Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
MOSES
yo ass gon rise up to yo full potential too
gon git up off dis block
man
you remember
dat sunday school
ol reverend Missus be like
(as reverend missus)
sed uh
do you wanna cross dat river now chillun
sed uh
do you wanna cross dat river now chillum
KITCH
(gasping)
pass ovuh
MOSES
yeah nigga damn
i feel like we cud do dis shit
you feel me
git up off dis block
KITCH
amen!
MOSES
be all we cud be
KITCH
yes lawd!
We didn’t know much about addiction, about homelessness, but we knew how it could look. We’d watched a man nod into his own lap in the Tim Hortons on Abbott Street, had seen kids hawk lone red and white carnations in plastic sleeves to drivers on the interchange off-ramp. We’d heard the spellbound murmurs of the woman who sat all day at the bus shelter on Fillmore. We offered these people things we thought they’d want. Some days one said yes to a cheeseburger or a Filet-O-Fish or a hot coffee, and other days no one wanted anything but whatever coins and cash we had.
We were many times not helpful at all. One winter, Mary Lucille came across a man asleep next to the grocery carts in the Tops lot. She tapped him on the shoulder and asked, when he roused, if he wanted a ride to the shelter. He shook his head. Or, she said, she could take him to McDonald’s for a chicken sandwich, or fries, or a parfait.
“A parfait?” the man said. He squinted at her. “What the hell is a parfait?”
We at school knew Mr. and Mrs. Cuts come from a family that eats children. There is a red metal tree with plastic-wrapped toys in the window and a long candy counter case to lure you in. Mr. and Mrs. Cuts have no children of their own. They ate them during a hard winter and salted the rest down for sandwiches the colored boy runs out to the pulpwood crew at noon. I count colored children going in to buy some candy to see how many make it back out, but generally our mother is ready to go home before I can tell. Our credit at Cuts is short.
“What do I want you to do? You really want to know? I’ll tell you. Just look me in the eye and tell me one thing. Just do it. Tell me whether you and Cynthia have made love. Tell me. Go on.”
“The answer is no.”
“You swear?”
“I swear.”
“I believe you,” she said quietly, and for a moment Richard thought it was over until she turned around and screamed at him, “THEN WHY DON’T YOU MAKE LOVE WITH ME?”
IV. On Graduate School
Grass for acres and trees tall,
Then, everywhere there should be
Some harvest to guard, sprouts
A building in which I am mistaken
For a broom, handled as such,
And given to the floor. To dust.
I am here to learn: that which fears me
Must be crow
In this hall of heavy doors
Where my body is a blemish.
In the gone world of Roman Vishniac’s book
of photographs of Jewish Eastern Europe,
which we sit down to look over,
my rather recognizes for certain only
the village idiot of a Munkács neighborhood,
Meyer “Tsits,” whom they use to tease:
“Your mother has breasts,”
the children would say as they passed,
and frothing with rage he would give chase
some years before breasts and Meyer were ash.
MOSES
yo ass gon rise up to yo full potential too
gon git up off dis block
man
you remember
dat sunday school
ol reverend Missus be like
(as reverend missus)
sed uh
do you wanna cross dat river now chillun
sed uh
do you wanna cross dat river now chillum
KITCH
(gasping)
pass ovuh
MOSES
yeah nigga damn
i feel like we cud do dis shit
you feel me
git up off dis block
KITCH
amen!
MOSES
be all we cud be
KITCH
yes lawd!
We didn’t know much about addiction, about homelessness, but we knew how it could look. We’d watched a man nod into his own lap in the Tim Hortons on Abbott Street, had seen kids hawk lone red and white carnations in plastic sleeves to drivers on the interchange off-ramp. We’d heard the spellbound murmurs of the woman who sat all day at the bus shelter on Fillmore. We offered these people things we thought they’d want. Some days one said yes to a cheeseburger or a Filet-O-Fish or a hot coffee, and other days no one wanted anything but whatever coins and cash we had.
We were many times not helpful at all. One winter, Mary Lucille came across a man asleep next to the grocery carts in the Tops lot. She tapped him on the shoulder and asked, when he roused, if he wanted a ride to the shelter. He shook his head. Or, she said, she could take him to McDonald’s for a chicken sandwich, or fries, or a parfait.
“A parfait?” the man said. He squinted at her. “What the hell is a parfait?”
We at school knew Mr. and Mrs. Cuts come from a family that eats children. There is a red metal tree with plastic-wrapped toys in the window and a long candy counter case to lure you in. Mr. and Mrs. Cuts have no children of their own. They ate them during a hard winter and salted the rest down for sandwiches the colored boy runs out to the pulpwood crew at noon. I count colored children going in to buy some candy to see how many make it back out, but generally our mother is ready to go home before I can tell. Our credit at Cuts is short.
“What do I want you to do? You really want to know? I’ll tell you. Just look me in the eye and tell me one thing. Just do it. Tell me whether you and Cynthia have made love. Tell me. Go on.”
“The answer is no.”
“You swear?”
“I swear.”
“I believe you,” she said quietly, and for a moment Richard thought it was over until she turned around and screamed at him, “THEN WHY DON’T YOU MAKE LOVE WITH ME?”
IV. On Graduate School
Grass for acres and trees tall,
Then, everywhere there should be
Some harvest to guard, sprouts
A building in which I am mistaken
For a broom, handled as such,
And given to the floor. To dust.
I am here to learn: that which fears me
Must be crow
In this hall of heavy doors
Where my body is a blemish.
In the gone world of Roman Vishniac’s book
of photographs of Jewish Eastern Europe,
which we sit down to look over,
my rather recognizes for certain only
the village idiot of a Munkács neighborhood,
Meyer “Tsits,” whom they use to tease:
“Your mother has breasts,”
the children would say as they passed,
and frothing with rage he would give chase
some years before breasts and Meyer were ash.