Carribean Fragoza is a fiction and nonfiction from South El Monte, CA. Her collection of stories Eat the Mouth That Feeds You was published in 2021 by City Lights and was a finalist for a 2022 PEN Award. Her co-edited compilation of essays, East of East: The Making of Greater El Monte was published by Rutgers University Press and her collection of essays Writing Home: New Terrains of California is forthcoming with Angel City Press. She has published in Harper's Bazaar, The New York Times, Zyzzyva, Alta, BOMB, Hu
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Eat the Mouth That Feeds YouFrom"Mysterious Bodies"
He had that look on his face again. She remembered it now. It was that troubled look he had six months ago when his snakes got sick. “Angelica,” she remembered him saying softly, almost in tears, “they’re dying, they won’t eat, they’re as limp as noodles, all of them.” What was he going to do? He was supposed to deliver their venom to the lab days ago. They had been calling, reminding him, demanding, threatening to go with another venom vendor. They’d tell the other labs about him, ruin his hard-earned reputation.
He was screwed without his snakes. And what’s more, he really loved them.
Angelica always wanted him to look at her that way, with that much attention and intensity that would show he loved her that much too. That he needed her around. And finally here it was.
“No more pills, Angelica. You’re going to end up killing yourself.”
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Eat the Mouth That Feeds YouFrom"Lumberjack Mom"
Our mother used her freshly sharpened tools to cut up the thick roots of unidentified plants that seemed to be waiting for the right time to reveal themselves. She wasn’t going to give them a chance. Eventually, we noticed that her favorite tool was a set of narrow-nosed pliers that she’d stab into the ground to extract even the most reluctant roots. She’d have to pull very hard, sometimes using both hands and the weight of her small body. Often, it was the thin, spidery roots that were the most persistent and dug themselves in the deepest. Our mother, however, was very thorough, for any remnant would have sabotaged everything.
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Eat the Mouth That Feeds YouFrom"Sábado Gigante"
Without another thought, he surrenders to the blinding stage lights and to the music that starts up as soon as he steps onstage. The audience, the cameras, even Don Francisco and El Chacal, despite their antics, dissolve into another world. Enveloped in pure sound and light, Emmanuel finds himself singing as he had done in the school talent show so many years ago, before he learned to be afraid, angry and resentful. He sings with his heart open for everyone to see. With every bit of the tenderness and sincerity he had learned from Juan Gabriel, and the strength and power from Lola Beltrán and his mother, he sings and dances.
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"Eat the Mouth That Feeds You is an accomplished debut . . . a rare and significant achievement from a forceful new voice in American literature." —New York Times Book Review
"Maybe you thought it was impossible. That it didn't exist. You would never find a contemporary short story collection that was more than well written . . . . Well, behold the opening lines of Eat the Mouth That Feeds You . . . . What you can call it, is genius." —Anjanette Delgado, New York Journal of Books
"This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder." —Kirkus Reviews (starred review) [on Eat the Mouth That Feeds You]
"Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract." —Publishers Weekly [on Eat the Mouth That Feeds You]
Selected Works
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Marked by a terse, incandescent vivacity, Carribean Fragoza’s short stories meld gothic horror with the loved and resented rhythms of ordinary life for her complex Latinx protagonists. They don’t so much learn who they are as carve out a piece of themselves and dare us to turn away when offered a bite. Fragoza writes with the cadences of a natural poet and the clarity of a great listener; she makes the supernatural feel as ordinary as a cat.