Lauren Yee

2019 Winner in
Drama

Lauren Yee is a playwright born and raised in San Francisco. She lives in New

York City. She received her bachelor’s degree from Yale University and her MFA

in playwriting from UCSD. Lauren’s work includes King of the Yees, The Great

Leap, Cambodian Rock Band, Ching Chong Chinaman, The Hatmaker’s Wife,

and others. She has been a Dramatists Guild Fellow, a MacDowell Fellow, and a

MAP Fund grantee. She is the winner of the Kesselring Prize and the Francesca

Primus Prize. She has been a finalist for the Edward M. Kennedy Prize, the Susan

Smith Blackburn Prize, the ATCA/Steinberg Award, and others. The Hatmaker’s

Wife was an Outer Critics Circle nominee for the John Gassner Award for best

play by a new American playwright. Lauren is a member of the Ma-Yi Theatre

Writers Lab, a 2018/2019 Hodder fellow at Princeton University’s Lewis Center

for the Arts, and a New Dramatists playwright.

Photo Credit:
Beowulf Sheehan
Reviews & Praise

“. . . A fierce, gorgeous, heartwarming, comedic fairy tale set against one of history’s grisliest mass extinctions . . .  Yee has made her characters so joyfully and ridiculously human that it’s impossible — to a heartbreaking degree — not to identify with them.” —Margaret Gray, Los Angeles Times [on Cambodian Rock Band]

“An exhilarating, deeply satisfying piece of work, powered by gutsy performances and full of bright, inquisitive, humorous life.” —Sara Holdren, New York Magazine [on The Great Leap]

Selected Works

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From the Selection Committee

The plays of Lauren Yee send history careening into the personal. Her dialogue feels like overheard speech; even on the page, it asserts its vibrant, specific life. It’s an audacious step to examine the legacy of the Khmer Rouge in a play that also takes on the dynamics of father/daughter relationships and the joyful legacy of Cambodian pop music, but every element here supports and amplifies the others. These plays feel ambitious and even monumental. They are also raucously funny, without ever losing sight of nuanced human experience.