Hugh Raffles Selected Works

When his two sisters died suddenly within weeks of each other, Hugh Raffles reached for rocks, stones, and other solid objects as anchors in a world unmoored. Drawing on history, anthropology, and geology, this moving meditation is grounded in stories of stones: Neolithic stone circles, mica from a Nazi concentration camp, petrified whale blubber from Svalbard, and the Greenlandic meteorites that arrived in an exuberant New York City in 1897 accompanied by six Inughuit travelers.

The Amazon is not what it seems. As Hugh Raffles shows us in this captivating and innovative book, the world's last great wilderness has been transformed again and again by human activity. In Amazonia brings to life an Amazon whose allure and reality lie as much, or more, in what people have made of it as in what nature has wrought. It casts new light on centuries of encounter while describing the dramatic remaking of a sweeping landscape by residents of one small community in the Brazilian Amazon.

Combining richly textured ethnographic research and lively historical analysis, Raffles weaves a fascinating story that changes our understanding of this region and challenges us to rethink what we mean by "nature." Raffles draws from a wide range of material to demonstrate—in contrast to the tendency to downplay human agency in the Amazon—that the region is an outcome of the intimately intertwined histories of humans and nonhumans. He moves between a detailed narrative that analyzes the production of scientific knowledge about Amazonia over the centuries and an absorbing account of the extraordinary transformations to the fluvial landscape carried out over the past forty years by the inhabitants of Igarapé Guariba, four hours downstream from the nearest city. Engagingly written, theoretically inventive, and vividly illustrated, the book introduces a diverse range of characters—from sixteenth-century explorers and their native rivals to nineteenth-century naturalists and contemporary ecologists, logging company executives, and river-traders. A natural history of a different kind, In Amazonia shows how humans, animals, rivers, and forests all participate in the making of a region that remains today at the center of debates in environmental politics.

A stunningly original exploration of the ties that bind us to the beautiful, ancient, astoundingly accomplished, largely unknown, and unfathomably different species with whom we share the world. For as long as humans have existed, insects have existed, too. Wherever we’ve traveled, they’ve traveled, too. Yet we hardly know them, not even the ones we’re closest to: those that eat our food, share our beds, and live in our homes.

Organizing his book alphabetically with one entry for each letter, weaving together brief vignettes, meditations, and extended essays, Hugh Raffles embarks on a mesmerizing exploration of history and science, anthropology and travel, economics, philosophy, and popular culture to show us how insects have triggered our obsessions, stirred our passions, and beguiled our imaginations. Raffles offers us a glimpse into the high-stakes world of Chinese cricket fighting, the deceptive courtship rites of the dance fly, the intriguing possibilities of queer insect sex, the vital and vicious role locusts play in the famines of west Africa, how beetles deformed by Chernobyl inspired art, and how our desire and disgust for insects has prompted our own aberrant behavior. Deftly fusing the literary and the scientific, Hugh Raffles has given us an essential book of reference that is also a fascination of the highest order.

Through the Insect Theatre collection Tim Edgar provides an eye-opening commentary on the spectacle of the everyday and the insects that we reside with. The photographs are contextualised in the essays by anthropologist Hugh Raffles, who discusses the life and death situations in the cobweb and the chaos in the domestic insect world.