Dagoberto Gilb Selected Works

These are stories about working class people who come and go mostly unnoticed or ignored, whose lives are not fodder for literary tropes or cliches. They are neither heroes nor villains, just regular people with their flaws and merits, facing the challenges and questions posed by everyday life. Gilb writes in a distinctive, appealing voice, welcoming the reader in with an easy sense of familiarity, and the effect is spare on the surface, but profound. Deftly capturing the nuances of interpersonal relationships in a simple word or gesture, he peels back the surface of seemingly unremarkable encounters to reveal layers of myth and uncanny surrealism, propelled by the momentum of new, changing times.

Before the End, After the Beginning is a personal and honest collection of ten exquisite stories from Dagoberto Gilb. The pieces come in the wake of a stroke Gilb suffered at his home in Austin, Texas, in 2009, and a majority of the stories were written over many months of recovery. The result is a powerful and triumphant collection that tackles common themes of mortality and identity and describes the American experience in a raw, authentic vernacular unique to Gilb. These ten stories take readers throughout the American West and Southwest, from Los Angeles and Albuquerque to El Paso and Austin. Gilb covers territory familiar to some of his earlier work—a mother and son’s relationship in Southern California in the story "Uncle Rock" or a character looking to shed his mixed up past in "The Last Time I Saw Junior"—while dealing with themes of mortality and limitation that have arisen during his own illness. Confronting issues of masculinity, sexuality, and mortality, Gilb has recovered and produced what may be his most extraordinary achievement to date.

When he first started writing, Dagoberto Gilb was struggling to survive as a journeyman high-rise carpenter. Years later, he has won widespread acclaim as a crucial and compelling voice in contemporary American letters. Tackling everything from cockfighting to Cormac McCarthy, Gritos collects Gilb's essays and his popular commentaries for NPR's Fresh Air, offering a startling portrait of an artist—and a Mexican-American—working to find his place in both the cloistered literary world and the world at large, to say nothing of his strange and beloved borderland of Texas.

Once an independent nation, Texas has always been proud of its unique culture. The literature of the Lone Star State has long attracted local, regional, and national audiences and critics, yet the state's Mexican American voices have yet to receive the attention they deserve.

Hecho en Tejas is a historic anthology that establishes the canon of Mexican American literature in Texas. With close to one hundred selections chosen, the book reaches back to the sixteenth-century exploration narrative of Texas's first Spanish-speaking writer, Alvar Nuñez Cabeza de Vaca. It features prose by Américo Paredes and Jovita Gonzalez, Rolando Hinojosa and Tomás Rivera, Estela Trambley Portillo, and Sandra Cisneros. Among the poets included in the anthology are Ricardo Sánchez, Carmen Tafolla, Angela de Hoyos, and Abelardo "Lalo" Delgado. Hecho en Tejas also includes corridos from the turn of the century and verses sung by music legends such as Lydia Mendoza and Santiago Jimenez, Sr., Freddy Fender, and Selena. In addition to these established names, already known across the United States, Hecho en Tejas introduces such younger writers as Christine Granados, Erasmo Guerra, and Tonantzin Canestaro-Garcia, the famous Tejano authors of tomorrow.

In assembling this canonic reader, Dagoberto Gilb has created more than an anthology. Read cover to cover, Hecho en Tejas becomes not only a literary showcase, but also a cultural and historical narrative both for those familiar with Texas Mexicans and for outsiders. Hecho en Tejas is a mosaic portrait of the community, the land and its history, its people's sorrows and joys, anger and humor and pride, what has been assimilated and what will not be.