Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Your phone alarm went off at eight. “I only got in a fight one time,” you told me after I told you my dream. “I was playing in the sandbox with my friend and he got mad at me for beating him in a game, so he punched me in the face. My mom took one look at me and said, ‘Never let anyone hit you.’ So she made me go back there and fight him.”
“How’d that go?” I asked.
“I felt bad! We were both crying the whole time. I think I won. I bit him a few times.”
“Sounds excessive.”
“Nuh-uh! When you grow up in poor communities, you have to do violent things to survive. Because if people think they can mess with you, they’ll keep messing with you, and your life will be ten times harder than if you just do unpleasant things. Like bite a boy on the playground. Yeah!” you affirmed with a prim little nod.
He had that look on his face again. She remembered it now. It was that troubled look he had six months ago when his snakes got sick. “Angelica,” she remembered him saying softly, almost in tears, “they’re dying, they won’t eat, they’re as limp as noodles, all of them.” What was he going to do? He was supposed to deliver their venom to the lab days ago. They had been calling, reminding him, demanding, threatening to go with another venom vendor. They’d tell the other labs about him, ruin his hard-earned reputation.
He was screwed without his snakes. And what’s more, he really loved them.
Angelica always wanted him to look at her that way, with that much attention and intensity that would show he loved her that much too. That he needed her around. And finally here it was.
“No more pills, Angelica. You’re going to end up killing yourself.”
Bristling outward
his sadism roots him deepest.
Some will hurt whomever they choose.
God-headed and radiant
but shimmering little to offer.
Don’t build your bed of crisis
or lie on the down of his ire.
I draw the curtains. The room darkens, but
the mirror still reflects a crescent moon.
I pull the crescent out, a rigid curve
that softens into a length of cloth.
I wrap the cloth around my eyes,
and I’m peering through a crack in the wall
revealing a landscape of snow.
By the time he was infamous enough to sell out bullfighting arenas, the Caruso C was a sort of burlesque number. He would inch to it from the frequencies below, nearly embrace the note, and then flat a bit before trumpeting, C! with full tenor fury. Toscanini chided him for grandstanding, but this in-and-out tease worked well with German and Latin American houses, which particularly enjoyed the punishment of a loud flirtation.
To remain :: is to grieve
:: is to answer
:: what side of the río
we crown
:: or
:: where your ancestors
Coffin
Your phone alarm went off at eight. “I only got in a fight one time,” you told me after I told you my dream. “I was playing in the sandbox with my friend and he got mad at me for beating him in a game, so he punched me in the face. My mom took one look at me and said, ‘Never let anyone hit you.’ So she made me go back there and fight him.”
“How’d that go?” I asked.
“I felt bad! We were both crying the whole time. I think I won. I bit him a few times.”
“Sounds excessive.”
“Nuh-uh! When you grow up in poor communities, you have to do violent things to survive. Because if people think they can mess with you, they’ll keep messing with you, and your life will be ten times harder than if you just do unpleasant things. Like bite a boy on the playground. Yeah!” you affirmed with a prim little nod.
He had that look on his face again. She remembered it now. It was that troubled look he had six months ago when his snakes got sick. “Angelica,” she remembered him saying softly, almost in tears, “they’re dying, they won’t eat, they’re as limp as noodles, all of them.” What was he going to do? He was supposed to deliver their venom to the lab days ago. They had been calling, reminding him, demanding, threatening to go with another venom vendor. They’d tell the other labs about him, ruin his hard-earned reputation.
He was screwed without his snakes. And what’s more, he really loved them.
Angelica always wanted him to look at her that way, with that much attention and intensity that would show he loved her that much too. That he needed her around. And finally here it was.
“No more pills, Angelica. You’re going to end up killing yourself.”
Bristling outward
his sadism roots him deepest.
Some will hurt whomever they choose.
God-headed and radiant
but shimmering little to offer.
Don’t build your bed of crisis
or lie on the down of his ire.
I draw the curtains. The room darkens, but
the mirror still reflects a crescent moon.
I pull the crescent out, a rigid curve
that softens into a length of cloth.
I wrap the cloth around my eyes,
and I’m peering through a crack in the wall
revealing a landscape of snow.
By the time he was infamous enough to sell out bullfighting arenas, the Caruso C was a sort of burlesque number. He would inch to it from the frequencies below, nearly embrace the note, and then flat a bit before trumpeting, C! with full tenor fury. Toscanini chided him for grandstanding, but this in-and-out tease worked well with German and Latin American houses, which particularly enjoyed the punishment of a loud flirtation.
To remain :: is to grieve
:: is to answer
:: what side of the río
we crown
:: or
:: where your ancestors
Coffin