Nancy Eimers

1998 Winner in
Poetry

Nancy Eimers is the author of four poetry collections: Oz (2011), A Grammar to Waking (2006), No Moon (1997), and Destroying Angel (1991). Eimers has been the recipient of a Nation “Discovery” Award, two NEA Fellowships, and a Pushcart Prize. Her poems have appeared in numerous magazines, including Field, Paris Review, The Nation, Antioch Review, North American Review, TriQuarterly, and Poetry Northwest, and in many anthologies, including Best American Poetry, Poets of the New Century, The Wesleyan Tradition, The Extraordinary Tide: New Poetry by American Women, and The New Bread Loaf Anthology of Contemporary American Poetry. Eimers teaches creative writing at Western Michigan University in Kalamazoo, Michigan.

Reviews & Praise

“In Eimers' Oz, the squared-off rooms of prose press against the open-roofed, wall-less abodes of poems. Dollhouses, bomb shelters, Cornell's boxes—Eimers is fascinated by those fascinated with such ‘contraption[s] of inner space.’ Space managed and manageable. But around such contraptions, one feels the larger uncontainable world lurking, leering. From encapsulated space, a self sees out and gathers strength to step out. This dance between estrangement and communion—it's part of how we survive; it's the jittery way, these poems beautifully suggest, we move toward compassion.” —Nance Van Winckel

“There is as true a feeling of consolation delivered by this book as any I have read in recent years. Nancy Eimers makes a mirror out of our tears, and then turns that mirror at an angle so that we can see what lies hidden from our sight. Her poems answer Basho's great question, one of the essential questions of all lyric poetry: ‘my neighbor—how does he live, I wonder?’ This is that rare book whose compassion is as deep as its craft.” —David Rivard [on Oz]

"These poems unfold with such compassionate intelligence and in language so supple and strong as silk that one follows them with complete trust. Eimers has a remarkable ability for giving even the slightest things of our experience the reverence of attention—from a flock of birds, 'little candles dipping down out of one tree / and dripping / up into another . . .' to the heat 'like the final exhalation of a Wal-Mart store.' She understands the 'towardness of the world' and the result is a new and rapturous intimacy with what we thought was merely familiar. This is what the best poetry does, awaken us, and, in Heidegger's words, brings us onto the earth. A Grammar to Waking is that rare and powerful a book." —Beckian Fritz Goldberg