Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
NAT TURNER
What do you mean by your copyright?
The right to copy?
THOMAS R. GRAY
Yes, well, the right to publish and distribute, which involves copying necessarily.
NAT
And who can grant such a right?
THOMAS
The copyright office, naturally.
NAT
...
THOMAS
It protects the rights of the man who has done the work.
NAT
And is God not a sufficient witness of our works?
THOMAS
Uh,
No.
I pictured in my mind the house at the bottom of the hill, a dark house I had not set foot inside for many years, a house as large and spacious as a medieval fortress, with enough square footage for at least one or two more Catholic families. It was not a cheaply built house, as my adoptive father liked to say. It did not come cheaply built. My parents are somewhat rich, but, like most Midwesterners, they are the cheapest people I have ever known. Despite their lack of financial stress, they are extravagant in their cheapness, their discount-hunting, their coupon-scissoring, their manuals on how to save. It was important, they said, to think about the catastrophic future, to always have a backup account filled with hundreds of thousands of dollars. To think about it too much depressed me. My entire existence was infected by this cheapness, this so-called frugality. Of course, it would be wrong not to acknowledge that these values of cheapness or frugality were what allowed once-orphans like myself and my now-dead adoptive brother to grow up, and to thrive even, in the comfort and security of the not cheaply built house. But there would be no more thriving for us, as one of us was dead.
…nothing changed with Nadia. She didn’t get better, she didn’t get worse, her fever never went below a hundred and one. I visited her before and after work all week. Her IV bag emptied and was replaced; the back of her hand around the needle was bruised dark as an Oreo. She would wake up occasionally and say hello, her voice hoarse, her palate swollen and red when I peered in, and I would say hello back, touch her face. Ted came after school and read aloud from his book, sitting with his legs crossed, his big dark head bent over the pages. Every day he bought a single orange soda in a paper cup for sixty-five cents. Nurses came in red fur hats, sang “Jingle Bells” and “O Christmas Tress.” The rash traveled down her neck and back, across her stomach, drifting, and I imagined something about the size of my palm moving under her skin, some unformed thing lost, looking for a place to fasten itself.
A prophet is never recognized in his own country, especially when that country has fallen into the mouths of dragons. Bob waves to a woman in a BMW across the street. It’s his lawyer, Christine. “Is me, Bob!” She closes the tinted windows and weaves through traffic. There was a time when BMW stood for Bob Marley and the Wailers. He thinks of the foolishness of that now.
He returns to the park, searching for the boy from the night before. He wants to shine his shoes again, to see the light in his eyes from Africa reflected there. In the daylight, the park is different from how he remembered it, but the boy’s tree still leans, and there’s a man selling peanuts and asham.
“You see the little youth that sleep inna the park?"
"Which one?"
“The one with the play-play guitar."
“Oh, me remember him. Him in juvenile detention! Is a bad youth.”
“No. Me see him last night.”
“Him kill a Chinie man in August town. Man-slaughter."
It doesn’t make sense. Bob has a feeling that he has stepped into the middle of someone’s dream. The fall-down skin itches and there is a dull pain behind his eyes. An idea comes to him.
“You know Bob Marley?”
“Yeah?”
“What if me tell you him come back?”
I saw inside the body of a man. The intern drew me
through the otherwise locked door; still in my hands
were eight glass vials the pharmacist had sent for,
to keep the glittering permanganate. That was my favorite task,
the weighing and dilution of the violet douche,
administered before the hysterectomies. In autopsy, he’d opened
like a box his arms had fallen from, neither looking at me
or away. As if he’d come through wind,
his hair was mussed. There was a funnel and a drain
inside the floor. And today I saw a sidewalk in the woods,
the handsome wooden cages and the smallest gravel pearls
smoothed around the bottoms of the trees, and then
a shock of feathers lifted on the damaged eagle’s head.
And the kestrel was afraid. Its open wing, so rarely looked down on
is gray, rust, black, and gray again, and black, and I have,
once today, felt my body drawn across its gaze. That one
with the vivid dragging wing, and then from underneath
I felt the other hovering.
Like most of the fight world’s habits, hand wrapping is both practical and ritual. Done properly, it protects the hands from damage without giving a fighter an unfair advantage. Like boxing gloves or a football helmet, wrapping functions as both armor and sword, a protective measure that allows you to hit harder and more frequently than you could without it. One of the officials murmured, “That’s beautiful.” Colonna said “Thank you” without looking up from his work.
