Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
BLIND LOUIE: Lissen I’m a be straight up with you, Diane, I need money, as much as you can spare - now – see, I’m puttin’ my shit out heah – ‘cause I’m sick, man, real sick – I gotta go cop – I’m sorry to be like this but I can lie and say I need it for somethin’ else y’know stand here, and try and cop a plea and perpetrate a fraud. I’m not doin’ that, Diane. I’m a junkie.
One night during this time my mother started asking me questions, out of the blue, about William Faulkner. She was taking a night-school course and wanted to write about the Nobel laureate from her hometown, New Albany. Why Faulkner, I asked, of all the writers in the world to care about? Why not Richard Wright, James Baldwin or Zora Neale Hurston? “We’re kin to some Faulkners,” she said. I laughed out loud and informed her that this Faulkner was white. My mother smiled and said, “So?”
A prophet is never recognized in his own country, especially when that country has fallen into the mouths of dragons. Bob waves to a woman in a BMW across the street. It’s his lawyer, Christine. “Is me, Bob!” She closes the tinted windows and weaves through traffic. There was a time when BMW stood for Bob Marley and the Wailers. He thinks of the foolishness of that now.
He returns to the park, searching for the boy from the night before. He wants to shine his shoes again, to see the light in his eyes from Africa reflected there. In the daylight, the park is different from how he remembered it, but the boy’s tree still leans, and there’s a man selling peanuts and asham.
“You see the little youth that sleep inna the park?"
"Which one?"
“The one with the play-play guitar."
“Oh, me remember him. Him in juvenile detention! Is a bad youth.”
“No. Me see him last night.”
“Him kill a Chinie man in August town. Man-slaughter."
It doesn’t make sense. Bob has a feeling that he has stepped into the middle of someone’s dream. The fall-down skin itches and there is a dull pain behind his eyes. An idea comes to him.
“You know Bob Marley?”
“Yeah?”
“What if me tell you him come back?”
REGGIE
Now see you gonna laugh. Cause you thank everythang I do is funny. It ain’t funny. It’s meant tah teach ya. How I speak? That’s meant tah teach you too. You get older ‘n leave this place...one thing ya gonna remember is the music of ya daddy’s voice. The memory ‘a what made ya. How ya people survived. An’ these little games we play? These little hand games? That’s your history too… ‘cause ya grandmama sat ya mama down when she was smaller ‘n you ‘n they played these games ‘n had the best time that ever was. Then, ya mama taught me ya know that? Shoot, I ain’t wanna learn no little girl games. Imma man! (Laughs.) What I look like playin’ some little girl hand game! But, then we had you. And I taught you. That’s a road map. You ever get lost, you find ya way back home (points to his chest) from them. Understand? And one way or another... I’ll come get you.
A hole was worn into the snow, and I fit into it, arms and legs drawn up in front of me. The dog snatched and pulled at my mouth, eyes, hair; his breath clouded the air around us, but I did not feel its heat, or smell the blood sinking down between hairs of his muzzle. I watched my mitten come off in his teeth and sail upward, and it seemed unfair then and very sad that one hand should freeze all alone; I lifted the second mitten off and threw it away, then turned my face back again, overtaken suddenly by loneliness. A loud river ran in my ears, dragging me under.
Often they seem to be falling forward
but I pretend not to notice
how well they use their bodies:
the girl, that tall delicate boy,
even the father in pink satin –
ardent, flashy. Now something scares me
and I turn away.
In the dream
they walk the beach –
my children and their father –
equally exposed, ridiculous suits
in the same ice-cream colors.
BLIND LOUIE: Lissen I’m a be straight up with you, Diane, I need money, as much as you can spare - now – see, I’m puttin’ my shit out heah – ‘cause I’m sick, man, real sick – I gotta go cop – I’m sorry to be like this but I can lie and say I need it for somethin’ else y’know stand here, and try and cop a plea and perpetrate a fraud. I’m not doin’ that, Diane. I’m a junkie.
One night during this time my mother started asking me questions, out of the blue, about William Faulkner. She was taking a night-school course and wanted to write about the Nobel laureate from her hometown, New Albany. Why Faulkner, I asked, of all the writers in the world to care about? Why not Richard Wright, James Baldwin or Zora Neale Hurston? “We’re kin to some Faulkners,” she said. I laughed out loud and informed her that this Faulkner was white. My mother smiled and said, “So?”
A prophet is never recognized in his own country, especially when that country has fallen into the mouths of dragons. Bob waves to a woman in a BMW across the street. It’s his lawyer, Christine. “Is me, Bob!” She closes the tinted windows and weaves through traffic. There was a time when BMW stood for Bob Marley and the Wailers. He thinks of the foolishness of that now.
He returns to the park, searching for the boy from the night before. He wants to shine his shoes again, to see the light in his eyes from Africa reflected there. In the daylight, the park is different from how he remembered it, but the boy’s tree still leans, and there’s a man selling peanuts and asham.
“You see the little youth that sleep inna the park?"
"Which one?"
“The one with the play-play guitar."
“Oh, me remember him. Him in juvenile detention! Is a bad youth.”
“No. Me see him last night.”
“Him kill a Chinie man in August town. Man-slaughter."
It doesn’t make sense. Bob has a feeling that he has stepped into the middle of someone’s dream. The fall-down skin itches and there is a dull pain behind his eyes. An idea comes to him.
“You know Bob Marley?”
“Yeah?”
“What if me tell you him come back?”
REGGIE
Now see you gonna laugh. Cause you thank everythang I do is funny. It ain’t funny. It’s meant tah teach ya. How I speak? That’s meant tah teach you too. You get older ‘n leave this place...one thing ya gonna remember is the music of ya daddy’s voice. The memory ‘a what made ya. How ya people survived. An’ these little games we play? These little hand games? That’s your history too… ‘cause ya grandmama sat ya mama down when she was smaller ‘n you ‘n they played these games ‘n had the best time that ever was. Then, ya mama taught me ya know that? Shoot, I ain’t wanna learn no little girl games. Imma man! (Laughs.) What I look like playin’ some little girl hand game! But, then we had you. And I taught you. That’s a road map. You ever get lost, you find ya way back home (points to his chest) from them. Understand? And one way or another... I’ll come get you.
A hole was worn into the snow, and I fit into it, arms and legs drawn up in front of me. The dog snatched and pulled at my mouth, eyes, hair; his breath clouded the air around us, but I did not feel its heat, or smell the blood sinking down between hairs of his muzzle. I watched my mitten come off in his teeth and sail upward, and it seemed unfair then and very sad that one hand should freeze all alone; I lifted the second mitten off and threw it away, then turned my face back again, overtaken suddenly by loneliness. A loud river ran in my ears, dragging me under.
Often they seem to be falling forward
but I pretend not to notice
how well they use their bodies:
the girl, that tall delicate boy,
even the father in pink satin –
ardent, flashy. Now something scares me
and I turn away.
In the dream
they walk the beach –
my children and their father –
equally exposed, ridiculous suits
in the same ice-cream colors.