Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
They had been watching Lena for a month. The sound technician, a barrel-chested man with whom he had not previously worked, had introduced himself simply as Bear. Bear recorded her telephone conversations, leaving him to photograph her comings and goings. In her file at the Bureau, there were many Lenas. She appeared in a slew of black-and-white pictures, bundled in a woolen coat, talking to the downstairs neighbor, inspecting potatoes and carrots at the vegetable market. On warmer days, she stretched beside the window, the sill like a barre, and he had frozen her in her contortions. When the damp wind sank its teeth until it pierced his bones, she stood at the shut window in a thick sweater sipping coffee from a shallow cup that she held in both hands. In the pictures she was usually looking out. He liked to think that she had caught sight of something she had been expecting.
I couldn’t move. The ground was tiny, an aerial map, rich in detail, and the wind tugged at my feet. What were the commands? Arch, I whispered. Arch arch arch. That was all I could remember. I stood up, gripping the side of the opening, my feet balanced on the metal bar beneath the doorway, resisting the steady rush of wind. The jumpmaster shouted again. I felt the pressure of his fingers. And then I was gone. I left the plane behind me and fell into the air.
Six monarch butterfly cocoons
Clinging to the back of your throat –
you could feel their gold wings trembling.
You were alarmed. You felt infested.
In the downstairs bathroom of the family home,
gagging to spit them out –
and a voice saying, Don’t, don’t –
In the Oakland Greyhound all the people were dwarfs, and they pushed and shoved to get on the bus, even cutting in ahead of the two nuns, who were there first. The two nuns smiled sweetly at Miranda and Baby Ellen and played I-see-you behind their fingers when they’d taken their seats. But Jamie could sense that they found her make-up too thick, her pants too tight. They knew she was leaving her husband, and figured she’d turn for a living to whoring. She wanted to tell them what was what, but you can’t talk to a Catholic. The shorter nun carried a bright cut rose wrapped in her two hands.
I’m sure you won’t believe this,
but if a policeman walks behind me, I tremble:
What would Shaft do? What would Shaft do?
Bits of my courage flake away like dandruff.
I’m sweating even as I tell you this.
I’m not cool.
I keep the real me tucked beneath a wig,
I’m a small American frog.
I grow beautiful as the theatre dims.
Several times a day Granny Lin bathes Old Tang: in the morning and before bedtime, and whenever he wets or dirties himself. The private bathroom is what Granny Lin likes best about her marriage. For all her life, she has used public bathrooms, fighting with other slippery bodies for the lukewarm water drizzling from the rusty showers. Now that she has a bathroom all to herself, she never misses any chance to use it.
They had been watching Lena for a month. The sound technician, a barrel-chested man with whom he had not previously worked, had introduced himself simply as Bear. Bear recorded her telephone conversations, leaving him to photograph her comings and goings. In her file at the Bureau, there were many Lenas. She appeared in a slew of black-and-white pictures, bundled in a woolen coat, talking to the downstairs neighbor, inspecting potatoes and carrots at the vegetable market. On warmer days, she stretched beside the window, the sill like a barre, and he had frozen her in her contortions. When the damp wind sank its teeth until it pierced his bones, she stood at the shut window in a thick sweater sipping coffee from a shallow cup that she held in both hands. In the pictures she was usually looking out. He liked to think that she had caught sight of something she had been expecting.
I couldn’t move. The ground was tiny, an aerial map, rich in detail, and the wind tugged at my feet. What were the commands? Arch, I whispered. Arch arch arch. That was all I could remember. I stood up, gripping the side of the opening, my feet balanced on the metal bar beneath the doorway, resisting the steady rush of wind. The jumpmaster shouted again. I felt the pressure of his fingers. And then I was gone. I left the plane behind me and fell into the air.
Six monarch butterfly cocoons
Clinging to the back of your throat –
you could feel their gold wings trembling.
You were alarmed. You felt infested.
In the downstairs bathroom of the family home,
gagging to spit them out –
and a voice saying, Don’t, don’t –
In the Oakland Greyhound all the people were dwarfs, and they pushed and shoved to get on the bus, even cutting in ahead of the two nuns, who were there first. The two nuns smiled sweetly at Miranda and Baby Ellen and played I-see-you behind their fingers when they’d taken their seats. But Jamie could sense that they found her make-up too thick, her pants too tight. They knew she was leaving her husband, and figured she’d turn for a living to whoring. She wanted to tell them what was what, but you can’t talk to a Catholic. The shorter nun carried a bright cut rose wrapped in her two hands.
I’m sure you won’t believe this,
but if a policeman walks behind me, I tremble:
What would Shaft do? What would Shaft do?
Bits of my courage flake away like dandruff.
I’m sweating even as I tell you this.
I’m not cool.
I keep the real me tucked beneath a wig,
I’m a small American frog.
I grow beautiful as the theatre dims.
Several times a day Granny Lin bathes Old Tang: in the morning and before bedtime, and whenever he wets or dirties himself. The private bathroom is what Granny Lin likes best about her marriage. For all her life, she has used public bathrooms, fighting with other slippery bodies for the lukewarm water drizzling from the rusty showers. Now that she has a bathroom all to herself, she never misses any chance to use it.