Josip Novakovich is a Croatian-American writer who resides in Canada. Novakovich is the author of the novel April Fool’s Day; the short story collections Honey in the Carcase, Tumbleweed, Heritage of Smoke, Infidelities: Stories of War and Lust, Salvation and Other Disasters, and Yolk; and two collections of narrative essays, Plum Brandy: Croatian Journeys and Apricots from Chernobyl. His work has been translated into Croatian, Bulgarian, Indonesian, Russian, Japanese, Italian, and French, among other languages. He was a finalist for the Man Booker International Prize in 2013 and also received the American Book Award from the Before Columbus Foundation, a Whiting Award in Fiction and Nonfiction, a John Simon Guggenheim Memorial Foundation Fellowship for Fiction, as well as a fellowship from the National Endowment for the Arts. His work has appeared in The Paris Review, Threepenny, Ploughshares, and many other journals, and has been anthologized in Best American Poetry, The Pushcart Prize, and O. Henry Prize Stories. He teaches English at Concordia University in Montreal, Canada.
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Apricots from ChernobylEssaysFrom"Crossing the Border"
The police ask me to empty my pockets. I turn them inside out and lay my miserabilia on the table. Two policemen quite unashamedly feel my thighs and ass, which tickles me. With clinical concentration they examine the stuff on the table. It is an obscene invasion of my privacy, more so than if they had turned my asshole inside out and inspected it under a microscope—any microbiologist could tell you that there we are remarkably similar. In pockets turned inside out you can see how we differ.
Apricots from Chernobyl:Essays -
Apricots from ChernobylEssaysFrom"Writing in Tongues"
… when you don’t get the shade of a word because you haven’t grown up listening to American lullabies, your friends smile patronizingly; when you don’t get accents because you haven’t grown up with them while your ear was flexible, your friends treat you as a comic alien, an aquamarine creature—you grope with your fins in the sand (and the sand seems to be English, while the water would be your native tongue). Tell me about the advantage then! My writer friends put me in my place, show me how superficial my project of writing in English must be. Where in me are those soulful contacts with words that can be made only with mother’s nipple between your naked gums?
Apricots from Chernobyl:Essays -
Apricots from ChernobylEssaysFrom"On Becoming Naturalized"
A car with a Black man and woman in it stopped. The man rolled down the window, and asked me: “Is everything all right?”
“I was just attacked by three guys, they knocked me over the head…”
“You seem to be all right,” he said.
“I don’t know. Could you give me a ride?” His concern made me feel that I could trust him though by now it was clear that I could not trust my feelings.
“Not really. I need to take my girlfriend home. Good luck!”
Apricots from Chernobyl:Essays
"The writing answers for itself, with remarkable stories of undeniable joy and strange optimism . . . These moments are funny and bizarre, but never scolding—a keenly observed world of strangeness, melancholy, and cruelty . . . Novakovich, one of the most forceful and original essayists in the English language." —Los Angeles Review of Books [on Shopping for a Better Country]
“[A] wickedly funny and deeply harrowing first novel . . . Novakovich's language is always supple . . . Strange, lyrical beauty abounds here.” —Maud Casey, The New York Times [on April Fool’s Day]
“Novakovich provides remarkable insight into the nature of public deception and private honesty . . . It's a pleasure to encounter his short stories.” —William J. Cobb, The New York Times Book Review [on Salvation and Other Disasters]
"If I told you the best short story you are going to read this year was about growing up Protestant in Yugoslavia, would you believe me? Try Josip Novakovich before you doubt." —The Boston Globe [on Yolk]
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