Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Hansol Jung
2018
Wild Goose Dreams
A Play

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CHORUS

-   Search: Husband affair asset division.

-   Askkorealaw dot com Q and A

- Q. My dirty husband is sexing with our daughter’s tutor. Will I get rich if I divorce him or should I make him suffer?

-   A. Make him suffer.

 

MINSUNG

Although, my wife and daughter live in America, I don’t think they’d know if I lit myself on fire,

how will they know that I’m having an affair?

That was a joke.

They call us the goose fathers, I could look that up for you.

 

CHORUS

-   Search: Goose father origin

-   Wikipedia Korea

 

MINSUNG

Aha.

 

CHORUS

-   The goose father is a Korean man who works in Korea while his wife and children stay in an English-speaking country for the sake of the children’s education. / The term is

 

MINSUNG

The term is inspired by the fact that geese migrate, just as the goose dad must travel a great distance to see his family.

Read More >
Gordon Grice
1999
The Red Hourglass
Lives of the Predators

I decided the caterpillar was too stupid to live. I put it into the carabid beetle’s container. The caterpillar was much larger, but it had no means of defense. The carabid sliced into it and lapped at its leaking blood. Because the caterpillar was so big, the carabid had to repeat his attack eight or ten times. The caterpillar crawled away frantically for the first few wounds, but it was so slow that its movements hardly inconvenienced the beetle drinking from its bleeding flank. After ten minutes or so the caterpillar lay still. Its jade flesh turned black as the beetle chewed and drained it.

Read More >
Megha Majumdar
2022
A Burning
A Novel

“YOU COME WITH ME NOW,” Uma madam says one day, after breakfast. She has come prepared. A male guard comes forward and grabs my arm. 

“Where?” I say, wrenching free. He lets go. “Stop it! I need to talk to Gobind about the appeals.” 

“You walk or he will drag you,” says Uma madam in reply. 

Back in my cell, I gather my sleeping mat, my other salwar kameez, slip my feet into the rubber slippers, then look around for anything else that is mine. Nothing is.

Uma madam pulls my dupatta off my neck. When I grab at it, she clicks her tongue. “What use is modesty for you anymore?” she says. 

We walk down the corridor, the three of us, and a few women look up from inside their cells. The corridor is so dim they are no more than movement, shapes, smells, a belch. Perhaps sensing my fear, Uma madam finds it in her heart to explain. “You can’t have a dupatta in this place where you are going. Not allowed. What if you decide to hang yourself, what then? It has happened before.” After a pause, she says, “Nobody’s coming to see you, don’t worry about looking nice.” 

Uma madam unlocks a door at the far end of the corridor, which opens onto a staircase I have never seen. Though the day is dry and sunny, there is a puddle of water on the top step.
 
“Go down,” she says. 

When I don’t move, she insists, “Go! Don’t look so afraid, we don’t keep tigers down there.” 

I climb down, my slippers slapping the steps.

Read More >
Mark Doty
1994
My Alexandria
Poems

Prendergast painted the Public Garden;

remembered, even at a little distance,

the city takes on his ravishing tones.

 

Jots of color resolve: massed parasols

above a glimmering pond, the transit

of almost translucent swans. Brilliant bits

 

- jewels? slices of sugared fruit? – bloom

into a clutch of skirts on the bridge

above the summer boaters. His city’s essence:

 

all the hues of chintzes or makeup

or Italian ices, all the sheen artifice

is capable of. Our city’s lavish paintbox.

Read More >
Paul Guest
2007
Notes for My Body Double
Poems

…what of the glowing spine,

what of the toy stings of stock footage flames,

what of the jets you swatted dead

from the air with unmistakable joy,

you of the plastic-leather, pebbled Pleistocene flesh,

you of the palsied fury, you

of the put-upon by dissemblers and disturbers,

you, what of the life burned

so cheaply into celluloid we are charmed…

Read More >
Samrat Upadhyay
2001
Arresting God in Kathmandu
Stories

He climbed over the fence surrounding the Queen’s Pond, took off his clothes, and dived in, not caring whether a police squad would approach. The chill of water invigorated him as he waded through the lilies floating on top. He wondered how long it would take, if he allowed himself to sink, for the water to fill his lungs. He thought of monsters with long tentacles that supposedly lived at the bottom, and he imagined them tearing into his flesh. Would his wife be able to recognize the body?

Read More >