Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Brian Blanchfield
2016
Proxies
Essays Near Knowing

What you type and submit appears to you attributed to You. What he replies and enters comes from Partner. There is, as it turns out, a lot to say while watching Partner look at you watching. He is, to begin with, in a room of some kind, particular, contingent, “real.” With art and clocks and books and pillows and cigarettes and mail and daylight, or lamplight, with a bed or desk or basement sofa, with doors you can ask him to open, bags he may or may not empty, of content you may deduce about. The bottoms of his socks are dirty. You give it to him that his socks are dirty, that his door is ajar, that his grin is telling. “Partner: Are you for real?”

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Suzan-Lori Parks
1992
America Play and Other Works

BLACK WOMAN WITH FRIED DRUMSTICK: Yesterday today next summer tomorrow just uh moment uhgoh in 1317 dieded thuh last black man in thuh whole entire world. Uh! Oh. Dont be uhlarmed. Do not be afeared. It was painless. Uh painless passin. He falls twenty-three floors to his death. 23 floors from uh passin ship from space tuh splat on thuh pavement. He have uh head he been keeping under thuh Tee V. On his bottom pantry shelf. He have uh head that hurts. Dont fit right. Put it on tuh go tuh thuh store in it pinched him when he walks his thoughts dont got room. Why dieded he huh? Where he gonna go now that he done dieded? Where he gonna go tuh wash his hands?

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Dan Josefson
2015
That's Not A Feeling
A Novel

“This was when my dad was still living with us, but he would come to services from work, so when we went home afterward I’d have to choose who to go home with.  I don’t know if it upset my dad, but I always went home with my mom.  Mostly because she drove the Beetle, which was so much more fun. She would play these old Patti Smith cassettes, and I’d sing with her. But the best part was she’d let me put on the dome light, so it felt like we were in this little space capsule, just the two of us. That’s my favorite memory, me and my mom going home from temple Friday nights.  That car was like a lit-up igloo rolling through the dark.” 

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Danai Gurira
2012
Eclipsed
A Play

HELENA: You okay?

 

THE GIRL: Jus’ let me sleep, I say I fine, whot number I is?

 

HELENA: Whot number whot?

 

THE GIRL: Whot number wife? He say dere is a rainkin’.

 

HELENA: Ah, ah… number four, you number four.

 

THE GIRL: Whot number is she?

 

HELENA: Tree.

 

THE GIRL: So who Number Two?

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Shubha Sunder
2025
Optional Practical Training: A Novel

I paused outside Porter Square Station, in my wet clothes, to observe what a sign there called a kinetic sculpture—three elevated red objects shaped like tongues, tumbling about their axes and orbiting a tall white pole. My thoughts circled back to Theta’s shocked expression at my rent, which led me to review my predicted costs—food, transportation, utilities—and wonder if I’d overlooked something. After a brief trance, I descended a long escalator to the commuter rail platform and boarded the train to Wilton. Soon I was passing the same backyards and open spaces I’d sped by in March, no longer barren and covered with dirty snow, but green, with that profusion of young spring leaves I associated with Impressionist paintings. A pond slid into view, its edges blurred by clumps of reeds. The rain started again. It drew long diagonal streaks across the windows. Anyone want to get off at Brandeis? the conductor called as she strode up the aisle. That was a question, she added cheerfully. Not a threat.

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