Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I’m sure you won’t believe this,
but if a policeman walks behind me, I tremble:
What would Shaft do? What would Shaft do?
Bits of my courage flake away like dandruff.
I’m sweating even as I tell you this.
I’m not cool.
I keep the real me tucked beneath a wig,
I’m a small American frog.
I grow beautiful as the theatre dims.
Several times a day Granny Lin bathes Old Tang: in the morning and before bedtime, and whenever he wets or dirties himself. The private bathroom is what Granny Lin likes best about her marriage. For all her life, she has used public bathrooms, fighting with other slippery bodies for the lukewarm water drizzling from the rusty showers. Now that she has a bathroom all to herself, she never misses any chance to use it.
ANTHONY
I’m sorry, sir.
I don’t think I understand.
MATT
She took her kid and left in the middle of the night.
To go where?
She’s in the middle of the desert.
ANTHONY
Sir, if I may.
MATT
You may.
ANTHONY
Her leaving
What does any of that have to do with us?
MATT
What does that have to do with us?
We did that, Anthony.
We broke that family up.
A moment.
MATT
Do you not understand that?
ANTHONY
It doesn’t matter what I understand, sir.
In the gone world of Roman Vishniac’s book
of photographs of Jewish Eastern Europe,
which we sit down to look over,
my rather recognizes for certain only
the village idiot of a Munkács neighborhood,
Meyer “Tsits,” whom they use to tease:
“Your mother has breasts,”
the children would say as they passed,
and frothing with rage he would give chase
some years before breasts and Meyer were ash.
We do not mean to complain. We know how it is.
In older, even sadder cultures the worst possible sorts
have been playing hot and cold with people’s lives
for much longer. Like Perrow says,
We’ll all have baboon hearts one of these days.
We wintered with ample fuel and real tomatoes.
We were allowed to roam, sniffing and chewing
at the tufted crust. We were let to breathe.
That is, we respirated. Now the soft clocks
have gorged themselves on our time. Yet
as our hair blanches and comes out
in hanks, we can tell it is nearly spring –
the students shed their black coats
on the green; we begin to see shade.
Lo, this is the breastbone’s embraceable light.
We are here. Still breathing and constellated.
1. Boy, don’t let a shadow in you, I never want to see the devil in your eyes, a traceable line of your daddy’s.
2. If you dream about fish or a river, somebody’s pregnant, we need the water more than it needs us.
3. Dream about snakes, you haven’t been living right, wash your hands of it.
4. They’re shooting boys who look like you. You know my number, use it, keep all your blood.
5. Stay
6. Alive.
I’m sure you won’t believe this,
but if a policeman walks behind me, I tremble:
What would Shaft do? What would Shaft do?
Bits of my courage flake away like dandruff.
I’m sweating even as I tell you this.
I’m not cool.
I keep the real me tucked beneath a wig,
I’m a small American frog.
I grow beautiful as the theatre dims.
Several times a day Granny Lin bathes Old Tang: in the morning and before bedtime, and whenever he wets or dirties himself. The private bathroom is what Granny Lin likes best about her marriage. For all her life, she has used public bathrooms, fighting with other slippery bodies for the lukewarm water drizzling from the rusty showers. Now that she has a bathroom all to herself, she never misses any chance to use it.
ANTHONY
I’m sorry, sir.
I don’t think I understand.
MATT
She took her kid and left in the middle of the night.
To go where?
She’s in the middle of the desert.
ANTHONY
Sir, if I may.
MATT
You may.
ANTHONY
Her leaving
What does any of that have to do with us?
MATT
What does that have to do with us?
We did that, Anthony.
We broke that family up.
A moment.
MATT
Do you not understand that?
ANTHONY
It doesn’t matter what I understand, sir.
In the gone world of Roman Vishniac’s book
of photographs of Jewish Eastern Europe,
which we sit down to look over,
my rather recognizes for certain only
the village idiot of a Munkács neighborhood,
Meyer “Tsits,” whom they use to tease:
“Your mother has breasts,”
the children would say as they passed,
and frothing with rage he would give chase
some years before breasts and Meyer were ash.
We do not mean to complain. We know how it is.
In older, even sadder cultures the worst possible sorts
have been playing hot and cold with people’s lives
for much longer. Like Perrow says,
We’ll all have baboon hearts one of these days.
We wintered with ample fuel and real tomatoes.
We were allowed to roam, sniffing and chewing
at the tufted crust. We were let to breathe.
That is, we respirated. Now the soft clocks
have gorged themselves on our time. Yet
as our hair blanches and comes out
in hanks, we can tell it is nearly spring –
the students shed their black coats
on the green; we begin to see shade.
Lo, this is the breastbone’s embraceable light.
We are here. Still breathing and constellated.
1. Boy, don’t let a shadow in you, I never want to see the devil in your eyes, a traceable line of your daddy’s.
2. If you dream about fish or a river, somebody’s pregnant, we need the water more than it needs us.
3. Dream about snakes, you haven’t been living right, wash your hands of it.
4. They’re shooting boys who look like you. You know my number, use it, keep all your blood.
5. Stay
6. Alive.