Whiting Award Winners

Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.

What Runs Over

I imagine my daddy’s mind

looks most like broken
 

dryer machines

scattered in a forest,

 

field mice living

in the leftover lint.

 

I imagine it looks

like stepped-on

 

syringes, too,

flies stooping

 

down to sop up

all the sweet.

 
The Ground
Poems

I plugged my poem into a manhole cover
That flamed into the first guitar,
Jarred the asphalt and tar to ash,
And made from where there once was
Ground a sound to stand on.

Combing the Snakes from His Hair
Poems

Bristling outward

his sadism roots him deepest.

Some will hurt whomever they choose.

 

God-headed and radiant

            but shimmering little to offer.

Don’t build your bed of crisis

            or lie on the down of his ire.

The Afterlife of Objects
Poems

Outside, my grandfather wheeling

a pesticide tank

 

from tree to tree, spraying everything

with thick, white foam –

 

bark, leaf, apple flesh –

salting the garden

 

with handfuls of red sand, dissolving

aphid, Japanese beetle, horned tomato worm

 

as thick as rope. Gone

in an instant, emerging

 

from his fiberglass outbuilding shed, helving

an axe, bright blade, pine handle,

 

to eliminate

a dwarf peach weakened by nesting beetles.

 

O ordinary axe

Ugly Music

The last time I cried to your picture

was the anniversary of my grandmother’s death.

It was about her and you and how

all the things I could touch would disappear,

like your hand or dirty boxers on the floor,

or the liver spots on her arms, the space

of her missing tooth.

 

I’ve been having that dream again.

The one where I make a fortune selling my used underwear 

and I buy her a tombstone. 

Holy Land
A Suburban Memoir

You leave the space between the houses uncrossed. You rarely go across the street, which is forty feet wide.

 

You are grateful for the distance. It is as if each house on your block stood on its own enchanted island, fifty feet wide by one hundred feet long.

 

People come and go from it, your parents mostly and your friends. Your parents arrive like pilgrims.

 

But the island is remote. You occasionally hear the sounds of anger. You almost never hear the sounds of love.

 

You hear, always at night, the shifting of the uprights, the sagging of ceiling joists, and the unpredictable ticking of the gas heater.

What Runs Over

I imagine my daddy’s mind

looks most like broken
 

dryer machines

scattered in a forest,

 

field mice living

in the leftover lint.

 

I imagine it looks

like stepped-on

 

syringes, too,

flies stooping

 

down to sop up

all the sweet.

 
The Ground
Poems

I plugged my poem into a manhole cover
That flamed into the first guitar,
Jarred the asphalt and tar to ash,
And made from where there once was
Ground a sound to stand on.

Combing the Snakes from His Hair
Poems

Bristling outward

his sadism roots him deepest.

Some will hurt whomever they choose.

 

God-headed and radiant

            but shimmering little to offer.

Don’t build your bed of crisis

            or lie on the down of his ire.

The Afterlife of Objects
Poems

Outside, my grandfather wheeling

a pesticide tank

 

from tree to tree, spraying everything

with thick, white foam –

 

bark, leaf, apple flesh –

salting the garden

 

with handfuls of red sand, dissolving

aphid, Japanese beetle, horned tomato worm

 

as thick as rope. Gone

in an instant, emerging

 

from his fiberglass outbuilding shed, helving

an axe, bright blade, pine handle,

 

to eliminate

a dwarf peach weakened by nesting beetles.

 

O ordinary axe

Ugly Music

The last time I cried to your picture

was the anniversary of my grandmother’s death.

It was about her and you and how

all the things I could touch would disappear,

like your hand or dirty boxers on the floor,

or the liver spots on her arms, the space

of her missing tooth.

 

I’ve been having that dream again.

The one where I make a fortune selling my used underwear 

and I buy her a tombstone. 

Holy Land
A Suburban Memoir

You leave the space between the houses uncrossed. You rarely go across the street, which is forty feet wide.

 

You are grateful for the distance. It is as if each house on your block stood on its own enchanted island, fifty feet wide by one hundred feet long.

 

People come and go from it, your parents mostly and your friends. Your parents arrive like pilgrims.

 

But the island is remote. You occasionally hear the sounds of anger. You almost never hear the sounds of love.

 

You hear, always at night, the shifting of the uprights, the sagging of ceiling joists, and the unpredictable ticking of the gas heater.