Whiting Award Winners

Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.

House of Heroes
And Other Stories

My job here is a strange one. The description I found in the classifieds read: “Overnight counselor-in-residence for developmentally disabled teenagers with behavior problems.” I didn’t know exactly what that meant. But it went on to read: “Some meal preparation required; counselor is able to sleep during shift.”

 

At the time it seemed that it might suit me, the sleeping part in particular.

Blackspace
On the Poetics of an Afrofuture

Adrian Piper took photos of her naked body while reading The Critique of Pure Reason to make sure her body was still there. I don’t want to talk about “the black body.” Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires “white” and “black” to participate. Integration as the move from a dualist Cartesian world to the monist’s world, so that transcendence is a misnomer—there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.

Eyes Bottle Dark with a Mouthful of Flowers

We unyoke owl pellets from marrow

in desert meadow. His mouth a pigeon eye,

 

a torch, a womb turned flower. He, still a boy

dug from cactus skull, undresses into bark

 

beetles. He unlearns how to hold a gist

with my hand.

Heart Berries
A Memoir

Our culture is based in the profundity things carry. We’re always trying to see the world the way our ancestors did—we feel less of a relationship to the natural world. There was a time when we dictated our beliefs and told ourselves what was real, or what was wrong or right. There weren’t any abstractions. We knew that our language came before the world.

Squabble
And Other Stories

You would like to go home. These drug runs are getting tiring. Besides, Mississippi makes you nervous. You look past your sun-darkened elbow out the window of the van at the house Rusty has sent you to. It is low, thick-looking, and made of red brick. Looks like a kiln. Stiff yuccas sprout from the bristling yard, and a dead palm tree bends against the right corner of the house. Timmy leans his sweaty face from the back, over your shoulder. “Rusty sure know how to pick ‘em, don’t he?” he says, breathing hotly on your ear.

Rails Under My Back
A Novel

The train arrived with a smell of hot metal. Not the one she needed. Framed in the windows, the frozen-forward faces of the passengers. But they different in New York, Lucifer says. Here, the seats face forward overlooking the tracks—as if you were the conductor, you think—but there, you face the other passengers, keep yo eyes to yoself. Yes, you think, looking but not seeing, eyes turned away, curving and swerving with the tracks. The conductor shouted, STANDING PASSENGERS, PLEASE DO NOT LEAN ON THE DOORS. Cause you might fall out of the doors, like teeth spilling from a mouth. The train drew off.

House of Heroes
And Other Stories

My job here is a strange one. The description I found in the classifieds read: “Overnight counselor-in-residence for developmentally disabled teenagers with behavior problems.” I didn’t know exactly what that meant. But it went on to read: “Some meal preparation required; counselor is able to sleep during shift.”

 

At the time it seemed that it might suit me, the sleeping part in particular.

Blackspace
On the Poetics of an Afrofuture

Adrian Piper took photos of her naked body while reading The Critique of Pure Reason to make sure her body was still there. I don’t want to talk about “the black body.” Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires “white” and “black” to participate. Integration as the move from a dualist Cartesian world to the monist’s world, so that transcendence is a misnomer—there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.

Eyes Bottle Dark with a Mouthful of Flowers

We unyoke owl pellets from marrow

in desert meadow. His mouth a pigeon eye,

 

a torch, a womb turned flower. He, still a boy

dug from cactus skull, undresses into bark

 

beetles. He unlearns how to hold a gist

with my hand.

Heart Berries
A Memoir

Our culture is based in the profundity things carry. We’re always trying to see the world the way our ancestors did—we feel less of a relationship to the natural world. There was a time when we dictated our beliefs and told ourselves what was real, or what was wrong or right. There weren’t any abstractions. We knew that our language came before the world.

Squabble
And Other Stories

You would like to go home. These drug runs are getting tiring. Besides, Mississippi makes you nervous. You look past your sun-darkened elbow out the window of the van at the house Rusty has sent you to. It is low, thick-looking, and made of red brick. Looks like a kiln. Stiff yuccas sprout from the bristling yard, and a dead palm tree bends against the right corner of the house. Timmy leans his sweaty face from the back, over your shoulder. “Rusty sure know how to pick ‘em, don’t he?” he says, breathing hotly on your ear.

Rails Under My Back
A Novel

The train arrived with a smell of hot metal. Not the one she needed. Framed in the windows, the frozen-forward faces of the passengers. But they different in New York, Lucifer says. Here, the seats face forward overlooking the tracks—as if you were the conductor, you think—but there, you face the other passengers, keep yo eyes to yoself. Yes, you think, looking but not seeing, eyes turned away, curving and swerving with the tracks. The conductor shouted, STANDING PASSENGERS, PLEASE DO NOT LEAN ON THE DOORS. Cause you might fall out of the doors, like teeth spilling from a mouth. The train drew off.