Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I remembered the sweet powerful taste of pop. Tommy Feathers had stopped for coffee when he was hunting wolverine. He tossed a bulged red and white can on the chopping block. “You’ll have tat one springtime,” he joked. He was sober; that meant he was laughing and friendly, not frothing about naluagmius starving his family, stealing food out of his children’s mouths. We had sat around waiting for it to thaw. We could have bought pops in Takunak but according to Abe, pop cost money, wasted aluminum, and was bad for our teeth. Nothing for something. Why not drink water? Now Iris was describing the high school friends and fun we’d always worried we missed out on, and I wondered why I hadn’t bought myself a few Cokes.
There was an old buzka on Luther Street known as the Cat Woman, not because she kept cats but because she disposed of the neighborhood’s excess kittens. Fathers would bring them in cardboard boxes at night after the children were asleep and she would drown them in her wash machine. The wash machine was in the basement, an ancient model with a galvanized-metal tub that stood on legs and had a wringer. A thick cord connected it to a socket that hung from the ceiling and when she turned it on the light bulb in the basement would flicker and water begin to pour.
…he didn’t do it the clean way. He stepped out onto his front stoop where I could see him, cocked his shotgun, the one his daddy had given him, and aimed at me. I am trying to think that the reason my daddy fired over my head instead of into it is that he loved me so much.
Shortly after Halloween, Ruthie Wittenberg, round-faced, black bangs clasped at her temples by blue plastic My Merry barrettes I coveted, the only girl in the class shorter than I, befriended me. From Ruthie I learned many things: how to fold the Land O’Lakes butter box so the Indian girl’s knees turned into boobies (Ruthie’s word; I didn’t admit to mine), the naughty version of the Bosco song. I learned why there were no Polish people in our school or in our neighborhood, though Milwaukee was full of them. They had to live, Ruthie told me, south of the Kinnickkinnick River, in basements. “Because they never wash,” Ruthie explained. They used their bathtubs for storing coal. They farted all the time from the odd food they ate: dogs, Ruthie said, among other things. I nodded. Back in Oklahoma we had Indians, pretty much the same. When I asked how you could tell if somebody was Polish, Ruthie said, “You’ll know it when you smell one.”
titanium, boom shocka, kill di woofa.
thrash reverberating neatly polish mih ride.
hyphy dancehall — no can
hear tings demur.
titanium, boom shocka, kill di woofer
whine mih curvature: cause a road slaughtah.
ain’t neck breaking like dutty
when she whine.
titanium, boom shocka, kill di woofa.
thrash reverberating neatly polish mih ride. sih?
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.
I remembered the sweet powerful taste of pop. Tommy Feathers had stopped for coffee when he was hunting wolverine. He tossed a bulged red and white can on the chopping block. “You’ll have tat one springtime,” he joked. He was sober; that meant he was laughing and friendly, not frothing about naluagmius starving his family, stealing food out of his children’s mouths. We had sat around waiting for it to thaw. We could have bought pops in Takunak but according to Abe, pop cost money, wasted aluminum, and was bad for our teeth. Nothing for something. Why not drink water? Now Iris was describing the high school friends and fun we’d always worried we missed out on, and I wondered why I hadn’t bought myself a few Cokes.
There was an old buzka on Luther Street known as the Cat Woman, not because she kept cats but because she disposed of the neighborhood’s excess kittens. Fathers would bring them in cardboard boxes at night after the children were asleep and she would drown them in her wash machine. The wash machine was in the basement, an ancient model with a galvanized-metal tub that stood on legs and had a wringer. A thick cord connected it to a socket that hung from the ceiling and when she turned it on the light bulb in the basement would flicker and water begin to pour.
…he didn’t do it the clean way. He stepped out onto his front stoop where I could see him, cocked his shotgun, the one his daddy had given him, and aimed at me. I am trying to think that the reason my daddy fired over my head instead of into it is that he loved me so much.
Shortly after Halloween, Ruthie Wittenberg, round-faced, black bangs clasped at her temples by blue plastic My Merry barrettes I coveted, the only girl in the class shorter than I, befriended me. From Ruthie I learned many things: how to fold the Land O’Lakes butter box so the Indian girl’s knees turned into boobies (Ruthie’s word; I didn’t admit to mine), the naughty version of the Bosco song. I learned why there were no Polish people in our school or in our neighborhood, though Milwaukee was full of them. They had to live, Ruthie told me, south of the Kinnickkinnick River, in basements. “Because they never wash,” Ruthie explained. They used their bathtubs for storing coal. They farted all the time from the odd food they ate: dogs, Ruthie said, among other things. I nodded. Back in Oklahoma we had Indians, pretty much the same. When I asked how you could tell if somebody was Polish, Ruthie said, “You’ll know it when you smell one.”
titanium, boom shocka, kill di woofa.
thrash reverberating neatly polish mih ride.
hyphy dancehall — no can
hear tings demur.
titanium, boom shocka, kill di woofer
whine mih curvature: cause a road slaughtah.
ain’t neck breaking like dutty
when she whine.
titanium, boom shocka, kill di woofa.
thrash reverberating neatly polish mih ride. sih?
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.