In these essays―some discovered on his computer, unpublished until now―Crouch tackles subjects ranging from Malcolm X (“a thorned bud standing in the shadow of sequoias”) to the films of Quentin Tarantino (“With Django, Tarantino has slipped down . . . into a shallow and bloodstained hip-hop turn that his own best work has well-refuted”). Introduced by Jelani Cobb, with an afterword by Wynton Marsalis, and collected by his longtime editor Glenn Mott, Victory Is Assured canonizes the legacy of an inimitable, indispensable American critic.

Based on select writings from a collection of more than two thousand Dutch diaries written during World War II in order to record this unparalleled time, and maintained by devoted archivists, The Diary Keepers illuminates a part of history we haven’t seen in quite this way before, from the stories of a Nazi sympathizing police officer to a Jewish journalist who documented daily activities at a transport camp.

Master Slave Husband Wife is the remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as "his" slave. Their monumental bid for freedom is an American love story challenging the nation's core precepts of life, liberty, and justice for all, then and now.

A timely investigation by two award-winning reporters, The Riders Come Out at Night is the authoritative account of the Oakland Police Department's troubling history of violence, secrecy, and mismanagement, reflecting why reform has been an elusive goal for the entire nation.

This first major biography of David Smith, called "the greatest American sculptor of the twentieth century", chronicles his tempestuous personal and professional life from the Midwest to Manhattan. Richly illustrated with more than one hundred photographs, Brenson has contextualized Smith for a new generation of fans and confirmed his singular place in the history of American art.

A powerful and gripping debut, Rachel Aviv raises fundamental questions about how we understand ourselves in periods of crisis and distress. Drawing on deep, original reporting as well as unpublished journals and memoirs, Aviv writes about people who have come up against the limits of psychiatric explanations for who they are.