2020

Nat. Brut

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Description

Nat. Brut (pronounced “nat broot”) is an online journal of art and literature dedicated to advancing inclusivity in all creative fields. Since 2012, it has published two issues annually—as well as folios that collect work at specific intersections of marginalized experiences—bolstering voices that are buried, ignored, or absent from public consciousness. As a home for the playful, the unruly, the formal, and the experimental, by artists who are trained and untrained, Nat. Brut believes in the power of juxtaposing diverging voices to form surprising and unfamiliar connections.

Citation

Nat. Brut has carved out a corner of the internet and filled it with style and ingenuity. Its aesthetic is one of fascinating unorthodoxy, gracefully pairing each piece with a Creative Commons image sourced from the depths of cyberspace. This is a magazine that supports its writers and editors at all stages of their careers, providing opportunities for collaboration and creative exchange, and that shows us how to relish what mainstream culture has overlooked or forgotten.

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5

Kweli

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Kweli’s mission is to nurture emerging writers of color and writers identifying as women by creating opportunities for their voices to be recognized and valued. Founding editor Laura Pegram has guided Kweli since 2009, publishing a triannual online journal and investing in writers’ growth through workshops, fellowships, readings, an annual conference, and an international festival. Kweli, which means “truth” in Swahili, celebrates cultural kinship and the role of the literary imagination to envision a world where the narratives we tell reflect the full truth of history and blaze a path of new possibilities for the future.

Citation

Reading this journal is a revelation. Here are stories of deep, lived-in materiality. The abundant respect animating its editorial process means its writers, many of them women of color, do not have to justify their concerns and can simply dive into the pleasures of form and narrative. With its vibrant internationalism and the career- and craft-building opportunities it offers its writers, Kweli strives to publish a more generous, humane world into existence. 

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4

Foglifter

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Rooted in the San Francisco Bay Area, Foglifter is a platform for LGBTQ+ writers that supports and uplifts powerful, intersectional, and transgressive queer and trans writing through publication and public readings to build and enrich our communities as well as the greater literary arts. Since 2016, this biannual journal has provided a path to representation for a broad selection of LGBTQ+ voices, centering queer and trans literary artists of color, youth, elders, and those beyond traditional LGBTQ+ cultural centers so that readers and audiences can see their own experiences authentically represented through queer and trans literary arts.

Citation

A passionate commitment to building community, a collaborative editorial project, and an unflagging sense of imagination are Foglifter’s abiding trademarks. A journal made by queer and trans writers imagining the journal their past selves would want to read, Foglifter is a bright spot on the literary map for thinkers, artists, and readers of many generations. The work it publishes is fresh, alive, and ripe with creative energy.

 

 

 

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3

Conjunctions

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Conjunctions has propelled literature forward for four decades by publishing groundbreaking fiction, poetry, plays, and creative nonfiction that marry visionary imagination with formally innovative execution. Each issue illuminates a complex theme—such as exile, desire, the body, or climate change—in a book-length format that gives space to long-form work and a multitude of perspectives. From its home in Bard College, Conjunctions and its founding editor, Bradford Morrow, have earned recognition for uplifting both new writers and contemporary masters who challenge convention.

Citation

Every issue of Conjunctions is a feat of curatorial invention, continuing the Modernist project of dense, economical writing, formal innovation, and an openness to history and the world. Its longevity is a testament to its cultural staying power. Organized around a unifying idea, each issue stitches together work by storytellers and scholars to create a fluid and expansive survey of our most pressing human concerns.

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2

One Story

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One Story is built on a singular vision: to publish one short story at a time. Each month, subscribers receive a single work of carefully curated fiction, printed in a pocket-size chapbook designed to give readers a chance to slow down and think deeply. To spotlight new voices, One Story only publishes authors once. It extends its devotion to nurturing talent with One Teen Story, a magazine featuring teen writers. Since its founding in 2002, One Story has worked to increase and expand the readership, creation, impact, and value of short stories in the world.

Citation

Over the last two decades, One Story has become a standard-bearer for elegance in magazine publishing; each lithe issue, its design an homage to zine culture, contains a single riveting short story. This form is often likened to the sonnet, being short and perfectible, but the fictions in One Story create sumptuous, almost novelistic worlds. The magazine has assiduously built a warm and vital community of writers and mentors.  Favoring new and untested writers and never publishing the same one twice, One Story is a critical port of arrival. 

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1