Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
While I sit with all the other patients in the waiting room, I always think that I will ask Dr. Wald what exactly is happening to my eyes, but when I go into his examining room alone it is dark, with a circle of light on the wall, and the doctor is standing with his back to me arranging silver instruments on a cloth. The big chair is empty for me to go sit in, and each time I feel as if I have gone into a dream straight from being awake, the way you do sometimes at night, and I go to the chair without saying anything.
The deaf hear only in their dreams. I am sure
I can hear nothing. My how the mountain leaps
towards the sea and the little village below.
Who sang for the white plate my father tossed
at my sister’s shadow? What funeral is held
for a broken compass? When cutting onions,
leave a candle lit somewhere near an old man
holding his wife in a napkin. In the torn light of evening,
there is enough treason for everybody. Excuse me,
I should say something about the beauty of cranes.
Once in a sycamore I tossed a brick at a boy’s head.
It opened like the sea. I think I saw a crane.
The words she would have said and the sound of the blow she’d gone ready to deliver echoed and died in her head. Words rushed up and died in her throat—panicked words, words to soothe, to tame, to call him back—they rushed on her, but she forgot them halfway to her mouth and he lay so still. And that’s how she learned that Beau Clinton, her only son and the son of Charles Clinton, was dead.
Gruel, crumbs on a table
of ice, a labyrinth of snow:
and infinite distances
in the small box of the kitchen.
Mother chopped pieces
of her heart into the skillet.
Brother and I heard oil sizzle
until we huddled in shame.
She salted the meat with tears.
She cried if we ate
and cried if we refused to eat,
warning You’ll go hungry.
Annalee is sorting through a box of seed packets. She has a swollen lip; her boyfriend punched her this morning because she had run out of bacon. She walks over to Wynn’s truck and inspects her lips in the sideview mirror. “It’s really strange to have somebody hit you,” she says. “When I was in high school, a boy hit me once and I remember thinking, If he hits me again I’m going to kill him. Then he hit me again and I didn’t do anything.”
Bristling outward
his sadism roots him deepest.
Some will hurt whomever they choose.
God-headed and radiant
but shimmering little to offer.
Don’t build your bed of crisis
or lie on the down of his ire.
While I sit with all the other patients in the waiting room, I always think that I will ask Dr. Wald what exactly is happening to my eyes, but when I go into his examining room alone it is dark, with a circle of light on the wall, and the doctor is standing with his back to me arranging silver instruments on a cloth. The big chair is empty for me to go sit in, and each time I feel as if I have gone into a dream straight from being awake, the way you do sometimes at night, and I go to the chair without saying anything.
The deaf hear only in their dreams. I am sure
I can hear nothing. My how the mountain leaps
towards the sea and the little village below.
Who sang for the white plate my father tossed
at my sister’s shadow? What funeral is held
for a broken compass? When cutting onions,
leave a candle lit somewhere near an old man
holding his wife in a napkin. In the torn light of evening,
there is enough treason for everybody. Excuse me,
I should say something about the beauty of cranes.
Once in a sycamore I tossed a brick at a boy’s head.
It opened like the sea. I think I saw a crane.
The words she would have said and the sound of the blow she’d gone ready to deliver echoed and died in her head. Words rushed up and died in her throat—panicked words, words to soothe, to tame, to call him back—they rushed on her, but she forgot them halfway to her mouth and he lay so still. And that’s how she learned that Beau Clinton, her only son and the son of Charles Clinton, was dead.
Gruel, crumbs on a table
of ice, a labyrinth of snow:
and infinite distances
in the small box of the kitchen.
Mother chopped pieces
of her heart into the skillet.
Brother and I heard oil sizzle
until we huddled in shame.
She salted the meat with tears.
She cried if we ate
and cried if we refused to eat,
warning You’ll go hungry.
Annalee is sorting through a box of seed packets. She has a swollen lip; her boyfriend punched her this morning because she had run out of bacon. She walks over to Wynn’s truck and inspects her lips in the sideview mirror. “It’s really strange to have somebody hit you,” she says. “When I was in high school, a boy hit me once and I remember thinking, If he hits me again I’m going to kill him. Then he hit me again and I didn’t do anything.”
Bristling outward
his sadism roots him deepest.
Some will hurt whomever they choose.
God-headed and radiant
but shimmering little to offer.
Don’t build your bed of crisis
or lie on the down of his ire.