Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Alone in a London museum, I saw a watercolor of twin
flames, one black, one a gauzy red,
only to learn the title is Boats at Sea. It's like how
sometimes I forget you're gone.
But it's not like that, is it? Not at all. When in this world
similes carry us nowhere.
And now I see again the boy pelting through those galleries
a boy not you, a flash of red, red, chasing, or being chased—
Or did I invent him? Mischief companion. Brother.
Listen to me
plead for your life though even in the dream I know you're
already dead.
How do I insure my desire for grief is never satisfied? Was
Priam's ever?
I tell my friend, I want the page itself to burn.
The Banker trails behind me with his abacus
and crowd of yes-men. I hear
the gold coins rub together in his vest.
The stoplights remind me. And the scars
on my ankles and the nails in my mouth.
Once my father pointed his finger at me.
Once my mother kissed me on the lips in winter.
I could have been a man like those men
on the roof, eyes narrowed at me
like diamond cutters. In surgical gowns
and crucifix tie clips, tight bands of wires
wound beneath their chests –
they remind me of me. All in sync
they cup their ears to the antenna.
Quiet. The Jew Levine is coming to collect
with his chisels and his sack of flesh.
The dining room was empty. There were dragons – dragon ashtrays, dragon statues, dragons carved into posts. In a remarkably misguided attempt at décor, there was also a profusion of mirrors. The result was upsetting.
Edith Goodnough isn’t in the country anymore. She’s in town now, in the hospital, lying there is that white bed with a needle stuck in the back of one hand and a man standing guard in the hallway outside her room. She will be eighty years old this week: a clean beautiful white-haired woman who never in her life weighed as much as 115 pounds, and she has weighed a lot less than that since New Year’s Eve. Still, the sheriff and the lawyers expect her to get well enough for them to sit her up in a wheelchair and then drive her across town to the courthouse to begin the trial. When that happens, if that happens, I don’t know that they will go so far as to put handcuffs on her. Bus Sealy, the sheriff, has turned out to be a son of a bitch, all right, but I still can’t see him putting handcuffs on a woman like Edith Goodnough.
WINN – How’s Melba?
EM – She told me she could see the afterlife.
WINN – What’s it like?
EM – Or my afterlife. She said that I would be a few other things when I die, that my cells have tiny souls so when I am a piece of cheese and a pigeon, I will still be me, but my consciousness will be broken down into smaller bits.
WINN – Does that feel happy to you?
EM – I don’t care. I’ll be like a deconstructed sandwich. / Or baby.
Each pub has a barrel-rolling team. That makes ten teams. You wear fireproof gloves. The barrel is full of flaming tar. You have to see how long you can keep the barrel up in the air. It works like a relay. Four people on the team. You pass it to the next bloke when you get too hot and the barrel gets too heavy. You hold it high up above you and in your hands you rotate it; the flames shoot out into the crowd as you run down the streets. The people compact into themselves. You shout and the people duck down and run back and climb over each other and the flames shoot out at them and you laugh at the manic growls of fear and panic. There haven’t been more than a few deaths.
Alone in a London museum, I saw a watercolor of twin
flames, one black, one a gauzy red,
only to learn the title is Boats at Sea. It's like how
sometimes I forget you're gone.
But it's not like that, is it? Not at all. When in this world
similes carry us nowhere.
And now I see again the boy pelting through those galleries
a boy not you, a flash of red, red, chasing, or being chased—
Or did I invent him? Mischief companion. Brother.
Listen to me
plead for your life though even in the dream I know you're
already dead.
How do I insure my desire for grief is never satisfied? Was
Priam's ever?
I tell my friend, I want the page itself to burn.
The Banker trails behind me with his abacus
and crowd of yes-men. I hear
the gold coins rub together in his vest.
The stoplights remind me. And the scars
on my ankles and the nails in my mouth.
Once my father pointed his finger at me.
Once my mother kissed me on the lips in winter.
I could have been a man like those men
on the roof, eyes narrowed at me
like diamond cutters. In surgical gowns
and crucifix tie clips, tight bands of wires
wound beneath their chests –
they remind me of me. All in sync
they cup their ears to the antenna.
Quiet. The Jew Levine is coming to collect
with his chisels and his sack of flesh.
The dining room was empty. There were dragons – dragon ashtrays, dragon statues, dragons carved into posts. In a remarkably misguided attempt at décor, there was also a profusion of mirrors. The result was upsetting.
Edith Goodnough isn’t in the country anymore. She’s in town now, in the hospital, lying there is that white bed with a needle stuck in the back of one hand and a man standing guard in the hallway outside her room. She will be eighty years old this week: a clean beautiful white-haired woman who never in her life weighed as much as 115 pounds, and she has weighed a lot less than that since New Year’s Eve. Still, the sheriff and the lawyers expect her to get well enough for them to sit her up in a wheelchair and then drive her across town to the courthouse to begin the trial. When that happens, if that happens, I don’t know that they will go so far as to put handcuffs on her. Bus Sealy, the sheriff, has turned out to be a son of a bitch, all right, but I still can’t see him putting handcuffs on a woman like Edith Goodnough.
WINN – How’s Melba?
EM – She told me she could see the afterlife.
WINN – What’s it like?
EM – Or my afterlife. She said that I would be a few other things when I die, that my cells have tiny souls so when I am a piece of cheese and a pigeon, I will still be me, but my consciousness will be broken down into smaller bits.
WINN – Does that feel happy to you?
EM – I don’t care. I’ll be like a deconstructed sandwich. / Or baby.
Each pub has a barrel-rolling team. That makes ten teams. You wear fireproof gloves. The barrel is full of flaming tar. You have to see how long you can keep the barrel up in the air. It works like a relay. Four people on the team. You pass it to the next bloke when you get too hot and the barrel gets too heavy. You hold it high up above you and in your hands you rotate it; the flames shoot out into the crowd as you run down the streets. The people compact into themselves. You shout and the people duck down and run back and climb over each other and the flames shoot out at them and you laugh at the manic growls of fear and panic. There haven’t been more than a few deaths.