Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
…after dozens of visits, I stopped buying the paintings. Scenes of bright peasant life, or lovely little children in uniforms filing into school, pictures of grand bourgeois families dancing in a hall beneath towering hi-fi speakers, or of shocking voodoo ceremonies in blacks and reds with decapitated chickens flapping in blood and women writhing, panoramas of bustling, abundant markets, paintings of primeval forests, with lions, giraffes, panthers and other animals no Haitian has ever seen at home, where the wildest animal is the crocodile or the flamingo, or the tarantula. It’s hard to keep looking at those paintings, but these Haitian artists paint them over and over again, as though they can’t get this nightmare out of their system. For months, a vendor tried to sell me this one painting, of a church interior, because I made the mistake of looking at it. He started at thirty dollars, laughably high but negotiable. Still, for a long time I couldn’t bring myself to buy it, no matter how badly the stooped and stuttering art dealer wanted to get rid of it, no matter how low he would go. I had promised myself no more paintings.
I like a crusty bread. Last spring, when the man who sold my son the satellite dish told him that the signal wasn’t coming in good because of the big old elm tree across the road by the house, that it was getting in the way of the reception, everyone—my son, my daughter-in-law, my grandsons, and then, because everyone else was, even the man—looked at me. I loved that tree. It was always there. It would always make me feel good to walk in the yard through its patterned shadow on my way into the house. But then, across the road, there was the satellite dish. I said they could chop the tree down but I wanted every bit of wood from it cut and stacked in a pile by itself. And though I hadn’t done it for years, since we’d got an electric stove and a furnace, I started back using the old wood stove, which we’d left in the kitchen mostly for looks. It’s better to cook bread in a wood stove anyway. You can tell the difference not just in the crust but also in taste.
A planeload of insurance salesmen, blown off course,
Discovers a tribe who believe an elephant-
In-the-distance is the same size as a gnat-in-the-eye.
This should cause trouble in a hunt. But tribespeople
Merely flick the pesky trumpeter away,
While the gnat – felled by clouds of arrows – feeds
The tribe for weeks. Faced by a lion, tribesmen run
Until its head is small enough to squish. Muscular
Warriors are found dead, pierced by mosquito-needles
Ear-to-ear. Everything here is as it seems.
The stick-in-water, drawn out, remains crooked
As a boomerang. Mountain and molehill are identical.
Tragedies that crush Americans – love’s waterbed
Popping, parents dropped into the scalding pot of age-
Require only that the sufferer walk away. “It’s not so awful,”
Tribal healers say. “With every step, troubles shrink;
Their howling dwindles to a buzz; their fangs shrivel to the size
Of pollen grains. Reach out. Brush them away. You see?”
Leaning over me, she took my head into her hands,
the short hair thick still, full beneath her fingers.
She told me she had read that pressure (from
a rubber band about the head) combined with
lowered temperatures (from ice) would sometimes
keep the drugs from killing hair roots in the scalp.
I suffered numbness, ache from cold, for her,
for hope. She only had to try it once.
Two marriages:
Clara and Fritz Haber: Clara finishes a doctorate in chemistry. She is the only woman at her school. She is brilliant but reserved. The first time Fritz proposes, she declines. The second time, she agrees. After they marry, he demands that Clara be a housewife and a mother, while he travels for work. When war breaks out in 1918, he proves his patriotism through the development of a new weapon, something invisible to the human eye and absolutely silent. After finding out about the chlorine gas, Clara shoots herself in the family garden.
Marie and Pierre Curie: Pierre makes several marriage proposals to Marie before she accepts. A commonality then between these women. On her wedding day, she wears a dark blue dress. More practical, she thinks, and afterward, in her dress, goes back to the laboratory with Pierre. The lab is the basement of their home. In three years, they discover polonium and radium. In eight, they are awarded a Nobel. At first the committee will not recognize her (no woman has won before) but Pierre demands it—she is the one who sifted through ten tons of mineral-rich ore to find that tenth of a gram.
While I sit with all the other patients in the waiting room, I always think that I will ask Dr. Wald what exactly is happening to my eyes, but when I go into his examining room alone it is dark, with a circle of light on the wall, and the doctor is standing with his back to me arranging silver instruments on a cloth. The big chair is empty for me to go sit in, and each time I feel as if I have gone into a dream straight from being awake, the way you do sometimes at night, and I go to the chair without saying anything.
