Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
Book Mansion was overwhelming. China’s largest bookstore occupied 172,000 square feet and carried 230,000 titles. Bestsellers included Chinese titles such as I Was an American Police Officer; I’m Only Raising You for 18 Years; Chinese-Style Divorce; and Harvard Girl, a memoir that revealed the parenting style that made her stand out from her Chinese classmates and gain acceptance to the school. That book was in its sixty-third printing.
Downstairs, Monica’s Story lay between Bill and Hillary Clinton’s autobiographies. A boxed set about Göring rubbed shoulders with What’s Behind Jewish Excellence? Translated American titles ranged from the predictable – The Da Vinci Code, The Atkins Diet—to the surprising—Henry Rollins’s Get in the Van, and a Woody Allen collection whose Chinese title promised MENSA Whores. An entire floor held English-learning materials. Love English taught pickup lines and pillow talk, including cultural hints such as “‘I’m bored’ really means ‘Do you want to have sex?’”
My job here is a strange one. The description I found in the classifieds read: “Overnight counselor-in-residence for developmentally disabled teenagers with behavior problems.” I didn’t know exactly what that meant. But it went on to read: “Some meal preparation required; counselor is able to sleep during shift.”
At the time it seemed that it might suit me, the sleeping part in particular.
At a party, I met a mercenary. He had fought Communists in Afghanistan before fighting Communists in Nicaragua. He described a process invented by the Russians to strip the skin off Afghan rebels. “It was psychological warfare disguised as chemical warfare,” he said. “The Moslem believes in the ‘pure warrior,’ sanctity of the body, that sort of thing. When he saw row after row of bodies with the skin peeling off, he went mad.” The mercenary drank his champagne. “A Moslem believes the skinless soul is doomed. Gone to hell.”
“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”
“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”
“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”
On the morning the last Lisbon daughter took her turn at suicide—it was Mary this time, and sleeping pills, like Therese—the two paramedics arrived at the house knowing exactly where the knife drawer was, and the gas oven, and the beam in the basement from which it was possible to tie a rope. They got out of the EMS truck, as usual moving much too slowly in our opinion, and the fat one said under his breath, “This ain’t TV, folks, this is how fast we go.” He was carrying the heavy respirator and cardiac unit past the bushes that had grown monstrous and over the erupting lawn, tame and immaculate thirteen months earlier when the trouble began.
Things weather fast here, soon bird will be bone,
brittle and white, dead twig snapped underfoot
where the sky alters in seconds, shine to shower,
and harsher truths hit home hour after hour –
the sundew snagging flies, settling to eat,
a fat gull’s fractured keen that cuts through stone.
Book Mansion was overwhelming. China’s largest bookstore occupied 172,000 square feet and carried 230,000 titles. Bestsellers included Chinese titles such as I Was an American Police Officer; I’m Only Raising You for 18 Years; Chinese-Style Divorce; and Harvard Girl, a memoir that revealed the parenting style that made her stand out from her Chinese classmates and gain acceptance to the school. That book was in its sixty-third printing.
Downstairs, Monica’s Story lay between Bill and Hillary Clinton’s autobiographies. A boxed set about Göring rubbed shoulders with What’s Behind Jewish Excellence? Translated American titles ranged from the predictable – The Da Vinci Code, The Atkins Diet—to the surprising—Henry Rollins’s Get in the Van, and a Woody Allen collection whose Chinese title promised MENSA Whores. An entire floor held English-learning materials. Love English taught pickup lines and pillow talk, including cultural hints such as “‘I’m bored’ really means ‘Do you want to have sex?’”
My job here is a strange one. The description I found in the classifieds read: “Overnight counselor-in-residence for developmentally disabled teenagers with behavior problems.” I didn’t know exactly what that meant. But it went on to read: “Some meal preparation required; counselor is able to sleep during shift.”
At the time it seemed that it might suit me, the sleeping part in particular.
At a party, I met a mercenary. He had fought Communists in Afghanistan before fighting Communists in Nicaragua. He described a process invented by the Russians to strip the skin off Afghan rebels. “It was psychological warfare disguised as chemical warfare,” he said. “The Moslem believes in the ‘pure warrior,’ sanctity of the body, that sort of thing. When he saw row after row of bodies with the skin peeling off, he went mad.” The mercenary drank his champagne. “A Moslem believes the skinless soul is doomed. Gone to hell.”
“Three words,” Gaz said. “Motion. Picture. History.” He got up, circled the table as he explained his movie: en route to Earth from a distant solar system, the crew of the Valedictorian crash-lands on a hostile planet inhabited by bat-winged pygmies, lobster-clawed cannibals, two-headed vampires. “That’s where your stuff comes in. I’m going to splice up your movies with mine.” He went on about the mixing-up of genres, chop-suey cinema, bringing together East and West. “We’d be the ambassadors of international film!”
“What’s your thinking on this?” Checkers asked me in Tagalog. “Is this man serious? Is he just an American fool?”
“Ask how much he’ll pay,” I said, “get twenty percent more, give him the movies, and show him to the door.”
On the morning the last Lisbon daughter took her turn at suicide—it was Mary this time, and sleeping pills, like Therese—the two paramedics arrived at the house knowing exactly where the knife drawer was, and the gas oven, and the beam in the basement from which it was possible to tie a rope. They got out of the EMS truck, as usual moving much too slowly in our opinion, and the fat one said under his breath, “This ain’t TV, folks, this is how fast we go.” He was carrying the heavy respirator and cardiac unit past the bushes that had grown monstrous and over the erupting lawn, tame and immaculate thirteen months earlier when the trouble began.
Things weather fast here, soon bird will be bone,
brittle and white, dead twig snapped underfoot
where the sky alters in seconds, shine to shower,
and harsher truths hit home hour after hour –
the sundew snagging flies, settling to eat,
a fat gull’s fractured keen that cuts through stone.