Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
I stood there perfectly still, just as I had sat for countless medical photographs: full face, turn to the left, the right, now a three-quarter shot to the left. I took a certain pride in knowing the routine so well. I’ve even seen some of these medical photographs in publications. Curiously, those sterile, bright photos are easy for me to look at. For one thing, I know that only doctors look at them, and perhaps I’m even slightly proud that I’m such an interesting case, worthy of documentation. Or maybe I do not really think it is me sitting there, Case 3, figure 6-A.
In a volume of his American Ornithology, pioneering naturalist Alexander Wilson described a flock of Passenger Pigeons that he had witnessed in the early 1800s as the birds flew between Kentucky and Indiana. The flock, Wilson estimated, numbered 2,230,272,000 birds. “An almost inconceivable multitude,” he wrote, “and yet probably far below the actual amount.” The multitude spanned a mile wide and extended for some 240 miles, consisting of no fewer than three pigeons per cubic yard of sky… if Wilson’s flock had flown beak to tail in a single file the birds would have stretched around the earth’s equatorial circumference 22.6 times… With their powerful chests and long, quick-snapping wings, the pigeons flew an average of 60 miles per hour for hours at a time. Sometimes the swift and seemingly endless flocks stretched across the entire dome of sky, so that wherever one looked, horizon or zenith or somewhere between, there flew the pigeons. They closed over the sky like an eyelid.
You will begin to listen to the story of Josie’s life in Spanish and English. You will begin to like the way she looks. At moments you will confuse her with the stripper dancing naked on the table next to where the two of you talk. Josie will be telling you about her marriage, about her husband, about her divorce, about her daughter, about her sadness and disappointment. You will have more drinks than her.
“Recipe” from THE MAGIC OF BLOOD by Dagoberto Gilb © 1993 by the University of New Mexico Press; reprinted with the permission of the publisher, Grove Atlantic, Inc. “Recipe” originally appeared in Winners on the Pass Line (Cinco Puntos Press).
A grotesquely fat woman lives in the farthest corner of the village. Her name is Matilde. When she walks to market, she must gather up her fat just as another woman gathers up her skirts, daintily pinching it between her fingers and hooking it over her wrists. Matilde’s fat moves about her gracefully, sighing and rustling with her every gesture. She walks as if enveloped by a dense storm cloud, from which the real, sylph-like Matilde is waiting to emerge, blinding as a sunbeam.
In this dream Harlem, the avenues are even wider and more grand. I visit elegant lounges that have mahogany fittings and floor-to-ceiling windows that open onto the avenue—striped silk curtains billow in the breeze. In that dream Harlem, that nowhere Harlem, I reach the campus of City College by ascending the face of a ragged cliff many times more treacherous than the steps of St. Nicholas Park. In these settings unfold various plots of which I am not quite the author.
Long ago a fish forgot what fins were good for
And flew out of the stream
It was not dreaming
It had no ambition but confusion
In Nova Scotia it lies on ice in the sun
and its eye turns white and pops out like a pearl
when it’s broiled
The Titanic is the one that got away.
I stood there perfectly still, just as I had sat for countless medical photographs: full face, turn to the left, the right, now a three-quarter shot to the left. I took a certain pride in knowing the routine so well. I’ve even seen some of these medical photographs in publications. Curiously, those sterile, bright photos are easy for me to look at. For one thing, I know that only doctors look at them, and perhaps I’m even slightly proud that I’m such an interesting case, worthy of documentation. Or maybe I do not really think it is me sitting there, Case 3, figure 6-A.
In a volume of his American Ornithology, pioneering naturalist Alexander Wilson described a flock of Passenger Pigeons that he had witnessed in the early 1800s as the birds flew between Kentucky and Indiana. The flock, Wilson estimated, numbered 2,230,272,000 birds. “An almost inconceivable multitude,” he wrote, “and yet probably far below the actual amount.” The multitude spanned a mile wide and extended for some 240 miles, consisting of no fewer than three pigeons per cubic yard of sky… if Wilson’s flock had flown beak to tail in a single file the birds would have stretched around the earth’s equatorial circumference 22.6 times… With their powerful chests and long, quick-snapping wings, the pigeons flew an average of 60 miles per hour for hours at a time. Sometimes the swift and seemingly endless flocks stretched across the entire dome of sky, so that wherever one looked, horizon or zenith or somewhere between, there flew the pigeons. They closed over the sky like an eyelid.
You will begin to listen to the story of Josie’s life in Spanish and English. You will begin to like the way she looks. At moments you will confuse her with the stripper dancing naked on the table next to where the two of you talk. Josie will be telling you about her marriage, about her husband, about her divorce, about her daughter, about her sadness and disappointment. You will have more drinks than her.
“Recipe” from THE MAGIC OF BLOOD by Dagoberto Gilb © 1993 by the University of New Mexico Press; reprinted with the permission of the publisher, Grove Atlantic, Inc. “Recipe” originally appeared in Winners on the Pass Line (Cinco Puntos Press).
A grotesquely fat woman lives in the farthest corner of the village. Her name is Matilde. When she walks to market, she must gather up her fat just as another woman gathers up her skirts, daintily pinching it between her fingers and hooking it over her wrists. Matilde’s fat moves about her gracefully, sighing and rustling with her every gesture. She walks as if enveloped by a dense storm cloud, from which the real, sylph-like Matilde is waiting to emerge, blinding as a sunbeam.
In this dream Harlem, the avenues are even wider and more grand. I visit elegant lounges that have mahogany fittings and floor-to-ceiling windows that open onto the avenue—striped silk curtains billow in the breeze. In that dream Harlem, that nowhere Harlem, I reach the campus of City College by ascending the face of a ragged cliff many times more treacherous than the steps of St. Nicholas Park. In these settings unfold various plots of which I am not quite the author.
Long ago a fish forgot what fins were good for
And flew out of the stream
It was not dreaming
It had no ambition but confusion
In Nova Scotia it lies on ice in the sun
and its eye turns white and pops out like a pearl
when it’s broiled
The Titanic is the one that got away.