Jaquira Díaz is the author of Ordinary Girls: A Memoir, a Summer/Fall 2019 Indies Introduce Selection, a Fall 2019 Barnes & Noble Discover Great New Writers Selection, a November 2019 Indie Next Pick, and a Library Reads October pick. Ordinary Girls was listed as one of the Must-Read Books of 2019 by O: The Oprah Magazine, Time, Bustle, Electric Literature, Publishers Weekly, The Millions, The Week, Good Housekeeping, and others. Her work has been published in Rolling Stone, The Guardian, The Fader, T: The New York Times Style Magazine, and The Best American Essays 2016, among other publications. She is the recipient of two Pushcart Prizes, an Elizabeth George Foundation grant, and fellowships from the MacDowell Colony, the Kenyon Review, and the Wisconsin Institute for Creative Writing. A former Visiting Assistant Professor at the University of Wisconsin-Madison’s MFA Program in Creative Writing, and Consulting Editor at the Kenyon Review, she splits her time between Montréal and Miami Beach. Her second book, I Am Deliberate: A Novel, is forthcoming from Algonquin Books.
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Ordinary GirlsA Memoir
“You know I’m gonna pay you back,” my mother said, then winked at him.
He pulled out a ten-dollar bill and handed it to her, just like that. “Gracias,” she said, then headed inside.
She was always like this, learning my friends’ names, getting familiar enough to ask for money, or cigarettes, or drugs. It would be this way into my late teens, when I’m grown, when I’m a woman. It was like I was the only one getting older, changing. But Mami, she was frozen in time as that twenty-year-old who listened to Madonna and thought my father was running around on her, still haunted by those same monsters, and even years after we’d left Puerto Rico, she believed we still owned the house in Luquillo, the liquor store, that we would go back there, pick up right where we left off. That it would all be waiting for us to get back.
Ordinary Girls:A Memoir -
Ordinary GirlsA Memoir
It was my father who’d taught me to tie my shoelaces like rabbit ears, to catch fireflies at dusk, to eat ensalada de pulpo bought from chinchorros on the side of the road in Naguabo and Luquillo, to play chess. He’d told me stories of coconut palms that bowed to the sun, of jíbaros like his uncles and grandfather, who got up before daylight to cut cane in the cañaverales. Stories of machetes, sweat, and sugar, before paved roads and indoor plumbing and English. Stories of women: Lucecita Benítez, one of Puerto Rico’s most famous singers, who sang about race and liberation; Lolita Lebrón, who fought among men, taking up arms after La Masacre de Ponce; Yuíza, a Taíno cacica who would be resurrected, rising from ash and clay and blood to avenge the death of her people. His tales were spun of history and wind and poetry.
Ordinary Girls:A Memoir -
Ordinary GirlsA Memoir
We talked about Miami Beach like it belonged only to us, convinced that the tourists and spring breakers who came down to swim in our ocean and dance in our nightclubs were fucking up our city. We were seventeen-, eighteen-, nineteen-year-old hoodlums, our hair in cornrows and too-tight ponytails, too much hairspray and dark brown lip liner, noses and belly buttons pierced, door-knocker earrings, jailhouse ankle tattoos. We didn’t have time for boys from Hollywood or North Miami, busters who drove their hoopties with the windows down because they didn’t have A/C, who called out to us trying to get phone numbers as we crossed Washington Avenue or Lincoln Road, our chancletas slapping the sidewalk.
Ordinary Girls:A Memoir
“A skilled writer, Díaz is meticulous in her craft, and on page after page her writing truly sings . . . This brutally honest coming-of-age story is a painful yet illuminating memoir, a testament to resilience in the face of scarcity, a broken family, substance abuse, sexual assault, mental illness, suicide and violence.” —Reyna Grande, New York Times Book Review [on Ordinary Girls]
“[Ordinary Girls] belongs on your must-read lists. Díaz is a masterful writer . . . Writing with refreshing honesty, she talks about despair, depression, love, and hope with such vibrancy that her vivid portrayal will stay with you long after the final page.” —O: The Oprah Magazine
“Díaz does not flinch with the hard-hitting details of growing up in communities that deserve our wholehearted attention. She complicates how we imagine girlhood and offers a beautiful memoir written with so much love, compassion and intelligence. This book is a necessary read at a time where the system and the media is so often working against the survival of women of color. This book burns in the memory and makes one feel all the feelings. A triumph!” —Angie Cruz, Bustle [on Ordinary Girls]
Jaquira Díaz's writing is packed with indelible images of violence and tenderness that evoke landscapes and neighborhoods, families and strangers, drink and drugs and junk food and beach sand and the bodies of lovers and friends. The vivid personalities leaping from the pages of her book defy any easy categorization; they live under immense pressure and cope as best as they can. Rendered in Díaz’s lucid, compassionate prose, they are complicated and beautiful and maddeningly flawed. Her devastating memoir is built on the helical structure of memory itself.