…after dozens of visits, I stopped buying the paintings. Scenes of bright peasant life, or lovely little children in uniforms filing into school, pictures of grand bourgeois families dancing in a hall beneath towering hi-fi speakers, or of shocking voodoo ceremonies in blacks and reds with decapitated chickens flapping in blood and women writhing, panoramas of bustling, abundant markets, paintings of primeval forests, with lions, giraffes, panthers and other animals no Haitian has ever seen at home, where the wildest animal is the crocodile or the flamingo, or the tarantula. It’s hard to keep looking at those paintings, but these Haitian artists paint them over and over again, as though they can’t get this nightmare out of their system. For months, a vendor tried to sell me this one painting, of a church interior, because I made the mistake of looking at it. He started at thirty dollars, laughably high but negotiable. Still, for a long time I couldn’t bring myself to buy it, no matter how badly the stooped and stuttering art dealer wanted to get rid of it, no matter how low he would go. I had promised myself no more paintings.
I like a crusty bread. Last spring, when the man who sold my son the satellite dish told him that the signal wasn’t coming in good because of the big old elm tree across the road by the house, that it was getting in the way of the reception, everyone—my son, my daughter-in-law, my grandsons, and then, because everyone else was, even the man—looked at me. I loved that tree. It was always there. It would always make me feel good to walk in the yard through its patterned shadow on my way into the house. But then, across the road, there was the satellite dish. I said they could chop the tree down but I wanted every bit of wood from it cut and stacked in a pile by itself. And though I hadn’t done it for years, since we’d got an electric stove and a furnace, I started back using the old wood stove, which we’d left in the kitchen mostly for looks. It’s better to cook bread in a wood stove anyway. You can tell the difference not just in the crust but also in taste.
A planeload of insurance salesmen, blown off course,
Discovers a tribe who believe an elephant-
In-the-distance is the same size as a gnat-in-the-eye.
This should cause trouble in a hunt. But tribespeople
Merely flick the pesky trumpeter away,
While the gnat – felled by clouds of arrows – feeds
The tribe for weeks. Faced by a lion, tribesmen run
Until its head is small enough to squish. Muscular
Warriors are found dead, pierced by mosquito-needles
Ear-to-ear. Everything here is as it seems.
The stick-in-water, drawn out, remains crooked
As a boomerang. Mountain and molehill are identical.
Tragedies that crush Americans – love’s waterbed
Popping, parents dropped into the scalding pot of age-
Require only that the sufferer walk away. “It’s not so awful,”
Tribal healers say. “With every step, troubles shrink;
Their howling dwindles to a buzz; their fangs shrivel to the size
Of pollen grains. Reach out. Brush them away. You see?”
Leaning over me, she took my head into her hands,
the short hair thick still, full beneath her fingers.
She told me she had read that pressure (from
a rubber band about the head) combined with
lowered temperatures (from ice) would sometimes
keep the drugs from killing hair roots in the scalp.
I suffered numbness, ache from cold, for her,
for hope. She only had to try it once.
Two marriages:
Clara and Fritz Haber: Clara finishes a doctorate in chemistry. She is the only woman at her school. She is brilliant but reserved. The first time Fritz proposes, she declines. The second time, she agrees. After they marry, he demands that Clara be a housewife and a mother, while he travels for work. When war breaks out in 1918, he proves his patriotism through the development of a new weapon, something invisible to the human eye and absolutely silent. After finding out about the chlorine gas, Clara shoots herself in the family garden.
Marie and Pierre Curie: Pierre makes several marriage proposals to Marie before she accepts. A commonality then between these women. On her wedding day, she wears a dark blue dress. More practical, she thinks, and afterward, in her dress, goes back to the laboratory with Pierre. The lab is the basement of their home. In three years, they discover polonium and radium. In eight, they are awarded a Nobel. At first the committee will not recognize her (no woman has won before) but Pierre demands it—she is the one who sifted through ten tons of mineral-rich ore to find that tenth of a gram.
While I sit with all the other patients in the waiting room, I always think that I will ask Dr. Wald what exactly is happening to my eyes, but when I go into his examining room alone it is dark, with a circle of light on the wall, and the doctor is standing with his back to me arranging silver instruments on a cloth. The big chair is empty for me to go sit in, and each time I feel as if I have gone into a dream straight from being awake, the way you do sometimes at night, and I go to the chair without saying anything.