Merritt Tierce

2019 Winner in
Fiction

Merritt Tierce was born and raised in Texas and attended the Iowa Writers’ Workshop. She received a Rona Jaffe Foundation Writers’ Award and was a National Book Foundation “5 Under 35” Author. Her first book, the novel Love Me Back (Doubleday), was shortlisted for the PEN/Bingham prize for debut fiction and won the Texas Institute of Letters’ Steven Turner Award for Best Work of First Fiction. Merritt wrote for the last two seasons of the Netflix show Orange is the New Black, and for the pandemic anthology Social Distance. Her December 2021 cover story for The New York Times Magazine, “The Abortion I Didn’t Have,” went viral, and she is currently developing various film and television projects about abortion, in addition to writing a second novel.

Photo Credit:
Beowulf Sheehan
Reviews & Praise

“To transgress, to ‘go beyond a boundary or limit,’ can also echo transcendence, as Tierce demonstrates in her brilliant, devastating debut novel . . . Love Me Back is one of those exquisitely rare novels that feel desperate and urgent and absolutely necessary.” —Paula Bomer, The New York Times Book Review

“A gorgeous, dirty razor of prose — sharp and dangerous and breathtaking. This is a defiant story about a young woman choosing the life and motherhood that is best for her, without apology.” —Roxane Gay, author of Bad Feminist [on Love Me Back]

“Tierce’s prose possesses the force, bluntness and surprise of a sucker punch . . . One of my favorite books of the last few years.” —Carrie Brownstein, author of Hunger Makes Me a Modern Girl [on Love Me Back]

From the Selection Committee

Merritt Tierce’s novel Love Me Back is marked by extraordinary daring and restraint, boldly refusing epiphany at the end. Hers is a sui generis presence in fiction, one that approaches economically marginalized lives with an unflinching and off-kilter gaze. There is a coldness to the writing that exhilarates; Tierce’s work chafes against the notion that female protagonists need be relatable. This is clear-eyed, dark-hearted, and mordantly funny writing about getting stuck inside your own mistakes. Once read it can’t be forgotten.