NAT TURNER
What do you mean by your copyright?
The right to copy?
THOMAS R. GRAY
Yes, well, the right to publish and distribute, which involves copying necessarily.
NAT
And who can grant such a right?
THOMAS
The copyright office, naturally.
NAT
...
THOMAS
It protects the rights of the man who has done the work.
NAT
And is God not a sufficient witness of our works?
THOMAS
Uh,
No.
I pictured in my mind the house at the bottom of the hill, a dark house I had not set foot inside for many years, a house as large and spacious as a medieval fortress, with enough square footage for at least one or two more Catholic families. It was not a cheaply built house, as my adoptive father liked to say. It did not come cheaply built. My parents are somewhat rich, but, like most Midwesterners, they are the cheapest people I have ever known. Despite their lack of financial stress, they are extravagant in their cheapness, their discount-hunting, their coupon-scissoring, their manuals on how to save. It was important, they said, to think about the catastrophic future, to always have a backup account filled with hundreds of thousands of dollars. To think about it too much depressed me. My entire existence was infected by this cheapness, this so-called frugality. Of course, it would be wrong not to acknowledge that these values of cheapness or frugality were what allowed once-orphans like myself and my now-dead adoptive brother to grow up, and to thrive even, in the comfort and security of the not cheaply built house. But there would be no more thriving for us, as one of us was dead.
…nothing changed with Nadia. She didn’t get better, she didn’t get worse, her fever never went below a hundred and one. I visited her before and after work all week. Her IV bag emptied and was replaced; the back of her hand around the needle was bruised dark as an Oreo. She would wake up occasionally and say hello, her voice hoarse, her palate swollen and red when I peered in, and I would say hello back, touch her face. Ted came after school and read aloud from his book, sitting with his legs crossed, his big dark head bent over the pages. Every day he bought a single orange soda in a paper cup for sixty-five cents. Nurses came in red fur hats, sang “Jingle Bells” and “O Christmas Tress.” The rash traveled down her neck and back, across her stomach, drifting, and I imagined something about the size of my palm moving under her skin, some unformed thing lost, looking for a place to fasten itself.
A prophet is never recognized in his own country, especially when that country has fallen into the mouths of dragons. Bob waves to a woman in a BMW across the street. It’s his lawyer, Christine. “Is me, Bob!” She closes the tinted windows and weaves through traffic. There was a time when BMW stood for Bob Marley and the Wailers. He thinks of the foolishness of that now.
He returns to the park, searching for the boy from the night before. He wants to shine his shoes again, to see the light in his eyes from Africa reflected there. In the daylight, the park is different from how he remembered it, but the boy’s tree still leans, and there’s a man selling peanuts and asham.
“You see the little youth that sleep inna the park?"
"Which one?"
“The one with the play-play guitar."
“Oh, me remember him. Him in juvenile detention! Is a bad youth.”
“No. Me see him last night.”
“Him kill a Chinie man in August town. Man-slaughter."
It doesn’t make sense. Bob has a feeling that he has stepped into the middle of someone’s dream. The fall-down skin itches and there is a dull pain behind his eyes. An idea comes to him.
“You know Bob Marley?”
“Yeah?”
“What if me tell you him come back?”
I saw inside the body of a man. The intern drew me
through the otherwise locked door; still in my hands
were eight glass vials the pharmacist had sent for,
to keep the glittering permanganate. That was my favorite task,
the weighing and dilution of the violet douche,
administered before the hysterectomies. In autopsy, he’d opened
like a box his arms had fallen from, neither looking at me
or away. As if he’d come through wind,
his hair was mussed. There was a funnel and a drain
inside the floor. And today I saw a sidewalk in the woods,
the handsome wooden cages and the smallest gravel pearls
smoothed around the bottoms of the trees, and then
a shock of feathers lifted on the damaged eagle’s head.
And the kestrel was afraid. Its open wing, so rarely looked down on
is gray, rust, black, and gray again, and black, and I have,
once today, felt my body drawn across its gaze. That one
with the vivid dragging wing, and then from underneath
I felt the other hovering.
Like most of the fight world’s habits, hand wrapping is both practical and ritual. Done properly, it protects the hands from damage without giving a fighter an unfair advantage. Like boxing gloves or a football helmet, wrapping functions as both armor and sword, a protective measure that allows you to hit harder and more frequently than you could without it. One of the officials murmured, “That’s beautiful.” Colonna said “Thank you” without looking up from his work.