Former best friends Scott and Errol meet unexpectedly at Oso Lake, a remote Canadian fly-fishing paradise where, five years before, fresh out of college, they had the time of their lives. Their situations, though, have changed, their high hopes quashed by workaday realities and, in Errol's case, marriage to Claire, who has come with him trying to stave off divorce.
Powered by an uncompromising but compassionate intelligence and an abiding wonder at the beautiful strangeness of the world, Sidebend World explores with clarity and vividness a wide range of emotions—love to hate, tenderness to brutality; yet, above all, Webb is a poet of praise. Metaphors of startling aptness and originality, a distinctive voice at once provocative and endearing, high musicality, propulsive energy, wild imaginative leaps, as well as mastery of diction from lyricism to street-speak, create a reading experience of the first order. These poems go down easy, but pack a wallop. As Robert Frost said poetry should do, Sidebend World "begins in delight and ends in wisdom."
Something is rotten in the state of American poetry. With respect to audience and artistry, poetry has shot itself in many portions of its anatomy, and keeps blasting. The fact that vast numbers of poems are published every year, and a large number of Creative Writing students and graduates read a few of them, does not mean that poetry is on the right track. How has the erstwhile Queen of the Arts been consigned to the tiny corner of the cultural basement where she languishes today—and how can she get out? As an acclaimed poet and veteran teacher of poetry, Charles Harper Webb knows what it takes for a poem to grab a reader's attention and hold on. As a former rock singer/guitarist and a licensed psychotherapist, he understands how to connect with an audience. A Million MFAs Are Not Enough shows—with wit and style and concrete tips that working writers can use—how poetry can return to cultural relevance again.
Charles Harper Webb is celebrated for his use of humor; yet even his funniest poems rise, as the best comedy must, out of deep human drives, sorrows, and needs. Powerful immersions in what it means to be human, these poems explore the spectrum of emotions from love to hate, tenderness to brutality. They can be withering and vulnerable in the same breath. Models of clarity and vividness, they are mysterious when they need to be, ranging from lyric to narrative, from realism to wild surreal flights, powered by a fierce, compassionate intelligence. Metaphors of startling aptness and originality, a voice at once endearing and provocative, high musicality, propulsive energy, wild imaginative leaps, as well as mastery of diction from lyricism to street-speak, create a reading experience of the first order. Uniformly fun to read, these poems go down easy, but pack a wallop. As Robert Frost said poetry should do, What Things Are Made Of "begins in delight and ends in wisdom."
An accessible new and selected collection of poems for poetry insiders and general readers. Powerful, passionate, humorous, and often complex, yet fun to read. They go down easy, but pack a whallop.
Charles Harper Webb’s eccentric and distinct writing style makes this collection of poetry a funny and charmingly memorable read. A melting pot of pop culture, historical references, and everyday life, Webb’s poems are refreshingly candid and straightforward.
A woman falls in love—literally—with a house; Werner Heisenberg confronts his own uncertainty; a rat (the rodent kind) runs for president; Hamlet has trouble with his prostate; Superman battles senility and more in this new poetry collection from the winner of the 1999 Felix Pollak Prize for poetry.
