Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
People in the street referred to her as al-tarsha, the deaf woman, and, among the Arabs in the marketplace, everyone and everything in her household was known in elation to the tarsha: the deaf woman’s father, the deaf woman’s home, her maid, her bicycle, her car, her husband. The motorcycle with which she had won an exhibition race on the Corniche in the early forties and which was later sold to a neighbor continued to be known as the tarsha’s mutusikl. When I was old enough to walk alone on the streets of Ibrahimieh, I discovered that I too was known as the tarsha’s son.
What you type and submit appears to you attributed to You. What he replies and enters comes from Partner. There is, as it turns out, a lot to say while watching Partner look at you watching. He is, to begin with, in a room of some kind, particular, contingent, “real.” With art and clocks and books and pillows and cigarettes and mail and daylight, or lamplight, with a bed or desk or basement sofa, with doors you can ask him to open, bags he may or may not empty, of content you may deduce about. The bottoms of his socks are dirty. You give it to him that his socks are dirty, that his door is ajar, that his grin is telling. “Partner: Are you for real?”
A planeload of insurance salesmen, blown off course,
Discovers a tribe who believe an elephant-
In-the-distance is the same size as a gnat-in-the-eye.
This should cause trouble in a hunt. But tribespeople
Merely flick the pesky trumpeter away,
While the gnat – felled by clouds of arrows – feeds
The tribe for weeks. Faced by a lion, tribesmen run
Until its head is small enough to squish. Muscular
Warriors are found dead, pierced by mosquito-needles
Ear-to-ear. Everything here is as it seems.
The stick-in-water, drawn out, remains crooked
As a boomerang. Mountain and molehill are identical.
Tragedies that crush Americans – love’s waterbed
Popping, parents dropped into the scalding pot of age-
Require only that the sufferer walk away. “It’s not so awful,”
Tribal healers say. “With every step, troubles shrink;
Their howling dwindles to a buzz; their fangs shrivel to the size
Of pollen grains. Reach out. Brush them away. You see?”
You leave the space between the houses uncrossed. You rarely go across the street, which is forty feet wide.
You are grateful for the distance. It is as if each house on your block stood on its own enchanted island, fifty feet wide by one hundred feet long.
People come and go from it, your parents mostly and your friends. Your parents arrive like pilgrims.
But the island is remote. You occasionally hear the sounds of anger. You almost never hear the sounds of love.
You hear, always at night, the shifting of the uprights, the sagging of ceiling joists, and the unpredictable ticking of the gas heater.
We didn’t know much about addiction, about homelessness, but we knew how it could look. We’d watched a man nod into his own lap in the Tim Hortons on Abbott Street, had seen kids hawk lone red and white carnations in plastic sleeves to drivers on the interchange off-ramp. We’d heard the spellbound murmurs of the woman who sat all day at the bus shelter on Fillmore. We offered these people things we thought they’d want. Some days one said yes to a cheeseburger or a Filet-O-Fish or a hot coffee, and other days no one wanted anything but whatever coins and cash we had.
We were many times not helpful at all. One winter, Mary Lucille came across a man asleep next to the grocery carts in the Tops lot. She tapped him on the shoulder and asked, when he roused, if he wanted a ride to the shelter. He shook his head. Or, she said, she could take him to McDonald’s for a chicken sandwich, or fries, or a parfait.
“A parfait?” the man said. He squinted at her. “What the hell is a parfait?”
Alone in a London museum, I saw a watercolor of twin
flames, one black, one a gauzy red,
only to learn the title is Boats at Sea. It's like how
sometimes I forget you're gone.
But it's not like that, is it? Not at all. When in this world
similes carry us nowhere.
And now I see again the boy pelting through those galleries
a boy not you, a flash of red, red, chasing, or being chased—
Or did I invent him? Mischief companion. Brother.
Listen to me
plead for your life though even in the dream I know you're
already dead.
How do I insure my desire for grief is never satisfied? Was
Priam's ever?
I tell my friend, I want the page itself to burn.
