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Mark Levine Selected Works
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It was April 3, 1974. Crime was soaring. Unemployment and inflation were out of control. A costly war had just come to its demoralizing end, and an unpopular President was on his way out of office. Then, over a sixteen-hour period, nature stepped forward with its own display of mayhem: an unprecedented outbreak of 148 tornadoes, covering thirteen states in the heart of the country, from Michigan to Mississippi. Hundreds of people were killed, thousands of homes demolished, and a billion dollars in losses sustained. Sixty-four of the tornadoes would be classified as severely violent; six belonged to the most rare, most deadly category: F5, or "incredible tornadoes." Like the best nonfiction, F5 is a brilliantly crafted page-turner that reads with the immediacy of a novel, telling a harrowing story of natural disaster against the backdrop of the turbulent 1970s. Acclaimed journalist Mark Levine follows the heart-wrenching fate of a rich cast of intertwined characters—ordinary Americans whose lives are transformed in a terrifying instant. A pair of teenage lovers are caught while driving on a dark country road; a Vietnam veteran is trapped at home with a newborn baby; a sheriff finds himself in the line of fire twice in rapid succession; a black preacher with a past of dire hardship struggles to protect his family. Other figures enter the story from the broader cultural scene, including Hank Aaron, on his way to challenging baseball's home run record amid racist death threats; Patty Hearst, whose image as kidnapping victim is undergoing a radical shift; Richard Nixon and George Wallace, both intent on using the storms to their political advantage; and a memorably eccentric scientist, known as Mr. Tornado, who regards the "Superoutbreak" as the apotheosis of his scholarly life. Gripping and revelatory, F5 braids the story of the shattering outbreak with images of social upheaval and individual heroism in a stunning, unforgettable read. |
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Debt, Mark Levine's first full-length collection, introduces a startling and thoroughly original new voice to American poetry. The world of these poems is one of jammed frequencies, shifting identities and allegiances, historical collisisons, and desperate attempts at meaningful action. There is no reticence in these poems, no time for the luxury of sedate reflection. Rather, the drama of Debt unfolds in the relentlessness of its encounter with a dangerous, unknowable reality, a reality shot through with loss and continually in flux. Not least of all, Debt, despite the marked seriousness of its understanding, is a vastly entertaining book. Veering rapidly from outrageous humor to terror, these poems challenge and excite the reader with their unpredictabilitiy, stunning imagery, and nightmarish logic. Mark Levine writes with extraordinary precision and confidence, and with imaginative scope and energy to spare. Although the speaker of one of these poems says, "I cannot see a 'future'/for my self, or my double, or his double," one senses that Debt affords us a brilliant glimpse at the possible future of poetry.
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Some devastation has struck the soul and the Earth alike, and in Enola Gay, his second volume of poems, Mark Levine surveys the disaster. Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.
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