Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
DOU YI
My hands were packed in dry ice
Flown across the Pacific and
Stitched onto a man who lost his overseas.
My palms open doors to
Rooms my feet haven't walked through and
Caress a woman my eyes will never see.
It doesn't snow there but my
Nails ache when they touch ice and
Scratch strange characters onto that
Soldier's skin while he's sleeping.
His doctors call it post-traumatic stress but
He knows they're words from a
Language his tongue never learned
Justice.
Justice.
Justice
Across the East Sea a yam farmer
Uses my corneas to see.
She dreams of snow but thinks
It's ashes from a childhood fire bombing.
On the far side of the Atlantic my stomach digests
Food that never passed through my lips
Food my teeth didn't chew
Food my tongue hasn't tasted
Food that could have made this spirit stronger
And act sooner if someone offered it to Dou Yi.
But my heart--
My heart beats in this town,
Pumping blood through a man
Loved by the son of an official,
A son who moved Heaven and Earth for
His Happiness.
His Future.
His New Harmony.
These offerings have given me strength
I feel my spirit reviving!
Justice.
Justice.
Justice.
Justice and burial for the widow Dou Yi
Justice.
Justice.
Justice.
But how can you bury a woman whose butchered body's still living?
Justice.
Justice.
That is my heart. It should beat inside me.
(Dou Yi thrusts her hand into Rocket's chest and retrieves her heart.)
“YOU COME WITH ME NOW,” Uma madam says one day, after breakfast. She has come prepared. A male guard comes forward and grabs my arm.
“Where?” I say, wrenching free. He lets go. “Stop it! I need to talk to Gobind about the appeals.”
“You walk or he will drag you,” says Uma madam in reply.
Back in my cell, I gather my sleeping mat, my other salwar kameez, slip my feet into the rubber slippers, then look around for anything else that is mine. Nothing is.
Uma madam pulls my dupatta off my neck. When I grab at it, she clicks her tongue. “What use is modesty for you anymore?” she says.
We walk down the corridor, the three of us, and a few women look up from inside their cells. The corridor is so dim they are no more than movement, shapes, smells, a belch. Perhaps sensing my fear, Uma madam finds it in her heart to explain. “You can’t have a dupatta in this place where you are going. Not allowed. What if you decide to hang yourself, what then? It has happened before.” After a pause, she says, “Nobody’s coming to see you, don’t worry about looking nice.”
Uma madam unlocks a door at the far end of the corridor, which opens onto a staircase I have never seen. Though the day is dry and sunny, there is a puddle of water on the top step.
“Go down,” she says.
When I don’t move, she insists, “Go! Don’t look so afraid, we don’t keep tigers down there.”
I climb down, my slippers slapping the steps.
I
What a lucky beast I am,
when he cleans up nice
and nicks his perfect face.
I get to lick that face,
when he lets me.
In the cut’s opening
I get a taste of him
from the inside
out, which is all I have
ever wanted,
to be cell-close
to him. Praise the razor’s
overzealous arm;
the ease
with which it finds tenderness
in this man.
WOMAN 2: The first time I saw the devil was in the desert thirty-five kilometers north of Shaarm, a multi-national army base. The devil first appeared to me in the form of a huge scorpion but it took on many forms during our brief encounter, some of them insect, some of them human, and once as a desert turkey, which I came to prefer. The roof of meaning, at any rate, was gone.
Cole claimed to remember the good times between my parents. But I didn’t. Seemed like they were always breaking up to make up. After their big fights, they usually got back together with a little ritual: Al Green, a bottle of red wine, and a carton of Chinese noodles. Sometimes they would read aloud to each other from one of their favorite writers, Camus or Richard Wright. Other times they would just stand in the living room, lights off, swaying to the soul music, kissing, and whispering to each other secrets Cole and I would never know.
This is the address to the station that be playin the news, she say. Imma write to them and they gonna do a story on us.
I’m like, Yo, Kandese, that’s a good idea.
My mama put on the news every night. I didn’t know you could send them letters.
Ain’t no news cameras comin down here, Bernita say. Cops don’t even come here.
She love rainin on parades.
