Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Rather than a photo, Mona kept a list of her mother’s phobias in her wallet. She was afraid of the usual stuff—death, beatings, rape, Satan—but these commonplace fears were complemented by generalized anxiety over robbers, Russians, mirrors, beards, blood, ruin, vomiting, being alone, and new ideas. She was also afraid of fear, the technical term for which was phobophobia, a word Mona liked to repeat to herself, like a hip-hop lyric. Whenever Mona longed for her, or felt like paying her a visit, she glanced at that list, and then thought of all the pills and what happened to her mother when she took too many, and the feeling usually passed.
In that darkness,
Speakers rose like
Housing projects,
Moonlight diamonded
Mesh-wire panes.
What was it that bloomed
Around his curled
Body when the lights
Came up, fluorescent,
Vacant, garish?
The gym throbbed
With beats & rage
And his eyes darted
Like a man nailed
To a burning crucifix.
“You see, Schmuel,” Aaron resumed, in the tone a very wise man might employ with a very simple child, “the fact is, women’s voices are arousing to men. Don’t you find this to be so?”
“Sure, the good ones. Is that wrong?”
“And when you’re aroused,” he went on, “what happens to your concentration? Out the window. This also is why we separate the genders in shul. Also why our women cover their hair, knees, and shoulders. Why they wear thick stockings, not thin ones. When we pray, we want to immerse ourselves in prayer, not distract ourselves with sex.”
I spoke up then for distracted people everywhere. “What’s so bad about sex?”
She went to school with other Russian-speaking children, some of whom were Latvian Jews, sons and daughters of the lucky few who had been hidden away by righteous gentiles, or who had fought with the famous 43rd Latvian Rifle Guards Battalion of the Soviet army. The others, like her own family, had moved to Riga after the war, their families mostly intact, having spent the war in the eastern evacuation zones.
Some of her schoolteachers were survivors themselves, but no one knew for sure. The survivors, they were silent. They had not yet been glorified, honoured, beatified. They simply went about their lives as best they could. Only decades later did my mother find out that the school principal, Nina Dmitrievna Alieva, was an inmate in Salaspils concentration camp. Only later did she learn of rumours that their strict chorus teacher had climbed out of a ditch in Rumbula.
The family lined up to kiss me. With Guillaume and then Odile, I aimed for the wrong cheek and ended up butting noses with Guillaume and nearly kissing Odile on the lips, which seemed to horrify her and her profound sense of propriety. Before her turn, Lola told me, “Right cheek first,” which clarified everything, and I was prepared for Nicole. No one else seemed to be bothered that Nicole wore no shirt. As we kissed, I smelled makeup and removers, nail polish and toothpaste, and the lingering odor of her younger children—sour milk and butter cookies.
THE PLEASING HOUR © 1999 by Lily King; reprinted with the permission of the publisher, Grove Atlantic, Inc.
“It was a misunderstanding,” her daughter said. “It was a cultural thing, actually.” And when Alice expressed skepticism about the need for cross-cultural understanding with rapists, Mandy said, “He’s not a rapist.”
“I’m sorry,” she said, “but if he raped you, he is a rapist.”
And Mandy said, “Don’t call him that, Mom. He’s my boyfriend.”
Rather than a photo, Mona kept a list of her mother’s phobias in her wallet. She was afraid of the usual stuff—death, beatings, rape, Satan—but these commonplace fears were complemented by generalized anxiety over robbers, Russians, mirrors, beards, blood, ruin, vomiting, being alone, and new ideas. She was also afraid of fear, the technical term for which was phobophobia, a word Mona liked to repeat to herself, like a hip-hop lyric. Whenever Mona longed for her, or felt like paying her a visit, she glanced at that list, and then thought of all the pills and what happened to her mother when she took too many, and the feeling usually passed.
In that darkness,
Speakers rose like
Housing projects,
Moonlight diamonded
Mesh-wire panes.
What was it that bloomed
Around his curled
Body when the lights
Came up, fluorescent,
Vacant, garish?
The gym throbbed
With beats & rage
And his eyes darted
Like a man nailed
To a burning crucifix.
“You see, Schmuel,” Aaron resumed, in the tone a very wise man might employ with a very simple child, “the fact is, women’s voices are arousing to men. Don’t you find this to be so?”
“Sure, the good ones. Is that wrong?”
“And when you’re aroused,” he went on, “what happens to your concentration? Out the window. This also is why we separate the genders in shul. Also why our women cover their hair, knees, and shoulders. Why they wear thick stockings, not thin ones. When we pray, we want to immerse ourselves in prayer, not distract ourselves with sex.”
I spoke up then for distracted people everywhere. “What’s so bad about sex?”
She went to school with other Russian-speaking children, some of whom were Latvian Jews, sons and daughters of the lucky few who had been hidden away by righteous gentiles, or who had fought with the famous 43rd Latvian Rifle Guards Battalion of the Soviet army. The others, like her own family, had moved to Riga after the war, their families mostly intact, having spent the war in the eastern evacuation zones.
Some of her schoolteachers were survivors themselves, but no one knew for sure. The survivors, they were silent. They had not yet been glorified, honoured, beatified. They simply went about their lives as best they could. Only decades later did my mother find out that the school principal, Nina Dmitrievna Alieva, was an inmate in Salaspils concentration camp. Only later did she learn of rumours that their strict chorus teacher had climbed out of a ditch in Rumbula.
The family lined up to kiss me. With Guillaume and then Odile, I aimed for the wrong cheek and ended up butting noses with Guillaume and nearly kissing Odile on the lips, which seemed to horrify her and her profound sense of propriety. Before her turn, Lola told me, “Right cheek first,” which clarified everything, and I was prepared for Nicole. No one else seemed to be bothered that Nicole wore no shirt. As we kissed, I smelled makeup and removers, nail polish and toothpaste, and the lingering odor of her younger children—sour milk and butter cookies.
THE PLEASING HOUR © 1999 by Lily King; reprinted with the permission of the publisher, Grove Atlantic, Inc.
“It was a misunderstanding,” her daughter said. “It was a cultural thing, actually.” And when Alice expressed skepticism about the need for cross-cultural understanding with rapists, Mandy said, “He’s not a rapist.”
“I’m sorry,” she said, “but if he raped you, he is a rapist.”
And Mandy said, “Don’t call him that, Mom. He’s my boyfriend.”