Douglas Crase Selected Works

On Autumn Lake collects four decades of prose (1976-2020) by renowned poet and beloved cult figure Douglas Crase, with an emphasis on idiosyncratic essays about quintessentially American poets and the enduring Transcendentalism tradition. Douglas Crase's prose is rich with conviction and desire, inspired as John Yau wrote, "the kind of attention usually reserved for poetry."

Douglas Crase is best known for his invocations and revisions of Whitmanian transcendentalism. Out of print since 1987, his book The Revisionist has still been enough in some opinions to establish him as one of the most important poets of his generation; on its strength, says the Oxford Book of American Poetry, "rests a formidable underground reputation." By combining The Revisionist with Crase's chapbook The Astropastorals in a new collection, Nightboat Books presents his formidable reputation to a wider public for the first time in thirty-two years.

From its title forward, AMERIFIL.TXT is an unusual book. The title, unpacked like a computer filename and pronounced "Amerifile Text," reveals the book's beguiling proposition: that the answer to the question of what it means to be an American lies not on television talk shows nor within think tanks but within American memory itself. The virtue of this "Amerifile" is to demonstrate that such memory exists, in texts ready to access as if they were digital entries in an online commonplace book. The twenty-three American writers who appear in the book range chronologically from the colonial thinker John Wise to the contemporary poet John Ashbery. Their appearances are arranged to comment almost interactively on identifiable American issues like "Doing Your Thing," "How Writing Is Written," "Pursuit of Happiness," and "Right to Privacy." Douglas Crase has said that he finds rearrangement morally and artistically more interesting than opinions, as rearrangement involves choice and commitment, while opinions are only held. In the end, readers may conclude that AMERIFIL.TXT is not a commonplace book at all, but rather a spiritual autobiography of its compiler.

Both is the enchanting account of a remarkable fifty-year relationship: Dwight Ripley, the child heir to an American railroad fortune, and Rupert Barneby, the product of a wealthy, baronial English upbringing, shared an obsession with botany from the moment they met at an exclusive boys’ boarding school in England. Together they embarked on a lifelong pursuit of rare plants, first in Europe and then in the United States, where they migrated in the late 1930s. Every spring they explored the American Southwest in a sputtering Dodge, discovering new species and cultivating the spoils at their renowned home gardens. Barneby published so many taxonomic findings that he became a world authority on legumes. But the two men had other interests as well: they were intimates in the expatriate circles that included W. H. Auden and Peggy Guggenheim, and early collectors of painters such as Jackson Pollock and Joan Miró. Ripley, a prescient artist himself, whose startling work in colored pencil was lost in a trunk for several decades before being rediscovered, used his fortune to bankroll much of the avant-garde art scene of the early 1950s. The lives of Ripley and Barneby were shaped by a passion for knowing the world in all its lush particulars. Douglas Crase, who received an education in character when he came to know Barneby in the 1970s, offers us not just the brilliantly told story of “both,” but a vivid portrait of the bohemian postwar period they inhabited, bristling with the energy of the new.