Nell Freudenberger is the author of the novels The Newlyweds (2012) and The Dissident (2006) and the story collection Lucky Girls (2003), winner of the PEN/Malamud Award and the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters. A recipient of a Guggenheim Fellowship and a Dorothy and Lewis B. Cullman Fellowship from the New York Public Library, she was named one of Granta’s Best Young American Novelists and one of The New Yorker’s “20 Under 40.” She lives in Brooklyn with her family.
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Lucky GirlsStoriesFrom"The Orphan"
“It was a misunderstanding,” her daughter said. “It was a cultural thing, actually.” And when Alice expressed skepticism about the need for cross-cultural understanding with rapists, Mandy said, “He’s not a rapist.”
“I’m sorry,” she said, “but if he raped you, he is a rapist.”
And Mandy said, “Don’t call him that, Mom. He’s my boyfriend.”
Lucky Girls:Stories -
Lucky GirlsStoriesFrom"The Tutor"
He had come home to write his book, but it wasn’t going to be a book about Bombay. There were no mangoes in his poems, and no beggars, no cows or Hindu gods. What he wanted to write about was a moment of quiet. Sometimes, sitting along in his room, there would be a few seconds, a silent pocket without the crow or the hammering or wheels on the macadam outside. Those were the moments he felt most himself; at the same time, he felt that he was paying for that peace very dearly—that life, his life, was rolling away outside.
Lucky Girls:Stories -
Lucky GirlsStoriesFrom"Letter From the Last Bastion"
In Health class I’ve heard that you saw movies and even put condoms on bananas. The way I learned about sex was by looking up one word after another in the dictionary. It was time-consuming. I started simply, with “sperm,” properly “spermatozoon,” which led me to “spermatic cord” and “testis.” I could pretty much picture those, although the “scrotum” turned out to be much, much uglier than its definition suggested.
Lucky Girls:Stories
“The Newlyweds . . . gradually opens out into a genuinely moving story about a woman trying to negotiate two cultures, balancing her parents' expectations with her own aspirations, her ambition and cynical practicality with deeper, more romantic yearnings . . . Ms. Freudenberger demonstrates her assurance as a novelist and her knowledge of the complicated arithmetic of familial love and the mathematics of romantic passion.” —Michiko Kakutani, The New York Times
“ . . . a delight, one of the easiest book recommendations of the year . . . [Freudenberger]'s that rare artist who speaks fluently from many different cultural perspectives, without preciousness or undue caution . . . [She] knows Amina as well as Jane Austen knows Emma, and despite its globe-spanning set changes, The Newlyweds offers a reading experience redolent of Janeite charms: gentle touches of social satire, subtly drawn characters and dialogue that expresses far more than its polite surface.” —Ron Charles, The Washington Post
“ . . . [Lucky Girls is a] gorgeously written first book, a remarkably poised collection of stories about Americans abroad . . . Young writers as ambitious—and as good—as Nell Freudenberger give us reason for hope.” —Jennifer Schuessler, The New York Times
Selected Works
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