From one of our most intrepid and eloquent adventurers of the natural world: an account of her search for home—experiences traveling in Greenland, the North Pole, the Channel Islands of California, Japan; of herding animals in Wyoming and Montana, and her embrace of the balance between the ordinary and celestial.
At the time To Touch the Water was published, Gretel Ehrlich was a filmmaker, essayist, editor, cow- and sheepherder, part of both the West and New York, as well as a poet. The poems here speak deeply of personal experience. They are portraits of the people who have pressed their lives on hers; strong open images of the landscapes that are the West, complete with storms, drought, sun and wind; love poems as large and grainy as the landscapes. Death is never far away. Although her poems are personal in detail, they speak to all about the truths love and life hold.
After nature writer Gretel Ehrlich was struck by lightning near her Wyoming ranch and almost died, she embarked on a painstaking and visionary journey back to the land of the living. With the help of an extraordinary cardiologist and the companionship of her beloved dog Sam, she avidly explores the natural and spiritual world to make sense of what happened to her. We follow as she combs every inch of her new home on the California coast, attends a convention of lightning-strike victims, and goes on a seal watch in Alaska. Ehrlich then turns her focus inward, exploring the tiny but equally fascinating ecosystem of the human heart, culminating in a stunningly beautiful description of open-heart surgery.
Drinking Dry Clouds is Gretel Ehrlich's storytelling in full swing. This inspired fiction collection opens during World War II with the stories of cowboys, waitresses, and bartenders along with Japanese-Americans interned at Wyoming’s Heart Mountain. Many of these characters were introduced in Ehrlich’s novel Heart Mountain. As she explains, “When I returned to my characters, five years after their initial appearance in my life, they seemed to want to report to me, so I let them speak in the first person.”
A passionate student of Japanese poetry, theater, and art for much of her life, Gretel Ehrlich felt compelled to return to the earthquake-and-tsunami-devastated Tohoku coast to bear witness, listen to survivors, and experience their terror and exhilaration in villages and towns where all shelter and hope seemed lost. In an eloquent narrative that blends strong reportage, poetic observation, and deeply felt reflection, she takes us into the upside-down world of northeastern Japan, where nothing is certain and where the boundaries between living and dying have been erased by water. The stories of rice farmers, monks, and wanderers; of fishermen who drove their boats up the steep wall of the wave; and of an eighty-four-year-old geisha who survived the tsunami to hand down a song that only she still remembered are both harrowing and inspirational. Facing death, facing life, and coming to terms with impermanence are equally compelling in a landscape of surreal desolation, as the ghostly specter of Fukushima Daiichi, the nuclear power complex, spews radiation into the ocean and air. Facing the Wave is a testament to the buoyancy, spirit, humor, and strong-mindedness of those who must find their way in a suddenly shattered world.
Ehrlich explores the twin solitudes of political exile and geographic isolation in this powerful novel—the story of Japanese Americans forced into a relocation camp—set in Wyoming during World War II.
In this gripping circumnavigation of the Arctic Circle, Gretel Ehrlich paints a vivid portrait of the indigenous cultures that inhabit the starkly beautiful boreal landscape surrounding the Arctic Ocean, an ice-bound wilderness that includes northern Siberia, northwestern Greenland, Canada’s vast Nunavut, and northern Alaska. Ehrlich’s expedition, supported by the National Geographic Society, documents what remains of these cultures, specifically the similarities and differences among them, including hunting traditions, shamanic and ceremonial practices, languages and legends—the ways in which they have survived, or have been assimilated, and how they are adapting to the impact of climate change on their ice-age cultures. Ehrlich is fascinated by what she calls the ecology of culture—the ways in which the human presence of indigenous Arctic people is intricately interwoven with land, rock, river, sea, and ice. Depicting human-caused climate change as only the latest and most destructive of the ills and abuses first peoples have been suffering for 250 years, Ehrlich’s haunting and lovely prose portrays ancient tribes and traditions on the edge of extinction and captures the austere beauty of their various lifeways in the frozen dreamscape of the world they have always known.
A collection of deeply personal essays that illuminate the relationship between the human and the natural worlds.
Emigrating from Scotland as an eleven-year-old in 1849, John Muir spent a harsh boyhood working on his family's farm in Wisconsin. After a factory accident in his early twenties left him temporarily blind, Muir left behind what he saw as the degradations of cities and farms and set out for unspoiled territory. And the rest, as they say, is ecological and conservation history. The untouched lands of the Sierra Nevada, which he christened the "Range of Light", became Muir's lifelong passion.
As the nation's most revered spokesman for the wilderness and a founder of the Sierra Club, Muir made immeasurable contributions to the beauty and preservation of our continent. And this exquisite book captures as never before the extraordinary nature of his life. Prize-winning photographer Lynn Johnson brings the matchless vitality of this bearded warrior to thrilling life. The visual odyssey is further enriched by reproductions of Muir's own drawings as well as the rarely seen and recently rediscovered images of Carleton Watkins. Showcasing its legendary subject's own rhapsodic writings, John Muir: Nature's Visionary bears powerful witness to Muir's enduring contributions to the American landscape.
