Ellen Meloy

1997 Winner in
Nonfiction

Ellen Meloy was a native of the West and lived in California, Montana, and Utah. Her book The Anthropology of Turquoise (2002) was a finalist for the Pulitzer Prize and won the Utah Book Award and the Banff Mountain Book Festival Award in the adventure and travel category. She is also the author of Raven’s Exile: A Season on the Green River (1994), The Last Cheater’s Waltz: Beauty and Violence in the Desert Southwest (2001), and Eating Stone: Imagination and the Loss of the Wild (2005). Meloy spent most of her life in wild, remote places; at the time of her sudden death in November 2004 (three months after completing Eating Stone), she and her husband were living in southern Utah.

Photo Credit:
Mike Meloy
Reviews & Praise

“ . . . a private, quirky work. By turns wildly overwrought, silly, perplexing and piercingly beautiful, its chapters map a vibrant, curious mind in love with the particulars of the Southwest landscape . . . If, as she says, humans will soon be ‘place-blind and terribly lonely’ for this disappearing wilderness, we will at least have Ms. Meloy's elegy to remind us that it once existed.” —Claudia La Rocco, The New York Times [on Eating Stone]

“In The Anthropology of Turquoise, her exquisitely rendered meditation, Meloy considers all that might be linked to the spirit of turquoise: the gem-like mineral itself, the myriad stops on the spectrum that comprise the color's amplitude, and the metaphors she finds in this blue-green color—metaphors of place, of peace, of the restfulness of the ocean, the silence of the desert, the life-giving waters of the rivers, even the respite of suburban swimming pools . . . Running through her words is a magic spell that can soothe us into letting go of conventions like plot, so immersed are we in the sacredness of the moment, the wonder she shares of the natural world . . . Taken as a whole, Meloy's gem-studded collection calls us to be mindful of the physical world, to see it—really see it—with fresh eyes.” —Los Angeles Times

“[Meloy] knows intimately the sun-blanched, wind-teased and people-sparse beauty of this desert region . . . In The Last Cheater's Waltz, Meloy's essays provide a painful juxtaposition of natural beauty and warrior wastelands.” —The New York Times

Selected Works

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