Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Clifford Thompson
2013
Love for Sale and Other Essays

At my desk, with my pen, pencil, markers, ruler, and thick white paper, I was in command. And when I drew the superhero who was my alter-ego, I gave him—i.e., myself—what in all my shyness I didn’t have: a girlfriend. She was as pretty as my limited skills could make her. Her name was Laura.

Read More >
Megha Majumdar
2022
A Burning
A Novel

“YOU COME WITH ME NOW,” Uma madam says one day, after breakfast. She has come prepared. A male guard comes forward and grabs my arm. 

“Where?” I say, wrenching free. He lets go. “Stop it! I need to talk to Gobind about the appeals.” 

“You walk or he will drag you,” says Uma madam in reply. 

Back in my cell, I gather my sleeping mat, my other salwar kameez, slip my feet into the rubber slippers, then look around for anything else that is mine. Nothing is.

Uma madam pulls my dupatta off my neck. When I grab at it, she clicks her tongue. “What use is modesty for you anymore?” she says. 

We walk down the corridor, the three of us, and a few women look up from inside their cells. The corridor is so dim they are no more than movement, shapes, smells, a belch. Perhaps sensing my fear, Uma madam finds it in her heart to explain. “You can’t have a dupatta in this place where you are going. Not allowed. What if you decide to hang yourself, what then? It has happened before.” After a pause, she says, “Nobody’s coming to see you, don’t worry about looking nice.” 

Uma madam unlocks a door at the far end of the corridor, which opens onto a staircase I have never seen. Though the day is dry and sunny, there is a puddle of water on the top step.
 
“Go down,” she says. 

When I don’t move, she insists, “Go! Don’t look so afraid, we don’t keep tigers down there.” 

I climb down, my slippers slapping the steps.

Read More >
Nadia Owusu
2019
Aftershocks

            Once, when I was a very little girl in a bubble bath, I asked my father why I had a belly button. He was sitting on the toilet lid reading while I splashed. He peered at me over the top of his book.

             “So you know where your center is,” he said.

           “Why do I need to know where my center is?” I asked.

            “So you don’t lose your balance,” he said. “Your center is where all the different parts of who you are come together. It used to connect you to your mother and to the beginning of human history in Africa.” I cannot be certain this is true, but when I remember him saying this, I hear his voice catch on the word mother.

Read More >
Esmé Weijun Wang
2018
The Collected Schizophrenias

You are told when to sleep and when to wake up. If you spend too much time in your bedroom, it indicates that you’re being antisocial; if you do sit in the common areas, but don’t interact with the other patients, you’re probably depressed or overly inward or perhaps even catatonic. Humans might all be ciphers to one another, but people with mental illness are particularly opaque because of our broken brains; we cannot be trusted about anything, including our own experiences.

Read More >
Brittany Rogers
2026
Good Dress

UPBRINGING

In an alternate version of this story
I grow up in Denver, Colorado, fenced in
by calcareous mountains and thread-thin air. Who might
I have become had we driven eighteen hours overnight to flee
the Red Zone, Chiron lighting the sky, Detroit’s bass chasing behind?
I imagine Denver homes are large. Ivy clings to the wall
like sap. I imagine I could have walked to school unguarded, no knife
pressed to my ankle in fresh Js my mama wouldn’t buy in the City.

Once the factories stripped the grass of its green, she was willing to leave
her mama on Jane Street and my aunties scattered from Cadieux to Van Dyke.

A diamond band convinced her to stay, but she models
what could still become of me: slips and stockings,
subdivisions, propriety. I could have run when I had the chance
but I’m a daughter of the East Side, that old girl set in her ways.

I grew a mouth like the grown men in my hood. Bouquet of tattoos
across my shoulders. Where brown hair was, a field of watercolors.
 

Read More >
Vu Tran
2009
Las Vegas Noir

Six months ago, before all this, I drove into Las Vegas on a hot August twilight. My first time in the city. From the highway, I could see the Strip in the far distance, but also a lone dark cloud above it, flushed on a bed of light, glowing alien and purplish in the sky. My tired, pulpy brain at the time, I thought it was a UFO or something and nearly hit the truck ahead of me. Fifteen minutes later, at a gas station, I was told about the beam of light from atop that pyramid casino and how you can even see the beam from space, given no clouds were in the way. My disappointment surprised me.

Read More >