Salamishah Tillet
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Japanese American Historical Plaza is a book of creative nonfiction inhabiting the ongoing afterlife of the mass incarceration of Japanese immigrants and Japanese Americans during WWII. It is a memoiristic travelogue through the ruins of the incarceration sites; memorials and museums; representations of incarceration in popular culture (art, literature, film); present-day legislation; and the lives and stories of former incarcerees and their descendants.
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Any attempt to understand America’s working class must begin with the history of Black folk, who have historically been the most active, informed, and impassioned working class in America. Tracing the story of the Black working class from first emancipations to the essential workers of our COVID-19 present through family stories and traditional sources, Black Folk describes the connection between the everyday lived experience of working Black people and their labor and politics.
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Chloé Cooper Jones braids memory, observation, and the history of philosophical aesthetics to consider her life as a woman with a visible congenital disability; after unexpectedly becoming a mother in violation of unspoken social taboos about the disabled body, she sets off alone on a journey across the globe to reclaim the spaces she’d been denied, and denied herself.
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