Denis Johnson Selected Works

Johnson’s work transforms the stuff of everyday life into something vibrant, wonderful, and strange. These are poems of grief and regret, of nightmare and acceptance, of redemption and the possibility of grace. They present a vision of the American landscape at once unique and startling, terrifying and true.

Twenty-five years after his seminal Jesus’ Son, a haunting new collection of short stories on aging, mortality, and transcendence, from National Book Award winner and two-time Pulitzer Prize finalist Denis Johnson.

A post-9/11 literary spy thriller from the National Book Award–winning author of Tree of Smoke.

Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years’ absence, he returns to Freetown, the capital of Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country’s civil war, and, curious to see whether good luck will strike twice in the same place, Nair allows himself to be drawn back to a region he considers hopeless. Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He’s probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago. Although Nair believes some kind of money-making plan lies at the back of it all, Adriko’s stated reason for inviting his friend to Freetown is for Nair to meet Adriko’s fiancée, a college girl named Davidia from Colorado. Together the three set out to visit Adriko’s clan in the Uganda-Congo borderland—but each of these travelers is keeping secrets from the others.

Shadowed by Interpol, the Mossad, and MI6, Nair gets mired in lust and betrayal in a landscape of frighteningly casual violence as he travels with Adriko and Davidia, gets smuggled into a war zone, gets kidnapped by the Congo Army, and is terrorized by a self-proclaimed god ruling over a dying village. Their journey through a land abandoned by the future leads Adriko, Nair, and Davidia to meet themselves not in a new light, but rather in a new darkness. A high-suspense tale of kaleidoscoping loyalties in the post-9/11 world, Denis Johnson’s The Laughing Monsters shows one of our great novelists at the top of his game.

The acclaimed author of Jesus' Son and Already Dead returns with a beautiful, haunting, and darkly comic novel. The Name of the World is a mesmerizing portrait of a professor at a Midwestern university who has been patient in his grief after an accident takes the lives of his wife and child and has permitted that grief to enlarge him.

Michael Reed is living a posthumous life. In spite of outward appearances—he holds a respectable university teaching position; he is an articulate and attractive addition to local social life—he's a dead man walking. Nothing can touch Reed, nothing can move him, although he observes with a mordant clarity the lives whirling vigorously around him. Of his recent bereavement, nearly four years earlier, he observes, "I'm speaking as I'd speak of a change in the earth's climate, or the recent war." Facing the unwelcome end of his temporary stint at the university, Reed finds himself forced "to act like somebody who cares what happens to him. " Tentatively he begins to let himself make contact with a host of characters in this small academic town, souls who seem to have in common a tentativeness of their own. In this atmosphere characterized, as he says, "by cynicism, occasional brilliance, and small, polite terror," he manages, against all his expectations, to find people to light his way through his private labyrinth.

Elegant and incisively observed, The Name of the World is Johnson at his best: poignant yet unsentimental, replete with the visionary imaginative detail for which his work is known. Here is a tour de force by one of the most astonishing writers at work today.