Harriet Ritvo Selected Works

Over the past two decades, Harriet Ritvo has established herself as a leading scholar in animal studies and one of those most responsible for establishing this field of study as a crucial part of environmental and social history. Her two well-known books, The Platypus and the Mermaid and The Animal Estate, did much to introduce and illuminate the importance of nonhuman animals to the study of human culture. Hunting and husbandry, as well as petkeeping and zoo-going, forge powerful connections between animal lives and those of humans: in fact, animals have helped define what a human is. They have also been one of the most reliable measures of humans’ disproportionate influence on the environment. From domestication to extinction, the human impact on animal populations has been profound.

In the essays collected in Noble Cows and Hybrid Zebras, Ritvo explores our attitudes toward animals, from cruelty to sentimentality to the indifference of pure practicality, and touches on many social and scientific issues, including genetic engineering and an animal protection movement much older than most readers would think (animal advocacy was a cause embraced by many Victorians). While Ritvo’s writing represents the cutting edge in animal history, it has always been characterized by its accessibility, and these essays originally appeared not only in scholarly journals but also in Grand Street, Daedalus, and American Scholar. Collected for the first time in a single volume, they reveal an important dimension of human history by looking to those other creatures that have surrounded us all along.

Harriet Ritvo provides a picture of how animals figured in English thinking during the 19th century and, by extension, how they served as metaphors for human psychological needs and sociopolitical aspirations. Victorian England has been seen as a period of burgeoning scientific cattle breeding and newly fashionable dog shows; the age of Empire and big game hunting; and an era of reform and reformers that saw the birth of the Royal Society for the Prevention of Cruelty to Animals. This volume examines Victorian thinking about animals in the context of other lines of thought: evolution, class structure, popular science and natural history, and imperial domination. The papers and publications of people and organizations concerned with agricultural breeding, veterinary medicine, the world of pets, vivisection and other humane causes, zoos, hunting at home and abroad, all reveal underlying assumptions and deeply held convictions—for example, about Britain's imperial enterprise, social discipline, and the hierarchy of orders, in nature and in human society. The text seeks to contribute a further topic of inquiry into Victorian studies; its combination of rhetorical analysis with more conventional methods of historical research seeks to offer the reader a new perspective on Victorian culture.

Located in the heart of England’s Lake District, the placid waters of Thirlmere seem to be the embodiment of pastoral beauty. But under their calm surface lurks the legacy of a nineteenth-century conflict that pitted industrial progress against natural conservation—and helped launch the environmental movement as we know it. Purchased by the city of Manchester in the 1870s, Thirlmere was dammed and converted into a reservoir, its water piped one hundred miles south to the burgeoning industrial city and its workforce. This feat of civil engineering—and of natural resource diversion—inspired one of the first environmental struggles of modern times.

The Dawn of Green re-creates the battle for Thirlmere and the clashes between conservationists who wished to preserve the lake and developers eager to supply the needs of a growing urban population. Bringing to vivid life the colorful and strong-minded characters who populated both sides of the debate, noted historian Harriet Ritvo revisits notions of the natural promulgated by romantic poets, recreationists, resource managers, and industrial developers to establish Thirlmere as the template for subsequent—and continuing—environmental struggles.

"Cats is 'dogs,' and rabbits is 'dogs,' and so's parrots; but this `ere 'tortis' is a insect," a porter explains to an astonished traveler in a nineteenth-century Punch cartoon. Railways were not the only British institution to schematize the world. This enormously entertaining book captures the fervor of the Victorian age for classifying and categorizing every new specimen, plant or animal, that British explorers and soldiers and sailors brought home. As she depicts a whole complex of competing groups deploying rival schemes and nomenclatures, Harriet Ritvo shows us a society drawing and redrawing its own boundaries and ultimately identifying itself. The experts (whether calling themselves naturalists, zoologists, or comparative anatomists) agreed on their superior authority if nothing else, but the laymen had their say—and Ritvo shows us a world in which butchers and artists, farmers and showmen vied to impose order on the wild profusion of nature. Sometimes assumptions or preoccupations overlapped; sometimes open disagreement or hostility emerged, exposing fissures in the social fabric or contested cultural territory. Of the greatest interest were creatures that confounded or crossed established categories; in the discussions provoked by these mishaps, monstrosities, and hybrids we can see ideas about human society—about the sexual proclivities of women, for instance, or the imagined hierarchy of nations and races.

A thoroughly absorbing account of taxonomy—as zoological classification and as anthropological study—The Platypus and the Mermaid offers a new perspective on the constantly shifting, ever suggestive interactions of scientific lore, cultural ideas, and the popular imagination.