
Go Ju go Ju go.
Lightskinned Rainbow
eclipsed Tick Tock,
his chocolate walk-partner.
Incestuous Pootchie and Tan.
Both Frogs. Squirrel. Crazy ass Sponge.
Bama Duke’s lopsided,
sticky daughter, Peaches.
Out b-shaped barber,
Blinky. We miss you,
Missy, rest in peace.
John Rocks-on-Rocks.
The Young Dillingers.
Freckles versus Baby Tim.
Cabalou stuttering,
i-m-m-mi-t-ta-ting Johnny Lips.
Hillbilly, Lefty, Itchy and Skip.
Dootie Bug’s first
baby’s mama, leaving.
Tootie had Fin.
I pictured in my mind the house at the bottom of the hill, a dark house I had not set foot inside for many years, a house as large and spacious as a medieval fortress, with enough square footage for at least one or two more Catholic families. It was not a cheaply built house, as my adoptive father liked to say. It did not come cheaply built. My parents are somewhat rich, but, like most Midwesterners, they are the cheapest people I have ever known. Despite their lack of financial stress, they are extravagant in their cheapness, their discount-hunting, their coupon-scissoring, their manuals on how to save. It was important, they said, to think about the catastrophic future, to always have a backup account filled with hundreds of thousands of dollars. To think about it too much depressed me. My entire existence was infected by this cheapness, this so-called frugality. Of course, it would be wrong not to acknowledge that these values of cheapness or frugality were what allowed once-orphans like myself and my now-dead adoptive brother to grow up, and to thrive even, in the comfort and security of the not cheaply built house. But there would be no more thriving for us, as one of us was dead.
Daddy was often eager to play catch, since he felt society expected this from a loving, caring father. A confidence that soared and a glovehand that fell, still there was no baseball near either. Duplicity has killed more black men than gin. In a southpaw, what they appreciate most is this sort of "live arm." From his mouth words rushed like richly fed rapids, leaving him ever vulnerable to ascription.
To remain :: is to grieve
:: is to answer
:: what side of the río
we crown
:: or
:: where your ancestors
Coffin
Because there were no available roles for a woman who drove men wild and enjoyed them in bed by the dozen and gave as good as she got and didn’t want to marry and never suffered for any of it, Mae West had to become a writer before she could be a movie star. She began her literary career with a sketch for a vaudeville act in 1913, when she was twenty and her fame still rested largely on her ability to perform a well-advertised “muscle dance in a sitting position.” By the time her first successful theatrical opus, entitled Sex, got her arrested in New York, in 1927, she’d been honing her playwriting skill alongside her nonpareil shimmy and cooch for over a decade.
Go Ju go Ju go.
Lightskinned Rainbow
eclipsed Tick Tock,
his chocolate walk-partner.
Incestuous Pootchie and Tan.
Both Frogs. Squirrel. Crazy ass Sponge.
Bama Duke’s lopsided,
sticky daughter, Peaches.
Out b-shaped barber,
Blinky. We miss you,
Missy, rest in peace.
John Rocks-on-Rocks.
The Young Dillingers.
Freckles versus Baby Tim.
Cabalou stuttering,
i-m-m-mi-t-ta-ting Johnny Lips.
Hillbilly, Lefty, Itchy and Skip.
Dootie Bug’s first
baby’s mama, leaving.
Tootie had Fin.
I pictured in my mind the house at the bottom of the hill, a dark house I had not set foot inside for many years, a house as large and spacious as a medieval fortress, with enough square footage for at least one or two more Catholic families. It was not a cheaply built house, as my adoptive father liked to say. It did not come cheaply built. My parents are somewhat rich, but, like most Midwesterners, they are the cheapest people I have ever known. Despite their lack of financial stress, they are extravagant in their cheapness, their discount-hunting, their coupon-scissoring, their manuals on how to save. It was important, they said, to think about the catastrophic future, to always have a backup account filled with hundreds of thousands of dollars. To think about it too much depressed me. My entire existence was infected by this cheapness, this so-called frugality. Of course, it would be wrong not to acknowledge that these values of cheapness or frugality were what allowed once-orphans like myself and my now-dead adoptive brother to grow up, and to thrive even, in the comfort and security of the not cheaply built house. But there would be no more thriving for us, as one of us was dead.