Jeffery Renard Allen Selected Works

In Fat Time and Other Stories, Jimi Hendrix, Francis Bacon, the boxer Jack Johnson, Miles Davis, and a space-age Muhammad Ali find themselves in the otherworldly hands of Jeffery Renard Allen, reimagined and transformed to bring us news of America in the twentieth and twenty-first centuries. Along with them are characters of Allen’s invention, and the two strands are joined by African notions of circular time in which past, present, and future exist all at once. Here the natural and supernatural, the sacred and the profane, the real and fantastical, destruction and creation are held in delicate and tense balance. 

Poet, novelist and critic, Jeffery Renard Allen brings a number of characteristics to his first collection of poems. He adapts jazz and blues forms to lyric poetry and uses a variety of cultural sources to draw together materials that exist in a shared mythology. The result has the directness of an African-American Homeric hymn. Rich in musicality, Allen's work offers an extra-ordinary breadth of reference and discovery.

The world of Jeffery Renard Allen’s stunning short-story collection is a place like no other. A recognizable city, certainly, but one in which a man might sprout wings or copper pennies might fall from the skies onto your head. Yet these are no fairy tales. The hostility, the hurt, is all too human. The protagonists circle each other with steely determination: a grandson taunts his grandmother, determined to expose her secret past; for years, a sister tries to keep a menacing neighbor away from her brother; and in the local police station, an officer and prisoner try to break each other’s resolve. In all the stories, Allen calibrates the mounting tension with exquisite timing, in mesmerizing prose that has won him comparisons with Joyce and Faulkner. Holding Pattern is a captivating collection by a prodigiously talented writer.

A dazzling family saga that brilliantly reflects the reality of the African-American experience in the United States. Hatch and Jesus Jones are cousins on their fathers' side and on their mothers' side, and you can't have a family much more bound than that. And family is the most important entity for these young men, even when family seems to be defined by abandonment. Rails Under My Back traces these two men from one form of bondage or freedom to another, from one job to another, as they face down danger and try to come to terms with their family's past. This ambitious novel, which has been hailed by critics nationwide as a rare achievement on the level of fiction by Toni Morrison, James Baldwin, and Richard Wright, is the communal expression of a century of African-American life in America, with its imagery of exodus and exile, departure and destiny. It wields extraordinary literary, religious, and historical power, and announces the triumphant debut of a most powerful and utterly original voice.

A contemporary American masterpiece about music, race, an unforgettable man, and an unreal America during the Civil War era. At the heart of this remarkable novel is Thomas Greene Wiggins, a nineteenth-century slave and improbable musical genius who performed under the name Blind Tom. Song of the Shank opens in 1866 as Tom and his guardian, Eliza Bethune, struggle to adjust to their fashionable apartment in the city in the aftermath of riots that had driven them away a few years before. But soon a stranger arrives from the mysterious island of Edgemere—inhabited solely by African settlers and black refugees from the war and riots—who intends to reunite Tom with his now-liberated mother. As the novel ranges from Tom’s boyhood to the heights of his performing career, the inscrutable savant is buffeted by opportunistic teachers and crooked managers, crackpot healers and militant prophets. In his symphonic novel, Jeffery Renard Allen blends history and fantastical invention to bring to life a radical cipher, a man who profoundly changes all who encounter him.

"Allen fuses intellect with images. Our language sparkles in his hands. His poems are word sculptures on paper. Allen seems to be following the tradition of Robert Hayden, Sterling Brown and Melvin Tolson. It's the place to be."

—E. Ethelbart Miller, Director, African-American Resource Center, Howard University