Linda Kinstler

2023 Winner in
Nonfiction

Linda Kinstler is a contributing writer for Jewish Currents and The Economist’s 1843 Magazine, and the deputy editor of The Dial. Her writing has been cited by the International Court of Justice and has inspired documentaries. Kinstler’s work appears in The New York Times, Washington Post, The Atlantic, Wired, and more. Come to This Court and Cry: How the Holocaust Ends is her first nonfiction book. She is currently completing a Ph.D in the Rhetoric Department at U.C. Berkeley, where her dissertation is a legal genealogy of oblivion.

Photo Credit:
Willy Somma
Reviews & Praise

“Avoiding any simplistic or definitive conclusions, Kinstler provides a model of deep historical research and fluid, engaging narrative.” —New York Journal of Books [on Come to This Court and Cry]

“Victims and perpetrators meet in Kinstler’s bloodline . . . . This is a tremendous feat of storytelling, propelled by numerous twists and revelations, yet anchored by a deep moral seriousness . . . . Enthralling, sobering." —The Guardian [on Come to This Court and Cry] 

“A masterful synthesis of family history and Holocaust investigation that blurs lines among perpetrators, justice, and national identity . . . . A vital addition to the finite canon of Holocaust studies rooted in personal connection.” —Kirkus (starred review) [on Come to This Court and Cry]

“Kinstler sets out to solve a mystery—journeying from a murder scene in Uruguay to the former killing fields of Europe to unravel a family secret about her late grandfather—and in the process unearths vexing questions about the past and how we understand it. Part detective story, part family history, part probing inquiry into how best to reckon with the horrors of a previous century, Come to This Court and Cry is bracingly original, beautifully written, and haunting.” —Patrick Radden Keefe

Selected Works

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From the Selection Committee

Nimbly reanimating the forgotten or concealed past, Linda Kinstler’s reportage bristles with eagerness, moving like the spy thrillers she tips her hat to. She vividly renders the tense maneuvering of agents and assassins and the chilling crimes of the Nazis, but also the quiet heroics of bureaucrats who gumshoe toward justice. Kinstler is crafting a fresh and tautly controlled genre in which familial accountability meets historical reckoning.