Janet Peery Selected Works

On a summer evening in the blue-collar town of Amicus, Kansas, the Campbell family gathers for a birthday dinner for their ailing patriarch, retired judge Abel Campbell, prepared and hosted by their still-hale mother Hattie. But when Billy, the youngest sibling―with a history of addiction, grand ideas, and misdemeanors―passes out in his devil’s food cake, the family takes up the unfinished business of Billy’s sobriety.

Billy’s wayward adventures have too long consumed their lives, in particular Hattie’s, who has enabled his transgressions while trying to save him from Abel’s disappointment. As the older children―Doro, Jesse, ClairBell, and Gideon―contend with their own troubles, they compete for the approval of the elderly parents they adore, but can’t quite forgive.

With knowing humor and sure-handed storytelling, Janet Peery reveals a family at its best and worst, with old wounds and new, its fractures and feuds, and yet its unbreakable bonds.

The richly textured stories in Janet Peery's debut collection nearly always depict people caught between two places—literal or figurative—or trying to understand the mysteries of a place in which they have found themselves and to apply that understanding to their lives. Whether the territory is cultural, sexual, or social, its bedrock is the heart.

In "South Padre" an Oklahoma farmer and his wife take a trip to the Texas Gulf Coast where they encounter a test of their marriage and—each in a different way—the limits of their knowledge. Set in 1950s Milwaukee, "Alligator Dance" depicts a fourth grader's sexual awakening as she is attracted and repelled by a Polish boy's totemic words, images, and their mysterious meanings, and by her own confusing desires. Eager to please her lawyer father, a young girl in "The Waco Wego" accompanies him to a meeting with a murderer's mother at a truckstop where she confronts the complexities of blame, morality, knowledge, and compassion. In "Nosotros" the daughter of a Mexican maid in the Rio Grande Valley of South Texas, angered by her mother's subservience, is forced to examine her own relationship with the son of her mother's employer.

Luisa Cantu is a girl from a Sierra Madre mountain village. After being impregnated in a fertility ritual of ancient origin, she leaves Mexico to work in the Rio Grande Valley of Texas as a housemaid for Mrs. Eddie Hatch, a woman with a strong will and a narrow worldview. Their complex relationship—by turns mystical and pragmatic, serious and comic—reveals the many ways human beings can wound one another, the nautre of love and sacrifice, and the possibility of forgiveness. The River Beyond the World is a 1996 National Book Award Finalist for Fiction.

In the Dust Bowl of 1930s Oklahoma, a family comes apart, as sisters Mackie and Etta Spoon keep secrets from their father, and from each other. Etta, the dangerously impulsive favorite of her father, longs for adventure someplace far away from the bleak and near-barren plains, and she doesn’t care how she gets there; watchful Mackie keeps house and obeys the letter of her father’s law, while harboring her own dreams. After the massive 1935 Black Sunday dust storm brings ruin to the family, the sisters’ conflict threatens further damage. Seeking escape, and wagering their futures on an Indian boarding school runaway named Audie Kipp, the two leave home to forge their own separate paths, each setting off in search of a new life, each finding a fate different than she expected.

Through shifting perspectives, voices, and characters, What the Thunder Said tracks their wayward progress, following the sisters, their children, and those whose stories intersect with theirs as they range across the high plains of the West in the decades after the Great Depression. Etta’s hitchhiking encounter with a bookish couple in the Garden of the Gods; a prairie jackrabbit drive, during which Mackie’s son, Jesse, discovers the cloth he’s cut from; an old man’s failing memory as he tells of spying on an Indian loner on the outskirts of a Kansas town; a middle-aged doctor’s chance meeting with a mysterious wayfarer while on a quest to New Mexico in search of his lost youth; and Mackie’s late reconciliation with her aged father, whose habit of silence has bred her own—all are rendered in vivid prose that captures the plains and the people who endured devastation and lived to look back on it. Slow-gathering, powerful, with passages of haunting beauty, What the Thunder Said is the long-awaited third work of fiction by one of our most acclaimed storytellers.