Whiting Award Winners
Since 1985, the Foundation has supported creative writing through the Whiting Awards, which are given annually to ten emerging writers in fiction, nonfiction, poetry, and drama.
When I say my wives are cages, I don’t mean I’m a bird.
Collapsible shelves, they hide their usefulness when not
in use. All my wives contain terrariums: terrible and fetid
atmospheres in which their salamander selves linger atop
damp rocks. Their hands are damp as the tissues they ball
in their hands, though none of my wives could make a fist,
not even if I asked, no, not even if I commanded them to,
an amusing idea I must someday revisit. My wives are like
the Small Mammal House at the zoo, their rooms kept dark
so visitors may view their nocturnal truths, that anonymous
wakefulness we sleepers do not care to know. None of my
wives are like lanterns, nor do their ribs sing with canaries...
In the gone world of Roman Vishniac’s book
of photographs of Jewish Eastern Europe,
which we sit down to look over,
my rather recognizes for certain only
the village idiot of a Munkács neighborhood,
Meyer “Tsits,” whom they use to tease:
“Your mother has breasts,”
the children would say as they passed,
and frothing with rage he would give chase
some years before breasts and Meyer were ash.
Who can give an account of occasions
Can mechanized description so falter
Can move toward gesture to scissor the outline
Each to enable a series of seconds breaking or burning
Can undo the work of a million years of human love
if I curse you just right
KEVIN
I don’t understand anything you’re saying
TERESA
I’m sorry this sucked. Sorry. Sorry. I’ve stopped being able to lie. Don’t tear yourself apart over this. There’s a war coming, dude.
KEVIN
What
TERESA
There’s a war coming. And I want you to be on the right side. I want you to be strong enough to fight. Remember your roots. You went to a school where you got wilderness training, where you spoke conversational Latin and locked your phone in a safe for four years and rode horses and built igloos and memorized poems while scaling mountains, and you were strong and you were one of us, and now look at you, you’re a pale American soy boy.
KEVIN
A pale what
TERESA
Just make a decision not to be weak anymore, and stick to it.
Mostly I talk of rep ties and bow ties,
of full-Windsor knots and half-Windsor knots,
of tattersall, French cuff, and English spread collars,
of foulards, neats, and internationals,
of pincord, houndstooth, nailhead, and sharkskin.
I often wear a blue pin-striped suit.
My hair recedes and is going gray at the temples.
On my cheeks there are a few pimples.
For my terrible eyesight, horn-rimmed spectacles.
When I say my wives are cages, I don’t mean I’m a bird.
Collapsible shelves, they hide their usefulness when not
in use. All my wives contain terrariums: terrible and fetid
atmospheres in which their salamander selves linger atop
damp rocks. Their hands are damp as the tissues they ball
in their hands, though none of my wives could make a fist,
not even if I asked, no, not even if I commanded them to,
an amusing idea I must someday revisit. My wives are like
the Small Mammal House at the zoo, their rooms kept dark
so visitors may view their nocturnal truths, that anonymous
wakefulness we sleepers do not care to know. None of my
wives are like lanterns, nor do their ribs sing with canaries...
In the gone world of Roman Vishniac’s book
of photographs of Jewish Eastern Europe,
which we sit down to look over,
my rather recognizes for certain only
the village idiot of a Munkács neighborhood,
Meyer “Tsits,” whom they use to tease:
“Your mother has breasts,”
the children would say as they passed,
and frothing with rage he would give chase
some years before breasts and Meyer were ash.
Who can give an account of occasions
Can mechanized description so falter
Can move toward gesture to scissor the outline
Each to enable a series of seconds breaking or burning
Can undo the work of a million years of human love
if I curse you just right
KEVIN
I don’t understand anything you’re saying
TERESA
I’m sorry this sucked. Sorry. Sorry. I’ve stopped being able to lie. Don’t tear yourself apart over this. There’s a war coming, dude.
KEVIN
What
TERESA
There’s a war coming. And I want you to be on the right side. I want you to be strong enough to fight. Remember your roots. You went to a school where you got wilderness training, where you spoke conversational Latin and locked your phone in a safe for four years and rode horses and built igloos and memorized poems while scaling mountains, and you were strong and you were one of us, and now look at you, you’re a pale American soy boy.
KEVIN
A pale what
TERESA
Just make a decision not to be weak anymore, and stick to it.
Mostly I talk of rep ties and bow ties,
of full-Windsor knots and half-Windsor knots,
of tattersall, French cuff, and English spread collars,
of foulards, neats, and internationals,
of pincord, houndstooth, nailhead, and sharkskin.
I often wear a blue pin-striped suit.
My hair recedes and is going gray at the temples.
On my cheeks there are a few pimples.
For my terrible eyesight, horn-rimmed spectacles.