People in the street referred to her as al-tarsha, the deaf woman, and, among the Arabs in the marketplace, everyone and everything in her household was known in elation to the tarsha: the deaf woman’s father, the deaf woman’s home, her maid, her bicycle, her car, her husband. The motorcycle with which she had won an exhibition race on the Corniche in the early forties and which was later sold to a neighbor continued to be known as the tarsha’s mutusikl. When I was old enough to walk alone on the streets of Ibrahimieh, I discovered that I too was known as the tarsha’s son.
What you type and submit appears to you attributed to You. What he replies and enters comes from Partner. There is, as it turns out, a lot to say while watching Partner look at you watching. He is, to begin with, in a room of some kind, particular, contingent, “real.” With art and clocks and books and pillows and cigarettes and mail and daylight, or lamplight, with a bed or desk or basement sofa, with doors you can ask him to open, bags he may or may not empty, of content you may deduce about. The bottoms of his socks are dirty. You give it to him that his socks are dirty, that his door is ajar, that his grin is telling. “Partner: Are you for real?”
A planeload of insurance salesmen, blown off course,
Discovers a tribe who believe an elephant-
In-the-distance is the same size as a gnat-in-the-eye.
This should cause trouble in a hunt. But tribespeople
Merely flick the pesky trumpeter away,
While the gnat – felled by clouds of arrows – feeds
The tribe for weeks. Faced by a lion, tribesmen run
Until its head is small enough to squish. Muscular
Warriors are found dead, pierced by mosquito-needles
Ear-to-ear. Everything here is as it seems.
The stick-in-water, drawn out, remains crooked
As a boomerang. Mountain and molehill are identical.
Tragedies that crush Americans – love’s waterbed
Popping, parents dropped into the scalding pot of age-
Require only that the sufferer walk away. “It’s not so awful,”
Tribal healers say. “With every step, troubles shrink;
Their howling dwindles to a buzz; their fangs shrivel to the size
Of pollen grains. Reach out. Brush them away. You see?”
You leave the space between the houses uncrossed. You rarely go across the street, which is forty feet wide.
You are grateful for the distance. It is as if each house on your block stood on its own enchanted island, fifty feet wide by one hundred feet long.
People come and go from it, your parents mostly and your friends. Your parents arrive like pilgrims.
But the island is remote. You occasionally hear the sounds of anger. You almost never hear the sounds of love.
You hear, always at night, the shifting of the uprights, the sagging of ceiling joists, and the unpredictable ticking of the gas heater.
We didn’t know much about addiction, about homelessness, but we knew how it could look. We’d watched a man nod into his own lap in the Tim Hortons on Abbott Street, had seen kids hawk lone red and white carnations in plastic sleeves to drivers on the interchange off-ramp. We’d heard the spellbound murmurs of the woman who sat all day at the bus shelter on Fillmore. We offered these people things we thought they’d want. Some days one said yes to a cheeseburger or a Filet-O-Fish or a hot coffee, and other days no one wanted anything but whatever coins and cash we had.
We were many times not helpful at all. One winter, Mary Lucille came across a man asleep next to the grocery carts in the Tops lot. She tapped him on the shoulder and asked, when he roused, if he wanted a ride to the shelter. He shook his head. Or, she said, she could take him to McDonald’s for a chicken sandwich, or fries, or a parfait.
“A parfait?” the man said. He squinted at her. “What the hell is a parfait?”
Alone in a London museum, I saw a watercolor of twin
flames, one black, one a gauzy red,
only to learn the title is Boats at Sea. It's like how
sometimes I forget you're gone.
But it's not like that, is it? Not at all. When in this world
similes carry us nowhere.
And now I see again the boy pelting through those galleries
a boy not you, a flash of red, red, chasing, or being chased—
Or did I invent him? Mischief companion. Brother.
Listen to me
plead for your life though even in the dream I know you're
already dead.
How do I insure my desire for grief is never satisfied? Was
Priam's ever?
I tell my friend, I want the page itself to burn.