Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
He could be cruel. I once saw him blow pepper in the cat’s face. He loathed that cat, a surly, untrainable tom found in the street. But he was fond of another creature we took in, an orphaned nestling sparrow. Against expectations, the bird survived and learned to fly. But, afraid that it would not know how to fend for itself outdoors, we decided to keep it. My father sometimes sat by its cage, watching the bird and cooing to it in Chinese. My mother was amused. “You see: He has more to say to that bird than to us!” The emperor and his nightingale, she called them. “The Chinese have always loved their birds.” (What none of us knew: At that very moment in China keeping pet birds had been prohibited as a bourgeois affectation, and sparrows were being exterminated as pests.)
My ex answers your call like shit is sweet, says, Good to hear from you, so fake you want to reach through the receiver. Next thing, she drops the phone minus nary a pardon and leaves you on an indefinite hold soundtracked by the blare of some rap video cranked beyond good sense. Meanwhile, you carry the noisy cordless into another room, crack the blinds, and watch a pair of baseheads, both thin as antennas, push a half-wrecked sedan down the street. The baseheads, they’ve got the sedan’s doors flung open, and seethe at each other across a scrappy ragtop roof. Farther, they jog their hooptie to a slow cruise, jump in on the run, and sputter off. It’s still plenty of lightweight action on the set. The old lady dressed in a who-gives-a-what-about-the-heat getup (down coat, snow boots, thick wool scarf) tugging a shopping cart full of thrashed cans. Down a ways, boys riding wheelies for distance on dirt bikes with mismatched rims.
I know snow as soap opera, the comedy
of white heap shovelled into strophe
and anti-strophe for long blocks – snow
as envy, a shaken blanket making a lasting
echo over clean avenues.
Alone in a London museum, I saw a watercolor of twin
flames, one black, one a gauzy red,
only to learn the title is Boats at Sea. It's like how
sometimes I forget you're gone.
But it's not like that, is it? Not at all. When in this world
similes carry us nowhere.
And now I see again the boy pelting through those galleries
a boy not you, a flash of red, red, chasing, or being chased—
Or did I invent him? Mischief companion. Brother.
Listen to me
plead for your life though even in the dream I know you're
already dead.
How do I insure my desire for grief is never satisfied? Was
Priam's ever?
I tell my friend, I want the page itself to burn.
When the gates fly open the horses are like a freak storm moving over the track together, their legs attended by a cloud of dust that they trail behind them, their jockeys’ colors flashing kaleidoscopically in the sunlight. The loudness of their pounding takes me by surprise. It overwhelms even the crowd. I am so stunned by the sight of them that by the time I collect myself, they have disappeared around the turn. We who are sitting close to the wire stand there listening to the call, waiting for them to reappear.
While I sit with all the other patients in the waiting room, I always think that I will ask Dr. Wald what exactly is happening to my eyes, but when I go into his examining room alone it is dark, with a circle of light on the wall, and the doctor is standing with his back to me arranging silver instruments on a cloth. The big chair is empty for me to go sit in, and each time I feel as if I have gone into a dream straight from being awake, the way you do sometimes at night, and I go to the chair without saying anything.
He could be cruel. I once saw him blow pepper in the cat’s face. He loathed that cat, a surly, untrainable tom found in the street. But he was fond of another creature we took in, an orphaned nestling sparrow. Against expectations, the bird survived and learned to fly. But, afraid that it would not know how to fend for itself outdoors, we decided to keep it. My father sometimes sat by its cage, watching the bird and cooing to it in Chinese. My mother was amused. “You see: He has more to say to that bird than to us!” The emperor and his nightingale, she called them. “The Chinese have always loved their birds.” (What none of us knew: At that very moment in China keeping pet birds had been prohibited as a bourgeois affectation, and sparrows were being exterminated as pests.)
My ex answers your call like shit is sweet, says, Good to hear from you, so fake you want to reach through the receiver. Next thing, she drops the phone minus nary a pardon and leaves you on an indefinite hold soundtracked by the blare of some rap video cranked beyond good sense. Meanwhile, you carry the noisy cordless into another room, crack the blinds, and watch a pair of baseheads, both thin as antennas, push a half-wrecked sedan down the street. The baseheads, they’ve got the sedan’s doors flung open, and seethe at each other across a scrappy ragtop roof. Farther, they jog their hooptie to a slow cruise, jump in on the run, and sputter off. It’s still plenty of lightweight action on the set. The old lady dressed in a who-gives-a-what-about-the-heat getup (down coat, snow boots, thick wool scarf) tugging a shopping cart full of thrashed cans. Down a ways, boys riding wheelies for distance on dirt bikes with mismatched rims.
I know snow as soap opera, the comedy
of white heap shovelled into strophe
and anti-strophe for long blocks – snow
as envy, a shaken blanket making a lasting
echo over clean avenues.
Alone in a London museum, I saw a watercolor of twin
flames, one black, one a gauzy red,
only to learn the title is Boats at Sea. It's like how
sometimes I forget you're gone.
But it's not like that, is it? Not at all. When in this world
similes carry us nowhere.
And now I see again the boy pelting through those galleries
a boy not you, a flash of red, red, chasing, or being chased—
Or did I invent him? Mischief companion. Brother.
Listen to me
plead for your life though even in the dream I know you're
already dead.
How do I insure my desire for grief is never satisfied? Was
Priam's ever?
I tell my friend, I want the page itself to burn.
When the gates fly open the horses are like a freak storm moving over the track together, their legs attended by a cloud of dust that they trail behind them, their jockeys’ colors flashing kaleidoscopically in the sunlight. The loudness of their pounding takes me by surprise. It overwhelms even the crowd. I am so stunned by the sight of them that by the time I collect myself, they have disappeared around the turn. We who are sitting close to the wire stand there listening to the call, waiting for them to reappear.
While I sit with all the other patients in the waiting room, I always think that I will ask Dr. Wald what exactly is happening to my eyes, but when I go into his examining room alone it is dark, with a circle of light on the wall, and the doctor is standing with his back to me arranging silver instruments on a cloth. The big chair is empty for me to go sit in, and each time I feel as if I have gone into a dream straight from being awake, the way you do sometimes at night, and I go to the chair without saying anything.