DOU YI
My hands were packed in dry ice
Flown across the Pacific and
Stitched onto a man who lost his overseas.
My palms open doors to
Rooms my feet haven't walked through and
Caress a woman my eyes will never see.
It doesn't snow there but my
Nails ache when they touch ice and
Scratch strange characters onto that
Soldier's skin while he's sleeping.
His doctors call it post-traumatic stress but
He knows they're words from a
Language his tongue never learned
Justice.
Justice.
Justice
Across the East Sea a yam farmer
Uses my corneas to see.
She dreams of snow but thinks
It's ashes from a childhood fire bombing.
On the far side of the Atlantic my stomach digests
Food that never passed through my lips
Food my teeth didn't chew
Food my tongue hasn't tasted
Food that could have made this spirit stronger
And act sooner if someone offered it to Dou Yi.
But my heart--
My heart beats in this town,
Pumping blood through a man
Loved by the son of an official,
A son who moved Heaven and Earth for
His Happiness.
His Future.
His New Harmony.
These offerings have given me strength
I feel my spirit reviving!
Justice.
Justice.
Justice.
Justice and burial for the widow Dou Yi
Justice.
Justice.
Justice.
But how can you bury a woman whose butchered body's still living?
Justice.
Justice.
That is my heart. It should beat inside me.
(Dou Yi thrusts her hand into Rocket's chest and retrieves her heart.)
“YOU COME WITH ME NOW,” Uma madam says one day, after breakfast. She has come prepared. A male guard comes forward and grabs my arm.
“Where?” I say, wrenching free. He lets go. “Stop it! I need to talk to Gobind about the appeals.”
“You walk or he will drag you,” says Uma madam in reply.
Back in my cell, I gather my sleeping mat, my other salwar kameez, slip my feet into the rubber slippers, then look around for anything else that is mine. Nothing is.
Uma madam pulls my dupatta off my neck. When I grab at it, she clicks her tongue. “What use is modesty for you anymore?” she says.
We walk down the corridor, the three of us, and a few women look up from inside their cells. The corridor is so dim they are no more than movement, shapes, smells, a belch. Perhaps sensing my fear, Uma madam finds it in her heart to explain. “You can’t have a dupatta in this place where you are going. Not allowed. What if you decide to hang yourself, what then? It has happened before.” After a pause, she says, “Nobody’s coming to see you, don’t worry about looking nice.”
Uma madam unlocks a door at the far end of the corridor, which opens onto a staircase I have never seen. Though the day is dry and sunny, there is a puddle of water on the top step.
“Go down,” she says.
When I don’t move, she insists, “Go! Don’t look so afraid, we don’t keep tigers down there.”
I climb down, my slippers slapping the steps.
I
What a lucky beast I am,
when he cleans up nice
and nicks his perfect face.
I get to lick that face,
when he lets me.
In the cut’s opening
I get a taste of him
from the inside
out, which is all I have
ever wanted,
to be cell-close
to him. Praise the razor’s
overzealous arm;
the ease
with which it finds tenderness
in this man.
WOMAN 2: The first time I saw the devil was in the desert thirty-five kilometers north of Shaarm, a multi-national army base. The devil first appeared to me in the form of a huge scorpion but it took on many forms during our brief encounter, some of them insect, some of them human, and once as a desert turkey, which I came to prefer. The roof of meaning, at any rate, was gone.
Cole claimed to remember the good times between my parents. But I didn’t. Seemed like they were always breaking up to make up. After their big fights, they usually got back together with a little ritual: Al Green, a bottle of red wine, and a carton of Chinese noodles. Sometimes they would read aloud to each other from one of their favorite writers, Camus or Richard Wright. Other times they would just stand in the living room, lights off, swaying to the soul music, kissing, and whispering to each other secrets Cole and I would never know.
This is the address to the station that be playin the news, she say. Imma write to them and they gonna do a story on us.
I’m like, Yo, Kandese, that’s a good idea.
My mama put on the news every night. I didn’t know you could send them letters.
Ain’t no news cameras comin down here, Bernita say. Cops don’t even come here.
She love rainin on parades.