Shane McCrae Selected Works

In this collection, Shane McCrae expands both the poetic and the personal mythologies that he has been constructing over the course of his career. McCrae invites readers to bear witness to his tangle of childhood memories. He also creates landscapes where Homeric figures mingle with those who populate the poet’s world. Helen weighs Paris’s spear in her hand and bloodies a raging Achilles; Penelope burns her loom each night; Dido watches Aeneas’s ship burn on the horizon. A strikingly original and engaging poet, McCrae continually surprises.

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage. For their own safety and to ensure the kidnapping remained a success, Shane’s grandparents had to make sure that he never knew the full story, so he was raised to participate in his own disappearance. Despite this, Shane begins to reconstruct his own story and to forge his own identity. Gradually, the truth unveils itself, and with the truth, comes a path to reuniting with his father and finding his own place in the world.

Shane McCrae fashions a world of endings and infinites in Cain Named the Animal. With cyclical, rhythmic lines that create and re-create images of our shared and specific pasts, he writes into and through the wounds that we remember and "strains toward a vision of joy" (Will Brewbaker, Los Angeles Review of Books).

In his seventh collection of poems, Shane McCrae remains “a shrewd composer of American stories.” Sometimes I Never Suffered is a search for purpose and atonement, freedom and forgiveness, imagining eternity not as an escape from the past or present, but as a reverberating record and as the culmination of time’s manifold potential to mend.