Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
The intimate places of his father’s body were now within his reach, turned over to the touch of his fingers: his father who had never embraced him as a child. First he would touch his earlobes, to move them out of the way for the scissors, which had been taken out of the mother-of-pearl damascene box. Then he would take the nose between his thumb and forefinger, and give it a slight lift so as to shave above the upper lip. And the more the cancer gnawed away at the liver and the body grew limp, the more it opened to him, replete with its disappointments, sated with its tribulations. They would sit together in silence, the father and he, the youngest of his sons.
“He has something of mine,” the man said.
With that, she turned to look at him. “Who are you?” she finally demanded. “Sergio called me to come pick him up, not you.”
“You don’t know me?” His voice pitched higher, edging toward frustration, maybe anger. “You don’t know who I am?”
“No,” she finally said. “I don’t.”
“He’s got my heart,” the man said, melodramatically holding his hands across his chest, but he sneered a bit when he said it. “He’s got a lot of things I want back.”
Copyright © 2006 by Manuel Muñoz. By permission of Stuart Bernstein Representation for Artists, New York, NY and protected by the Copyright Laws of the United States. All rights reserved. The printing, copying, redistribution, or retransmission of this Content without express permission is prohibited.
A military truck speeds through the intersection, children
shrieking inside. A bicycle hurled
through a store window. When the dust rises, a black dog
lies panting in the road. Its hind legs
crushed into the shine
of a white Christmas.
On the bedstand, a sprig of magnolia expands like a secret heard
for the first time.
—Albert was down below in the trenches in Verdun, was how he started it.—Faith, he was, with rats crawling all over him and soldiers dead and dying and screaming beside him in all the smoke and the blood and the corpses piling up, but Albert came back to us alive and in one piece but not too long after he was back he happened to be walking from Powers one night and the devil appeared to him in the shape of a ten-foot pig, stepped from behind a tree on Garvey’s ditch on the hill road—
The cat was making friends. The previous day when Emmet returned home, he had found four other cats loitering near his building. He worried what would happen if the cats jumped him when he left the house. The cats understood his language, but what passed among their heads was impenetrable to him. He had observed their movements all summer and listened to their sighs and spits and sounds, but he was no closer to infiltrating any part of it as a sign.
Was I sad to leave the country? Is that where I was born? Am I my grandmother’s child? Am I a child of potion? Am I a child of folklore, or family crisis, some need for gender balancing? Maybe some need to keep my father? And who is my father too, is he Buddy my daddy, or is he some country man whose lasting seed my Grandma’am could pickle till it got to Detroit? Maybe a man prone to girls, maybe Mr. Howell Jones or Mr. Harold Grayson Senior or maybe his brother who looks nothing like him. Are my brothers really brothers to me, or am I sister to bay leaf and scorched root of cayenne?
The intimate places of his father’s body were now within his reach, turned over to the touch of his fingers: his father who had never embraced him as a child. First he would touch his earlobes, to move them out of the way for the scissors, which had been taken out of the mother-of-pearl damascene box. Then he would take the nose between his thumb and forefinger, and give it a slight lift so as to shave above the upper lip. And the more the cancer gnawed away at the liver and the body grew limp, the more it opened to him, replete with its disappointments, sated with its tribulations. They would sit together in silence, the father and he, the youngest of his sons.
“He has something of mine,” the man said.
With that, she turned to look at him. “Who are you?” she finally demanded. “Sergio called me to come pick him up, not you.”
“You don’t know me?” His voice pitched higher, edging toward frustration, maybe anger. “You don’t know who I am?”
“No,” she finally said. “I don’t.”
“He’s got my heart,” the man said, melodramatically holding his hands across his chest, but he sneered a bit when he said it. “He’s got a lot of things I want back.”
Copyright © 2006 by Manuel Muñoz. By permission of Stuart Bernstein Representation for Artists, New York, NY and protected by the Copyright Laws of the United States. All rights reserved. The printing, copying, redistribution, or retransmission of this Content without express permission is prohibited.
A military truck speeds through the intersection, children
shrieking inside. A bicycle hurled
through a store window. When the dust rises, a black dog
lies panting in the road. Its hind legs
crushed into the shine
of a white Christmas.
On the bedstand, a sprig of magnolia expands like a secret heard
for the first time.
—Albert was down below in the trenches in Verdun, was how he started it.—Faith, he was, with rats crawling all over him and soldiers dead and dying and screaming beside him in all the smoke and the blood and the corpses piling up, but Albert came back to us alive and in one piece but not too long after he was back he happened to be walking from Powers one night and the devil appeared to him in the shape of a ten-foot pig, stepped from behind a tree on Garvey’s ditch on the hill road—
The cat was making friends. The previous day when Emmet returned home, he had found four other cats loitering near his building. He worried what would happen if the cats jumped him when he left the house. The cats understood his language, but what passed among their heads was impenetrable to him. He had observed their movements all summer and listened to their sighs and spits and sounds, but he was no closer to infiltrating any part of it as a sign.
Was I sad to leave the country? Is that where I was born? Am I my grandmother’s child? Am I a child of potion? Am I a child of folklore, or family crisis, some need for gender balancing? Maybe some need to keep my father? And who is my father too, is he Buddy my daddy, or is he some country man whose lasting seed my Grandma’am could pickle till it got to Detroit? Maybe a man prone to girls, maybe Mr. Howell Jones or Mr. Harold Grayson Senior or maybe his brother who looks nothing like him. Are my brothers really brothers to me, or am I sister to bay leaf and scorched root of cayenne?