Layli Long Soldier

2016 Winner in
Poetry

Layli Long Soldier holds a BFA from the Institute of American Indian Arts and an MFA from Bard College. She has served as a contributing editor of Drunken Boat. Her poems have appeared in The American Poet, The American Reader, The Kenyon Review Online, and other publications. She is the recipient of the 2015 NACF National Artist Fellowship and a 2015 Lannan Literary Fellowship. Her work of poetry, WHEREAS, will be published by Graywolf Press in 2017. Long Soldier resides in Tsaile, Arizona, where she is an English faculty member at Diné College.

Photo Credit:
Layli Long Soldier
Reviews & Praise

“It’s no exaggeration to say that I was blown away when I first read Layli Long Soldier’s Whereas project . . . trenchant, beautiful thinking and writing about the relationship between official political speech and literature’s capacity to write back. And write back Long Soldier does, with a sensibility so tough and gentle, so sure of itself and so questioning, that I find myself simply standing back in admiration, savoring every perfect, necessary word of her intervention. I imagine the whole of Whereas one day being read in its entirety to and from the hilltops, in all its intimate wonder. I hope to be there.” ―Maggie Nelson, PEN Poetry Series

“In her writing, Long Soldier emphasizes possibility, not closure. She articulates her message without defining answers.” ―citation for Native Arts & Cultures Foundation Artist Fellowship

From the Selection Committee

Layli Long Soldier is the poet-architect in the arena of witness and longing. Her work interrogates poetic form and the legacy of a history of brutality and extermination. Her collection, WHEREAS, continually asks questions of both the reader and the author as Long Soldier considers the way Native American identity can be expressed on the page—what language should be used, what rules should be followed? What does authenticity or authorship mean when so much of one culture has been wiped out by another? Elegant and painful, formally surprising, personal and historic, this is a fearless, polyphonic crossing of cultures and languages in the service of both tenderness and trenchant critique.