Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Some of the prisoners were strung like beef
From the ceilings of their cells. “Gus”
Was led around on a leash. I mean dragged.
Others were ridden like mules. The guards
Were under a tremendous amount of pleasure.
I mean pressure. Pretty disgusting. Not
What you’d expect from Americans.
Just kidding. I’m only talking about people
Having a good time, blowing off steam.
For as long as we could remember we had been together in the house which established the center of the known world. When we were younger we woke in the mornings while it was still dark. Grandad would be clumping out of his back room and down the hall to the bathroom, phantom-like in his long underwear. He wore it because he was a farmer, which was why he got up before first light to do the chores. In the two iron beds in the attic room there were the four of us—Celia and Jenny, who were sisters, Anne and Katie, sisters too, like our mothers, who were sisters. Sometimes we watched each other, knew differences. But most of the time it was as though the four of us were one and we lived in days that gathered into one stream of time, undifferentiated and communal.
I have come to see family history as similar to architecture in certain ways. Like architecture, it is quiet. It encompasses, but does not necessarily demand attention. You might not even notice that it’s there. Like architecture, too, family history can suddenly loom into consciousness. For example, you can sit in the New York Public Library at Forty-second Street—designed by Carrère & Hastings, and perhaps the greatest building in New York—with your nose in a book, or busy with the catalogue and transactions with clerks, all the while oblivious of the splendid interior around you. You can forget it utterly, or perhaps not have noticed it at all that day, and then, casually looking up, be astonished, even momentarily disoriented by what you see. So it is with family history. One can go about one’s life with no thought of the past, and then, as if waking from a dream, be astonished to see that you are living within its enclosure.
The game consisted of a single question: If you had to fall in love with (by which Paul meant have sex with) one person in this elevator, who would it be? He played the elevator game in every class he ever took, on the bus, in straight bars, in subway cars, in waiting rooms, free clinics, the line at a movie theater, dinner out with a group of friends-of-friends. He sometimes played the elevator game with Jane, a silent communion of eyebrows and squints or—more likely—a fast-talking, low-murmured loop around the bar, marking targets. Jane was his favorite companion for this; she didn’t judge. Most of his life he had played alone.
I think it was near one o’clock in the morning. Retching blood, Botho jerked his head back and forth, then lurched forward as though loosing his earthly form. This was followed by a sharp intake of breath, as though he was trying to suck it back in again. The bullet had lodged near his shoulder; it had not damaged his throat, and he could still utter, “I’ll pay the devil my soul twice over to watch you hang.” That sentence seemed to take an eternity to work its way through. I all but felt his grimace clamp down on my heart; blood bubbled along his lips.
Some of the prisoners were strung like beef
From the ceilings of their cells. “Gus”
Was led around on a leash. I mean dragged.
Others were ridden like mules. The guards
Were under a tremendous amount of pleasure.
I mean pressure. Pretty disgusting. Not
What you’d expect from Americans.
Just kidding. I’m only talking about people
Having a good time, blowing off steam.
For as long as we could remember we had been together in the house which established the center of the known world. When we were younger we woke in the mornings while it was still dark. Grandad would be clumping out of his back room and down the hall to the bathroom, phantom-like in his long underwear. He wore it because he was a farmer, which was why he got up before first light to do the chores. In the two iron beds in the attic room there were the four of us—Celia and Jenny, who were sisters, Anne and Katie, sisters too, like our mothers, who were sisters. Sometimes we watched each other, knew differences. But most of the time it was as though the four of us were one and we lived in days that gathered into one stream of time, undifferentiated and communal.
I have come to see family history as similar to architecture in certain ways. Like architecture, it is quiet. It encompasses, but does not necessarily demand attention. You might not even notice that it’s there. Like architecture, too, family history can suddenly loom into consciousness. For example, you can sit in the New York Public Library at Forty-second Street—designed by Carrère & Hastings, and perhaps the greatest building in New York—with your nose in a book, or busy with the catalogue and transactions with clerks, all the while oblivious of the splendid interior around you. You can forget it utterly, or perhaps not have noticed it at all that day, and then, casually looking up, be astonished, even momentarily disoriented by what you see. So it is with family history. One can go about one’s life with no thought of the past, and then, as if waking from a dream, be astonished to see that you are living within its enclosure.
The game consisted of a single question: If you had to fall in love with (by which Paul meant have sex with) one person in this elevator, who would it be? He played the elevator game in every class he ever took, on the bus, in straight bars, in subway cars, in waiting rooms, free clinics, the line at a movie theater, dinner out with a group of friends-of-friends. He sometimes played the elevator game with Jane, a silent communion of eyebrows and squints or—more likely—a fast-talking, low-murmured loop around the bar, marking targets. Jane was his favorite companion for this; she didn’t judge. Most of his life he had played alone.
I think it was near one o’clock in the morning. Retching blood, Botho jerked his head back and forth, then lurched forward as though loosing his earthly form. This was followed by a sharp intake of breath, as though he was trying to suck it back in again. The bullet had lodged near his shoulder; it had not damaged his throat, and he could still utter, “I’ll pay the devil my soul twice over to watch you hang.” That sentence seemed to take an eternity to work its way through. I all but felt his grimace clamp down on my heart; blood bubbled along his lips.