The New York Times calls Davis "our Vermeer," writing that "Davis takes pure pleasure in the muscular act of looking, and invites us to look alongside her."

For Literary Hub, the two masters of horror writing discuss the release that the genre provides, how horror can be "morally intructive," and more.

Aciman talks about how his sequel to Call Me By Your Name came to be, delves deeper into the relationship between the characters Oliver and Elio, and more.

The Arkansas International praises the layers of meaning -- and method -- in Pico's new book, writing that the collection "offers humor and intimacy alongside what's broken and wasting."

Aciman talks about the candidness of his characters, believing in love, his new book Find Me, and more.

LaValle talks about editing his first anthology, the history of voter suppression in the United States, and how New York can be "magical."

Essays One contains a selection of Davis's essays commentaries, and lectures composed over the past five decades. Her subjects range from her earliest influences to her favorite short stories. “[Davis] is our Vermeer, patiently observing and chronicling daily life but from angles odd and askew," writes The New York Times. "Davis takes pure pleasure in the muscular act of looking, and invites us to look alongside her."

Koestenbaum talks Instagram crushes, writing cultural criticism as a poet, why he believes his novel Circus will appeal to younger writers, and more.

Harper's praises the ambition of Boyer's book, and writes that "one of her many gifts is for framing and juxtaposition, vividly exposing connections between structural injustice and personal suffering."

Broadway World gives the original cast recording of Michael R. Jackson's A Strange Loop a rave review, writing that "Jackson's brilliantly unique voice shines through in undeniable ways."