Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
We are the nothing-to-lose ones,
the try-anything-once ones,
weed seeds inside our cells –
dandelion, nettle, lizard tail –
roots sunk in, for it is the tips
that count, reaching out to tap
new moisture. Roots, stems, leaves,
the stomata, those little mouths
opening, closing, sucking in air
in the evening when we boil
wild ginger and sleep in its vapor.
Like cures like, we hear in the morning
when we brush ourselves with
vegetable fiber in the shower,
beat ourselves with our fists.
(This is no crazier than anything else.)
When I bent down to stack the papers, I thought the sensation I had had in my brain earlier was the same sensation I had once felt when I shook a pomegranate near my ear. Or, not exactly a sensation, but a sound. That when I shook the pomegranate it had made the same sound as the sound my blood made when it swiveled in my brain, and that both sounds led to the same sensation: of something having dissolved where it shouldn’t have. I went over the memory, from when I picked up the pomegranate to when I shook it near my ear: I had squeezed the pomegranate by rolling it, had pressed into it with my thumbs, juiced it without cracking it open, because it’s the only way to juice a pomegranate without any special machines. All the juice was swiveling about inside the shell of the pomegranate, channeling its way around the seeds the way river water channels itself around driftwood. When I put the pomegranate down I could still hear the juice working its way around the seeds that were dead without their pulp. I had squeezed the pomegranate till the pulp was dead. I could invent a machine to juice pomegranates, I thought, and not just pomegranates but persimmons too, some very basic, cheap tool people could use in their homes, and then I imagined a thousand people, all wearing their house slippers, juicing their pomegranates and persimmons for breakfast, and I thought, never mind, no doubt someone has already invented it.
In this wet season my gone mother
climbs back again
and everything here smells gutted—
bloodtide, sea grapes in thick bloom,
our smashed plates and teacups. Dismantling
this grey shoreline for some kind of home, scared
orphans out bleating with the mongrels,
all of us starved
for something reclaimable. What chases them,
her barefoot rain, stains my unopened petunia,
shined church shoes, our black words, our hands.
I’ll catch the day creep in, her dirt marking my father’s
neck, oil-dreck steeped dark to every collar,
her tar this same fish odor I am washing.
I know I am one of them. The emptied.
We don’t have the remotest idea of what we might find or do there, but America—Canada in our minds is automatically subsumed under that category—has for us the old fabulous associations: streets paved with gold, the goose that laid the golden egg. There is also that book about Canada from the war. And, my father reminds my mother, whose impulses really draw her toward Israel, in Canada there is no war, and there never will be. Canada is the land of peace. In Israel, there’s a constant danger of war, and they take even girls into the army. Does she want her daughters to end up on a battlefield? Does she herself want to go through a war again?
I do not know how I need the air,
or if it needs me. The lost air,
the air which is smashed, like a red hat.
When the sun rises the amnesty
of the unused animals – the goat, the burrow,
the maroon horses - when the sun rises
the amnesty of these flies its flag: an orchard
with a thumb on top.
The dog is God.
It knows it is God.
It is God living with God.
Even in the rain,
the esters, the pheromones,
calligraphy of the sacred,
the great head points into the wind,
the blood thrashes in the thick veins.
The language of the feces, urine,
species, rut, offal, decay –
nothing is hidden from the dog,
who keeps its own counsel,
leading you by the leash.
We are the nothing-to-lose ones,
the try-anything-once ones,
weed seeds inside our cells –
dandelion, nettle, lizard tail –
roots sunk in, for it is the tips
that count, reaching out to tap
new moisture. Roots, stems, leaves,
the stomata, those little mouths
opening, closing, sucking in air
in the evening when we boil
wild ginger and sleep in its vapor.
Like cures like, we hear in the morning
when we brush ourselves with
vegetable fiber in the shower,
beat ourselves with our fists.
(This is no crazier than anything else.)
When I bent down to stack the papers, I thought the sensation I had had in my brain earlier was the same sensation I had once felt when I shook a pomegranate near my ear. Or, not exactly a sensation, but a sound. That when I shook the pomegranate it had made the same sound as the sound my blood made when it swiveled in my brain, and that both sounds led to the same sensation: of something having dissolved where it shouldn’t have. I went over the memory, from when I picked up the pomegranate to when I shook it near my ear: I had squeezed the pomegranate by rolling it, had pressed into it with my thumbs, juiced it without cracking it open, because it’s the only way to juice a pomegranate without any special machines. All the juice was swiveling about inside the shell of the pomegranate, channeling its way around the seeds the way river water channels itself around driftwood. When I put the pomegranate down I could still hear the juice working its way around the seeds that were dead without their pulp. I had squeezed the pomegranate till the pulp was dead. I could invent a machine to juice pomegranates, I thought, and not just pomegranates but persimmons too, some very basic, cheap tool people could use in their homes, and then I imagined a thousand people, all wearing their house slippers, juicing their pomegranates and persimmons for breakfast, and I thought, never mind, no doubt someone has already invented it.
In this wet season my gone mother
climbs back again
and everything here smells gutted—
bloodtide, sea grapes in thick bloom,
our smashed plates and teacups. Dismantling
this grey shoreline for some kind of home, scared
orphans out bleating with the mongrels,
all of us starved
for something reclaimable. What chases them,
her barefoot rain, stains my unopened petunia,
shined church shoes, our black words, our hands.
I’ll catch the day creep in, her dirt marking my father’s
neck, oil-dreck steeped dark to every collar,
her tar this same fish odor I am washing.
I know I am one of them. The emptied.
We don’t have the remotest idea of what we might find or do there, but America—Canada in our minds is automatically subsumed under that category—has for us the old fabulous associations: streets paved with gold, the goose that laid the golden egg. There is also that book about Canada from the war. And, my father reminds my mother, whose impulses really draw her toward Israel, in Canada there is no war, and there never will be. Canada is the land of peace. In Israel, there’s a constant danger of war, and they take even girls into the army. Does she want her daughters to end up on a battlefield? Does she herself want to go through a war again?
I do not know how I need the air,
or if it needs me. The lost air,
the air which is smashed, like a red hat.
When the sun rises the amnesty
of the unused animals – the goat, the burrow,
the maroon horses - when the sun rises
the amnesty of these flies its flag: an orchard
with a thumb on top.
The dog is God.
It knows it is God.
It is God living with God.
Even in the rain,
the esters, the pheromones,
calligraphy of the sacred,
the great head points into the wind,
the blood thrashes in the thick veins.
The language of the feces, urine,
species, rut, offal, decay –
nothing is hidden from the dog,
who keeps its own counsel,
leading you by the leash.