Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I do not know how I need the air,
or if it needs me. The lost air,
the air which is smashed, like a red hat.
When the sun rises the amnesty
of the unused animals – the goat, the burrow,
the maroon horses - when the sun rises
the amnesty of these flies its flag: an orchard
with a thumb on top.
It’s May and I’ve just awakened from a nap, curled against sagebrush the way my dog taught me to sleep—sheltered from wind. A front is pulling the huge sky over me, and from the dark a hailstone has hit me on the head. I’m trailing a band of two thousand sheep across a stretch of Wyoming badlands, a fifty-mile trip that takes five days because sheep shade up in hot sun and won’t budge until it’s cool. Bunched together now, and excited into a run by the storm, they drift across dry land, tumbling into draws like water and surge out again onto the rugged, choppy plateaus that are the building blocks of this state.
“You see my grandson over there.” Justin’s father humps his chin in Graham’s direction without taking his eyes off Seth. “You don’t want him to see what the inside of your skull looks like, do you?”
“You’d never do that,” Seth says. “I could walk right up to that rifle and stick my finger in it and you’d never do a thing.”
“Come on and try.”
“You’re so full of it.”
Then his father swings the barrel left and fires. The crack of the gunshot is followed by the chime of glass shattering, falling from the red pickup, its left headlight destroyed.
For a moment Seth stares at his truck. “You’ll fucking pay for that,” he says.
The bluet is a small flower, creamy-throated, that grows in patches in New England lawns. The bluet (French pronunciation) is the shaggy cornflower, growing wild in France. “The Bluet” is a poem I wrote. The Bluet is a painting of Joan Mitchell’s. The thick hard blue runs and holds. All of the, broken-up pieces of sky, hard sky, soft sky. Today I’ll take Joan’s giant vision, running and holding, staring you down with beauty. Though I need reject none. Bluet. “Bloo-ay.”
“It’s bad to hit children.” I felt silly for saying something this obvious, so I tried hiding my inanity with more words. “When I was in higher secondary, the untouchables sat in the back of the class. The teachers couldn’t slap the untouchables because then they would be touching them. The untouchables knew this and would always be talking. Sometimes the teachers became very angry, and to shut up the untouchables they threw pieces of chalk at them. And the untouchables, because all the students sat on the floor, would race around on their hands and knees, dodging the chalk.”
When I churned my arms to show how swiftly the untouchables crawled, Asha laughed and said, “My teachers only hit with rulers.”
Maybe he pictured just the nail,
the slight swirl in the center of the head and raised
the hammer, and brought it down with fury and with skill
and sank it with a single blow.
Not a difficult truck for a journeyman, no harder
than figuring stairs or a hip-and-valley roof
or staking out a lot, but neither is a house,
a house is just a box fastened with thousands of nails.
I do not know how I need the air,
or if it needs me. The lost air,
the air which is smashed, like a red hat.
When the sun rises the amnesty
of the unused animals – the goat, the burrow,
the maroon horses - when the sun rises
the amnesty of these flies its flag: an orchard
with a thumb on top.
It’s May and I’ve just awakened from a nap, curled against sagebrush the way my dog taught me to sleep—sheltered from wind. A front is pulling the huge sky over me, and from the dark a hailstone has hit me on the head. I’m trailing a band of two thousand sheep across a stretch of Wyoming badlands, a fifty-mile trip that takes five days because sheep shade up in hot sun and won’t budge until it’s cool. Bunched together now, and excited into a run by the storm, they drift across dry land, tumbling into draws like water and surge out again onto the rugged, choppy plateaus that are the building blocks of this state.
“You see my grandson over there.” Justin’s father humps his chin in Graham’s direction without taking his eyes off Seth. “You don’t want him to see what the inside of your skull looks like, do you?”
“You’d never do that,” Seth says. “I could walk right up to that rifle and stick my finger in it and you’d never do a thing.”
“Come on and try.”
“You’re so full of it.”
Then his father swings the barrel left and fires. The crack of the gunshot is followed by the chime of glass shattering, falling from the red pickup, its left headlight destroyed.
For a moment Seth stares at his truck. “You’ll fucking pay for that,” he says.
The bluet is a small flower, creamy-throated, that grows in patches in New England lawns. The bluet (French pronunciation) is the shaggy cornflower, growing wild in France. “The Bluet” is a poem I wrote. The Bluet is a painting of Joan Mitchell’s. The thick hard blue runs and holds. All of the, broken-up pieces of sky, hard sky, soft sky. Today I’ll take Joan’s giant vision, running and holding, staring you down with beauty. Though I need reject none. Bluet. “Bloo-ay.”
“It’s bad to hit children.” I felt silly for saying something this obvious, so I tried hiding my inanity with more words. “When I was in higher secondary, the untouchables sat in the back of the class. The teachers couldn’t slap the untouchables because then they would be touching them. The untouchables knew this and would always be talking. Sometimes the teachers became very angry, and to shut up the untouchables they threw pieces of chalk at them. And the untouchables, because all the students sat on the floor, would race around on their hands and knees, dodging the chalk.”
When I churned my arms to show how swiftly the untouchables crawled, Asha laughed and said, “My teachers only hit with rulers.”
Maybe he pictured just the nail,
the slight swirl in the center of the head and raised
the hammer, and brought it down with fury and with skill
and sank it with a single blow.
Not a difficult truck for a journeyman, no harder
than figuring stairs or a hip-and-valley roof
or staking out a lot, but neither is a house,
a house is just a box fastened with thousands of nails.