Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the brilliant daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth. But at what cost have they acquired their immense fortune?
That Borges is one of the key figures in 20th-century literature is beyond debate. The reasons behind this claim, however, are a matter of contention. In Latin America he is read as someone who reorganized the canon, questioned literary hierarchies, and redefined the role of marginal literatures. On the other hand, in the rest of the world, most readers (and dictionaries) tend to identify the adjective "Borgesian" with intricate metaphysical puzzles and labyrinthine speculations of universal reach, completely detached from particular traditions. One reading is context-saturated, while the other is context-deprived. Oddly enough, these "institutional" and "transcendental" approaches have not been pitched against each other in a critical way. Borges, Between History and Eternity brings these perspectives together by considering key aspects of Borges's work―the reciprocal determinations of politics, philosophy and literature; the simultaneously confining and emancipating nature of language; and the incipient program for a literature of the Americas.
A young Swedish immigrant finds himself penniless and alone in California. The boy travels East in search of his brother, moving on foot against the great current of emigrants pushing West. Driven back again and again, he meets naturalists, criminals, religious fanatics, swindlers, Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
