Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
The last time I cried to your picture
was the anniversary of my grandmother’s death.
It was about her and you and how
all the things I could touch would disappear,
like your hand or dirty boxers on the floor,
or the liver spots on her arms, the space
of her missing tooth.
I’ve been having that dream again.
The one where I make a fortune selling my used underwear
and I buy her a tombstone.
Daddy was often eager to play catch, since he felt society expected this from a loving, caring father. A confidence that soared and a glovehand that fell, still there was no baseball near either. Duplicity has killed more black men than gin. In a southpaw, what they appreciate most is this sort of "live arm." From his mouth words rushed like richly fed rapids, leaving him ever vulnerable to ascription.
MERRICK
(resumptive)
So that's why I'm running. To dismantle the institutions that have enslaved us and humiliated us and conned us out of our money for far too long.
WATSON
You're running for election to the government so you can dismantle the government?
MERRICK
(no hesitation, total confidence)
Yes.
WATSON smiles pleasantly.
WATSON
Cool. Good luck.
“Malcolm is dead,” Eddie kept hearing as he raced to the shop. As he got closer, he saw the flashing lights, and the siren that had been only an eerie, barely audible musical accompaniment to his thoughts began to register as belonging to an ambulance and not as being a regular plant alarm. He knew that he would not cry no matter how awful it was; he never cried. That was one thing he never had to worry about. If one of them had to be killed here, it was better that it was Malcolm—because if Eddie had been killed, Malcolm would have cried like a baby.
The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.
He grimaced out at the fields and she saw the deep elevens etched between his eyes, eyes that were the color of the sky and just as distant. He looked to her like a thing seized, as if all his old self had been suckered up from his body proper and forced into the small, staring space of his eyes. She did not like those new blinkless eyes of his and she did not like the way his words all collapsed in his new way of talking. As if his tongue could not bear the weight of words any longer.
The last time I cried to your picture
was the anniversary of my grandmother’s death.
It was about her and you and how
all the things I could touch would disappear,
like your hand or dirty boxers on the floor,
or the liver spots on her arms, the space
of her missing tooth.
I’ve been having that dream again.
The one where I make a fortune selling my used underwear
and I buy her a tombstone.
Daddy was often eager to play catch, since he felt society expected this from a loving, caring father. A confidence that soared and a glovehand that fell, still there was no baseball near either. Duplicity has killed more black men than gin. In a southpaw, what they appreciate most is this sort of "live arm." From his mouth words rushed like richly fed rapids, leaving him ever vulnerable to ascription.
MERRICK
(resumptive)
So that's why I'm running. To dismantle the institutions that have enslaved us and humiliated us and conned us out of our money for far too long.
WATSON
You're running for election to the government so you can dismantle the government?
MERRICK
(no hesitation, total confidence)
Yes.
WATSON smiles pleasantly.
WATSON
Cool. Good luck.
“Malcolm is dead,” Eddie kept hearing as he raced to the shop. As he got closer, he saw the flashing lights, and the siren that had been only an eerie, barely audible musical accompaniment to his thoughts began to register as belonging to an ambulance and not as being a regular plant alarm. He knew that he would not cry no matter how awful it was; he never cried. That was one thing he never had to worry about. If one of them had to be killed here, it was better that it was Malcolm—because if Eddie had been killed, Malcolm would have cried like a baby.
The experience of reading Sex and Race is one of embrace and recoil as Rogers indiscriminately loads us down with the provable and the forever dodgy, the serious and the frivolous. Sometimes his footnotes, not always adequate or acceptable, tell when he was at work on a given aspect of his subject, in the way that an itemized credit card bill is a diary, a record of movement. The references go in clusters: in the 1920s, he was reading about Syria, Palestine, Arabia, and Persia; in the 1930s, he was reading the memoirs of English travelers in Africa. Sometimes, he clearly couldn’t go back to a particular library or text to check his facts again. And sometimes Sex and Race reads as though it had threatened to consume him, because the first-person voice breaks through in the book at times of what could be called narrative stress.
He grimaced out at the fields and she saw the deep elevens etched between his eyes, eyes that were the color of the sky and just as distant. He looked to her like a thing seized, as if all his old self had been suckered up from his body proper and forced into the small, staring space of his eyes. She did not like those new blinkless eyes of his and she did not like the way his words all collapsed in his new way of talking. As if his tongue could not bear the weight of words any longer.