Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
A man and a woman
are lying together
listening to news of a war.
The radio dial
is the only light in the room.
Casualties are read out.
He thinks, “Those are people
I no longer have to love,”
and he touches her hair
and calls her name
but it sounds strange to her
like a stone left over
from a house already built.
The light made my skin look orange, and I started thinking about what Wickham had told us about light. She said that oranges and apples, leaves and flowers, the whole multicolored world, was not what it appeared to be. The colors we see, she said, look like they do only because of the light or ray that shines on them. “The color of the thing isn’t what you see but the light that’s reflected off it.” Then she shut out the lights and shone a white light on a prism. We watched the pale splay of colors on the projector screen; some people oohed and aahed. Suddenly, she switched on a black light and the color of everything changed. The prism colors vanished, Wickham’s arms were purple, the buttons of her dress were as orange as hot coals, rather than the blue they had been only seconds before. We were all very quiet. “Nothing,” she said, after a while, “is really what it appears to be.”
I plugged my poem into a manhole cover
That flamed into the first guitar,
Jarred the asphalt and tar to ash,
And made from where there once was
Ground a sound to stand on.
Breathing Room
There are lives twice as long as others;
they might look back on those
behind them like runners nearing
the finish line relieved
not to have been out of it so early.
We wake one day to an understanding
about our diminishment yet
by evening, we’ve turned that corner—
the present is everything; its tedium
flaring in the window’s reflection.
You get tired of being this way.
Plans go awry & other plans
get made elsewhere, somewhere
elaborately empty. Still, we believe
ourselves slightly beautiful as we check
the door then fill the bedside glass,
means of accumulation mastered,
our complaint well turned.
Unheard behind that window, the night sky—
boundless—still roars.
My father believes that the United States is destined one day to be engulfed in a socialist revolution. All revolutions are bloody, he says, but this one will be the bloodiest of them all. The working class—which includes me—will at some point in the not-so-distant future decide to put down the tools of our trade, pour into the streets, beat the police into submission, take over the means of production, and usher in a new epoch—the final epoch—of peace and equality. This revolution is not only inevitable, it is imminent. It is not only imminent, it is quite imminent. And when the time comes, my father will lead it.
Circling slow and dripping like a fat June bug in the rain,
turbos throbbing in the labored
dark over Chicago, the Electra turned, one wing
pivoted up, like an old dog tilted on three legs,
smelling dank, an old heaviness in him, as though
he were about to tumble over toward those glorious,
snowy lights below. There might have been
freezing sleet as well. In any case, I know
I laughed into a glass half filled with bourbon,
glanced again at the two feathered props
out the window, their cowlings charred and smoky.
But freed all at once from months of killing depression,
elated strangely, almost uplifted.
A man and a woman
are lying together
listening to news of a war.
The radio dial
is the only light in the room.
Casualties are read out.
He thinks, “Those are people
I no longer have to love,”
and he touches her hair
and calls her name
but it sounds strange to her
like a stone left over
from a house already built.
The light made my skin look orange, and I started thinking about what Wickham had told us about light. She said that oranges and apples, leaves and flowers, the whole multicolored world, was not what it appeared to be. The colors we see, she said, look like they do only because of the light or ray that shines on them. “The color of the thing isn’t what you see but the light that’s reflected off it.” Then she shut out the lights and shone a white light on a prism. We watched the pale splay of colors on the projector screen; some people oohed and aahed. Suddenly, she switched on a black light and the color of everything changed. The prism colors vanished, Wickham’s arms were purple, the buttons of her dress were as orange as hot coals, rather than the blue they had been only seconds before. We were all very quiet. “Nothing,” she said, after a while, “is really what it appears to be.”
I plugged my poem into a manhole cover
That flamed into the first guitar,
Jarred the asphalt and tar to ash,
And made from where there once was
Ground a sound to stand on.
Breathing Room
There are lives twice as long as others;
they might look back on those
behind them like runners nearing
the finish line relieved
not to have been out of it so early.
We wake one day to an understanding
about our diminishment yet
by evening, we’ve turned that corner—
the present is everything; its tedium
flaring in the window’s reflection.
You get tired of being this way.
Plans go awry & other plans
get made elsewhere, somewhere
elaborately empty. Still, we believe
ourselves slightly beautiful as we check
the door then fill the bedside glass,
means of accumulation mastered,
our complaint well turned.
Unheard behind that window, the night sky—
boundless—still roars.
My father believes that the United States is destined one day to be engulfed in a socialist revolution. All revolutions are bloody, he says, but this one will be the bloodiest of them all. The working class—which includes me—will at some point in the not-so-distant future decide to put down the tools of our trade, pour into the streets, beat the police into submission, take over the means of production, and usher in a new epoch—the final epoch—of peace and equality. This revolution is not only inevitable, it is imminent. It is not only imminent, it is quite imminent. And when the time comes, my father will lead it.
Circling slow and dripping like a fat June bug in the rain,
turbos throbbing in the labored
dark over Chicago, the Electra turned, one wing
pivoted up, like an old dog tilted on three legs,
smelling dank, an old heaviness in him, as though
he were about to tumble over toward those glorious,
snowy lights below. There might have been
freezing sleet as well. In any case, I know
I laughed into a glass half filled with bourbon,
glanced again at the two feathered props
out the window, their cowlings charred and smoky.
But freed all at once from months of killing depression,
elated strangely, almost uplifted.