Full Stop

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Full Stop nurtures contemporary independent literary culture and the aesthetically, linguistically, and socially marginalized communities of writers and critics of which it is composed. Believing that a book’s significance can be elevated by high-energy interchange between writers and readers, Full Stop publishes online essays, interviews, and multi-genre critical inquiries that nourish the life of a work after publication. Founded in 2011, Full Stop has become an important resource for readers and writers, often providing the only in-depth critical engagement small-press publications receive. Full Stop also publishes innovative cultural criticism in a newsletter, monthly podcast, and quarterly magazine, and sponsors an Editorial Fellows program. 

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A dynamic and richly eclectic platform for criticism, Full Stop has the intellectual independence to remain untethered to the zeitgeist while striving to be fearlessly contemporary in its curiosity and range of topics. For the past ten years, this digital magazine has been devoted to fighting the decline of criticism, supporting small presses through its impressive reviews supplement that brings hundreds of books that might otherwise go unnoticed into larger literary conversations. Here are reviews of books that may not be brand new, but which Full Stop’s editors have recognized as neglected or underappreciated, or both. Here, too, are essays that are personal, political, literary, and always exhilaratingly askew. In an era of digital sameness, this approach has never seemed more vital.

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Latin American Literature Today

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Latin American Literature Today is a quarterly online journal that publishes outstanding works of contemporary Latin American literature. It is entirely multilingual, with every piece available in the original Spanish, Portuguese, or Indigenous language as well as English translation. LALT was founded in 2017 and is a sister publication to the University of Oklahoma’s World Literature Today, published since 1927. LALT sees Latin America’s cultural, linguistic, and geographic identity as fluid and hybrid, and seeks to deepen understanding of its complexity through fiction, poetry, interviews, essays, reviews, and in-depth dossiers on both emerging and venerated literary figures. 

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Only four years old, Latin American Literature Today is an astoundingly ambitious publication, an essential literary bridge across the Americas distinguished by its fully bilingual issues featuring the greatest contemporary writing in Spanish, Portuguese, and Indigenous languages. LALT has built an impressive network of contributing editors, providing a first port of call for authors and translators seeking an English-language audience. Its website provides rich context, publishing individual dossiers that track a writer’s evolution, helping readers toward a deeper understanding. LALT already feels indispensable to American and international intellectual life.

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3

Arkansas International

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The Arkansas International seeks to put emerging and established authors from across the world in conversation with one another. Launched by the University of Arkansas’ Creative Writing & Translation program in 2016, the AI has published fiction, poetry, essays, comics, and works in translation from over 60 countries, including Egypt, Brazil, Venezuela, South Korea, Iran, the Philippines, Hong Kong, Russia, Italy, Galica, and Hungary. The AI also awards the annual C.D. Wright Emerging Poet’s Prize and an Emerging Writer’s Prize, both given to authors who have not yet published full-length works.

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Distinguished by exceptional fiction, nonfiction, poetry, and comics that are as attentive to place as they are to language, the Arkansas International lives up to its name, publishing fiercely observant and open-hearted work by writers from around the globe. When this literature converges and collides with emerging work from within the United States, the result is breathtaking. The ambition of this bright new star in the literary firmament is nothing less than to build a world community of writers and readers.
 

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2

Bellevue Literary Review

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Bellevue Literary Review publishes fiction, nonfiction, and poetry that probe the nuances of our lives both in illness and health. By bringing together the perspectives of patients, caregivers, family members, healthcare professionals, and creative observers, BLR highlights a diversity of voices from all communities and all walks of life.  The first literary journal to arise from a medical setting, BLR has published two volumes of literature annually since 2001. As a newly independent literary arts organization, BLR engages its community of readers and writers through readings and events exploring the intersection of art, medicine, and science.

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Born in a legendary city hospital as the brainchild of writers and healthcare professionals, Bellevue Literary Review captures—with great intimacy and concision—the experience not just of pain, or treatment, or healing, but of day-to-day life itself, deepening our understanding of the human body and literature’s role in exploring it. Bellevue Literary Review is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.

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The Massachusetts Review

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The Massachusetts Review promotes social justice and equality, along with great art. Committed to aesthetic excellence as well as public engagement, MR publishes work that provokes debate, inspires action, and expands our understanding of the world. Since its founding in 1959 by professors from the University of Massachusetts Amherst, Mount Holyoke, Amherst, and Smith Colleges, MR has published and promoted emerging and established artists from the US and internationally. Each year, MR publishes a special issue highlighting an underrepresented community or a critical social topic; past issues have addressed civil rights, the cost of war, and queer identity, and have showcased work by Caribbean, Asian American, North African and Middle Eastern, and Native American writers.

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Can a magazine stay at the forefront of literary culture for over 60 years? The answer is in the read, and the Massachusetts Review has proved it deserves its place. This rigorously edited magazine publishes lucid, risk-taking writing with flair and exquisite judgement, featuring work by emerging writers and Nobel laureates that revels in formal experiment and traditional narrative. Delving into this journal is an act of discovery and a reminder of great literature’s timeless value.

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