Natalie Kusz is the author of the memoir Road Song (1991), and has published essays in Harper's, Threepenny Review, O: The Oprah Magazine, Real Simple, and other periodicals. Her work has earned, among other honors, a Pushcart Prize and fellowships from the NEA, the Bush Foundation and the Bunting Institute of Radcliffe College. A former faculty member of Bethel College and of Harvard University, she has taught at Eastern Washington University since 2001.
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Road SongA Memoir
A hole was worn into the snow, and I fit into it, arms and legs drawn up in front of me. The dog snatched and pulled at my mouth, eyes, hair; his breath clouded the air around us, but I did not feel its heat, or smell the blood sinking down between hairs of his muzzle. I watched my mitten come off in his teeth and sail upward, and it seemed unfair then and very sad that one hand should freeze all alone; I lifted the second mitten off and threw it away, then turned my face back again, overtaken suddenly by loneliness. A loud river ran in my ears, dragging me under.
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Road SongA Memoir
I was always waking up, in those days, to the smell of gauze soaked with mucus and needing to be changed. Even when I cannot recall what parts of me were bandaged at what moment, I remember vividly that smell, a sort of fecund, salty, warm one like something shut up and kept alive too long in a dead space. Most of the details I remember from that time are smells, and the chancest whiff from the folds of surgical greens, or the faint scent of ether on cold fingers, can still drag me, reflexively, back to that life, to flux so familiar as to be a constant in itself. Years after the Seattle Children’s Hospital, when I took my own daughter in for stitches in her forehead, and two men unfolded surgical napkins directly under my nose, I embarrassed us all by growing too weak to stand, and had to sit aside by myself until all the work was over.
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Road SongA Memoir
In the cabin, Dad was on the bed and our mother was working high up at the counter. Shy for a moment because Mom seemed very busy, Ian waited until she was still, when the milk powder was mixed in a pitcher and she leaned into the stove, stirring dinner with a wooden spoon. He said, “Mommy?”
“What, baby,” Mom answered him, biting the cuticle from her little finger, turning the pot handles inward.
“What happened to Natalie’s eye?”
“A dog bit it, son.”
He considered. Mom bent her knees and looked in at him. He said, “And then what happened?”
“She had to go to the hospital and get it fixed.” My brother fell into his thoughts again, and when he said nothing else, Mom rose again and went back to her work.
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"Riveting . . . Road Song is Natalie Kusz's effort to commemorate not her bodily injury—we never do get to see what, in fact, she looks like—but its spiritual cost. Her gifts as a writer, her original voice and sparkling perceptions, give this memoir the literary precision of a novel.” —Los Angeles Times
“A truly great memoir requires not only a powerful story but an absolutely authentic voice. Road Song has both. Natalie Kusz has written a masterful contemporary reprise of the classic American pioneer story with flawless candor, grace, and discretion. I wept and I laughed out loud. I didn’t simply read about her family; I became part of it.” —Patricia Hampl
“Natalie Kusz’s Road Song is a marvelous achievement, especially for so young a writer. With her wisdom and poetic sensibility, she manages to transform affliction and adversity into spiritual adventure and hope. Her story of an arduous childhood in a family rare in its bravery and integrity deserves a prominent place in the literature of memory.” —Lynne Sharon Schwartz
Selected Works
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