Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Still behind him was that damn coyote. A determined critter, he was. He hadn’t caught sight of him for at least an hour, but he felt his presence out there. At first he had feared him. Now he didn’t. If circumstances were different he might have welcomed the company of a coyote on a lonely walk on a snowy night. At best, the coyote’s presence was disconcerting. He was puzzled. Why would a coyote be so determined? Poor animal. It had been such a hard winter for man and beast.
I draw the curtains. The room darkens, but
the mirror still reflects a crescent moon.
I pull the crescent out, a rigid curve
that softens into a length of cloth.
I wrap the cloth around my eyes,
and I’m peering through a crack in the wall
revealing a landscape of snow.
Often they seem to be falling forward
but I pretend not to notice
how well they use their bodies:
the girl, that tall delicate boy,
even the father in pink satin –
ardent, flashy. Now something scares me
and I turn away.
In the dream
they walk the beach –
my children and their father –
equally exposed, ridiculous suits
in the same ice-cream colors.
The boy’s name is Cecil Mayberry; he is twelve, white, and he knows something. He knows what his mother is going to make for supper, pot roast and green Jell-O salad; he knows that the Russians have put a Sputnik in the sky. But these are not the items that are just now on Cecil’s mind. He is thinking about a man, a waterman, lying face down in a tidal pool two hundred yards from where he sits. Cecil knows the man’s name, Grayson “Tommie” Todman, and he knows that two .22-caliber bullets have made a mess of Tommie’s head. He knows the first one entered just below the right cheekline, cutting short Tommie’s last Fuck You to the world, and the second one grazed through his hair before nipping in at the peak and blowing out a portion of Tommie’s unlamented brain.
In fact, this is going to be the first time in Cecil’s life—but not the last—that he is an undisputed expert on a certain subject. He knows who shot Tommie, and why.
In the Oakland Greyhound all the people were dwarfs, and they pushed and shoved to get on the bus, even cutting in ahead of the two nuns, who were there first. The two nuns smiled sweetly at Miranda and Baby Ellen and played I-see-you behind their fingers when they’d taken their seats. But Jamie could sense that they found her make-up too thick, her pants too tight. They knew she was leaving her husband, and figured she’d turn for a living to whoring. She wanted to tell them what was what, but you can’t talk to a Catholic. The shorter nun carried a bright cut rose wrapped in her two hands.
My mother supports an agency that every week or so sends her a list of the world’s political prisoners who are known to be in immediate danger of their lives. She sits over a chunky Adler typewriter and composes polite pleas to jailors and torturers and killers on behalf of their victims. “In the name of liberty, of decency, Your Excellency…”
These petitions for pity and reason, strangled as they are by formality, necessarily without anger, she types on personal stationery of pale yellow or pale tangerine or aqua—the kind got at a pharmacy. Her bursitis makes the typing difficult, and the text is unevenly imprinted, since some of the keys have more bite than others, the way she works them. All the same, her handwriting is impossible.
Still behind him was that damn coyote. A determined critter, he was. He hadn’t caught sight of him for at least an hour, but he felt his presence out there. At first he had feared him. Now he didn’t. If circumstances were different he might have welcomed the company of a coyote on a lonely walk on a snowy night. At best, the coyote’s presence was disconcerting. He was puzzled. Why would a coyote be so determined? Poor animal. It had been such a hard winter for man and beast.
I draw the curtains. The room darkens, but
the mirror still reflects a crescent moon.
I pull the crescent out, a rigid curve
that softens into a length of cloth.
I wrap the cloth around my eyes,
and I’m peering through a crack in the wall
revealing a landscape of snow.
Often they seem to be falling forward
but I pretend not to notice
how well they use their bodies:
the girl, that tall delicate boy,
even the father in pink satin –
ardent, flashy. Now something scares me
and I turn away.
In the dream
they walk the beach –
my children and their father –
equally exposed, ridiculous suits
in the same ice-cream colors.
The boy’s name is Cecil Mayberry; he is twelve, white, and he knows something. He knows what his mother is going to make for supper, pot roast and green Jell-O salad; he knows that the Russians have put a Sputnik in the sky. But these are not the items that are just now on Cecil’s mind. He is thinking about a man, a waterman, lying face down in a tidal pool two hundred yards from where he sits. Cecil knows the man’s name, Grayson “Tommie” Todman, and he knows that two .22-caliber bullets have made a mess of Tommie’s head. He knows the first one entered just below the right cheekline, cutting short Tommie’s last Fuck You to the world, and the second one grazed through his hair before nipping in at the peak and blowing out a portion of Tommie’s unlamented brain.
In fact, this is going to be the first time in Cecil’s life—but not the last—that he is an undisputed expert on a certain subject. He knows who shot Tommie, and why.
In the Oakland Greyhound all the people were dwarfs, and they pushed and shoved to get on the bus, even cutting in ahead of the two nuns, who were there first. The two nuns smiled sweetly at Miranda and Baby Ellen and played I-see-you behind their fingers when they’d taken their seats. But Jamie could sense that they found her make-up too thick, her pants too tight. They knew she was leaving her husband, and figured she’d turn for a living to whoring. She wanted to tell them what was what, but you can’t talk to a Catholic. The shorter nun carried a bright cut rose wrapped in her two hands.
My mother supports an agency that every week or so sends her a list of the world’s political prisoners who are known to be in immediate danger of their lives. She sits over a chunky Adler typewriter and composes polite pleas to jailors and torturers and killers on behalf of their victims. “In the name of liberty, of decency, Your Excellency…”
These petitions for pity and reason, strangled as they are by formality, necessarily without anger, she types on personal stationery of pale yellow or pale tangerine or aqua—the kind got at a pharmacy. Her bursitis makes the typing difficult, and the text is unevenly imprinted, since some of the keys have more bite than others, the way she works them. All the same, her handwriting is impossible.