Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Liza Birkenmeier
2025
Grief Hotel
A Play

WINN – How’s Melba?

EM – She told me she could see the afterlife.

WINN – What’s it like?

EM – Or my afterlife. She said that I would be a few other things when I die, that my cells have tiny souls so when I am a piece of cheese and a pigeon, I will still be me, but my consciousness will be broken down into smaller bits.

WINN – Does that feel happy to you?

EM – I don’t care. I’ll be like a deconstructed sandwich. / Or baby.

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Anaïs Duplan
2022
Blackspace
On the Poetics of an Afrofuture

Adrian Piper took photos of her naked body while reading The Critique of Pure Reason to make sure her body was still there. I don’t want to talk about “the black body.” Where is such a thing? I am not inside of anything. I want the monad. I want integration, but not the kind that requires “white” and “black” to participate. Integration as the move from a dualist Cartesian world to the monist’s world, so that transcendence is a misnomer—there being nothing to get beyond, to get above or around. In this single world-substance, everywhere is home; everything is forever; and everyone is inalienable.

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Linda Gregg
1985
Too Bright to See / Alma
Poems

She walks all the time in the Heart Ward.

She makes no sound. She is always alone.

If she is looking in the toilet stall and you come in

she leaves. She calls you Dear.

I was thinking of giving her my flowers.

Just now she came over and said,

‘You don’t have to be writing all the time Dear.’

I said, ‘Do you have any flowers?’

She said, ‘No Dear.’

I said, ‘Do you want any flowers?’

She said, ‘No, no flowers, Dear.’

I said, ‘Don’t you want any flowers at all?’

‘No,’ she said, ‘it’s too late for flowers Dear.’

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J. D. Daniels
2016
The Correspondence
Essays

Gary was a big boy, ugly and pale, with a nose like a peeled potato. I’m not just saying that because my ex-wife slept with him once. We all slept around. She slept with Larry, too, but I don’t have anything bad to say about Larry. I myself almost slept with Larry, he was irresistible, a beautiful man. Gary and Larry—these names have been changed to protect the innocent, but not mine: I am guilty.

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Anne Washburn
2015
The Internationalist
A Play

SARA

I don't think $20 is much for a bribe.

 

LOWELL

Isn't it? American? I was hoping it was a whole hell of a lot.

 

SARA

Maybe. Guys who work in airports make a lot of funny money different ways.

 

LOWELL

Oh but, oh, well. Yeah. Fuck. Well it was my first bribe.

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Manuel Muñoz
2008
The Faith Healer of Olive Avenue
Stories

“He has something of mine,” the man said.

 

With that, she turned to look at him. “Who are you?” she finally demanded. “Sergio called me to come pick him up, not you.”

 

“You don’t know me?” His voice pitched higher, edging toward frustration, maybe anger. “You don’t know who I am?”

 

“No,” she finally said. “I don’t.”

 

“He’s got my heart,” the man said, melodramatically holding his hands across his chest, but he sneered a bit when he said it. “He’s got a lot of things I want back.”

 

Copyright © 2006 by Manuel Muñoz. By permission of Stuart Bernstein Representation for Artists, New York, NY and protected by the Copyright Laws of the United States. All rights reserved.  The printing, copying, redistribution, or retransmission of this Content without express permission is prohibited.

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