Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I realize then that Wichu knows. Of course he knows. He was here, at this temple, outside of the pavilion with his mother, when Khamron got drafted years ago. He was here when the wealthier boys got taken out of the line. He was here when those same boys came back an hour later, took their places at the end of the lottery line, and—when their turns came—drew black card after black card after black card. Wichu had told me all about it the night of his brother’s draft. Although I had only half listened to him at the time, the memory of his voice comes back to me now in all its anger.
“Draft Day” from SIGHTSEEING © 2005 by Rattawaut Lapcharoensap; reprinted with the permission of the publisher, Grove Atlantic, Inc.
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.
My mother had good hair, a term she would never use herself because, she said, it was so hurtful she couldn’t possibly believe it. But my mother’s hair was undeniably long and thick, a mass of loose curls that Callie and I did not inherit and that she was determined to cut off before we began our new life.
She tried to talk both of us into joining her, but only Callie took the bait. My mother got her with the promise of hair made so easy and simple, you could run your fingers through it. When it was all over, Callie was left with an outgrowth of stiff, sodden curls that clung in limp clusters to her forehead and the nape of her neck and made the back of her head smell like burning and sugar.
DOU YI
My hands were packed in dry ice
Flown across the Pacific and
Stitched onto a man who lost his overseas.
My palms open doors to
Rooms my feet haven't walked through and
Caress a woman my eyes will never see.
It doesn't snow there but my
Nails ache when they touch ice and
Scratch strange characters onto that
Soldier's skin while he's sleeping.
His doctors call it post-traumatic stress but
He knows they're words from a
Language his tongue never learned
Justice.
Justice.
Justice
Across the East Sea a yam farmer
Uses my corneas to see.
She dreams of snow but thinks
It's ashes from a childhood fire bombing.
On the far side of the Atlantic my stomach digests
Food that never passed through my lips
Food my teeth didn't chew
Food my tongue hasn't tasted
Food that could have made this spirit stronger
And act sooner if someone offered it to Dou Yi.
But my heart--
My heart beats in this town,
Pumping blood through a man
Loved by the son of an official,
A son who moved Heaven and Earth for
His Happiness.
His Future.
His New Harmony.
These offerings have given me strength
I feel my spirit reviving!
Justice.
Justice.
Justice.
Justice and burial for the widow Dou Yi
Justice.
Justice.
Justice.
But how can you bury a woman whose butchered body's still living?
Justice.
Justice.
That is my heart. It should beat inside me.
(Dou Yi thrusts her hand into Rocket's chest and retrieves her heart.)
1. Boy, don’t let a shadow in you, I never want to see the devil in your eyes, a traceable line of your daddy’s.
2. If you dream about fish or a river, somebody’s pregnant, we need the water more than it needs us.
3. Dream about snakes, you haven’t been living right, wash your hands of it.
4. They’re shooting boys who look like you. You know my number, use it, keep all your blood.
5. Stay
6. Alive.
Orion shot rabbits, but to tell the truth, it almost sickened Cora to clean and cook them. Stripped of its pelt, the taut body glistened. The small legs put her in mind of fingers. On her plate all she could think of was the pleading eyes. Somehow this did not trouble her about chickens, which she took the pains to behead herself, sometimes chasing the headless flapping bird around the chopping block. Orion plucked the bird for her, and the feathers were saved for a sleeping crib for Madge.
I realize then that Wichu knows. Of course he knows. He was here, at this temple, outside of the pavilion with his mother, when Khamron got drafted years ago. He was here when the wealthier boys got taken out of the line. He was here when those same boys came back an hour later, took their places at the end of the lottery line, and—when their turns came—drew black card after black card after black card. Wichu had told me all about it the night of his brother’s draft. Although I had only half listened to him at the time, the memory of his voice comes back to me now in all its anger.
“Draft Day” from SIGHTSEEING © 2005 by Rattawaut Lapcharoensap; reprinted with the permission of the publisher, Grove Atlantic, Inc.
A bobwhite sounds through larks
and jays, the wringing-wet shade,
as in the first world, before Adam
understood their sharp iambs,
when the refrain could’ve been
anything’s: plant or animal, or light
so pure it sang. Even now
how absolute, how wondrously
primitive the singularity rings –
shouting its name, its name,
its name… till from elsewhere
an echo swells through April-thick wings
as if addressing some question
on the presence of parallels.
My mother had good hair, a term she would never use herself because, she said, it was so hurtful she couldn’t possibly believe it. But my mother’s hair was undeniably long and thick, a mass of loose curls that Callie and I did not inherit and that she was determined to cut off before we began our new life.
She tried to talk both of us into joining her, but only Callie took the bait. My mother got her with the promise of hair made so easy and simple, you could run your fingers through it. When it was all over, Callie was left with an outgrowth of stiff, sodden curls that clung in limp clusters to her forehead and the nape of her neck and made the back of her head smell like burning and sugar.
DOU YI
My hands were packed in dry ice
Flown across the Pacific and
Stitched onto a man who lost his overseas.
My palms open doors to
Rooms my feet haven't walked through and
Caress a woman my eyes will never see.
It doesn't snow there but my
Nails ache when they touch ice and
Scratch strange characters onto that
Soldier's skin while he's sleeping.
His doctors call it post-traumatic stress but
He knows they're words from a
Language his tongue never learned
Justice.
Justice.
Justice
Across the East Sea a yam farmer
Uses my corneas to see.
She dreams of snow but thinks
It's ashes from a childhood fire bombing.
On the far side of the Atlantic my stomach digests
Food that never passed through my lips
Food my teeth didn't chew
Food my tongue hasn't tasted
Food that could have made this spirit stronger
And act sooner if someone offered it to Dou Yi.
But my heart--
My heart beats in this town,
Pumping blood through a man
Loved by the son of an official,
A son who moved Heaven and Earth for
His Happiness.
His Future.
His New Harmony.
These offerings have given me strength
I feel my spirit reviving!
Justice.
Justice.
Justice.
Justice and burial for the widow Dou Yi
Justice.
Justice.
Justice.
But how can you bury a woman whose butchered body's still living?
Justice.
Justice.
That is my heart. It should beat inside me.
(Dou Yi thrusts her hand into Rocket's chest and retrieves her heart.)
1. Boy, don’t let a shadow in you, I never want to see the devil in your eyes, a traceable line of your daddy’s.
2. If you dream about fish or a river, somebody’s pregnant, we need the water more than it needs us.
3. Dream about snakes, you haven’t been living right, wash your hands of it.
4. They’re shooting boys who look like you. You know my number, use it, keep all your blood.
5. Stay
6. Alive.
Orion shot rabbits, but to tell the truth, it almost sickened Cora to clean and cook them. Stripped of its pelt, the taut body glistened. The small legs put her in mind of fingers. On her plate all she could think of was the pleading eyes. Somehow this did not trouble her about chickens, which she took the pains to behead herself, sometimes chasing the headless flapping bird around the chopping block. Orion plucked the bird for her, and the feathers were saved for a sleeping crib for Madge.