This collection of stories—twenty-one classics followed by ten potent new stories—displays Tobias Wolff's exquisite gifts over a quarter century.
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This collection of stories—twenty-one classics followed by ten potent new stories—displays Tobias Wolff's exquisite gifts over a quarter century.
The Barracks Thief is the story of three young paratroopers waiting to be shipped out to Vietnam. Brought together one sweltering afternoon to stand guard over an ammunition dump threatened by a forest fire, they discover in each other an unexpected capacity for recklessness and violence. Far from being alarmed by this discovery, they are exhilarated by it; they emerge from their common danger full of confidence in their own manhood and in the bond of friendship they have formed. This confidence is shaken when a series of thefts occur. The author embraces the perspectives of both the betrayer and the betrayed, forcing us to participate in lives that we might otherwise condemn, and to recognize the kinship of those lives to our own.
One of the sinuous and subtly crafted stories in Tobias Wolff's new collection—his first in eleven years—begins with a man biting a dog. The fact that Wolff is reversing familiar expectations is only half the point. The other half is that Wolff makes the reversal seem inevitable: the dog has attacked his protagonist's young daughter. And everywhere in The Night in Question, we are reminded that truth is deceptive, volatile, and often the last thing we want to know. A young reporter writes an obituary only to be fired when its subject walks into his office, very much alive. A soldier in Vietnam goads his lieutenant into sending him on increasingly dangerous missions. An impecunious mother and son go window-shopping for a domesticity that is forever beyond their grasp. Seamless, ironic, dizzying in their emotional aptness, these fifteen stories deliver small, exquisite shocks that leave us feeling invigorated and intensely alive.
The thirty-three stories in this volume prove that American short fiction may be be our most distinctive national art form. As selected and introduced by Tobias Wolff, they also make up an alternate map of the United States that represents not just geography but narrative traditions, cultural heritage, and divergent approaches.