Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Vanessa Angélica Villarreal
2019
Beast Meridian

That I commune with the dead as I oil your feet. My house at the throat of the river, the door to this world, I wait for you. That I ask of the spirit and receive the knowledges: yerbabuena, vela de virgen, baño de alhucema. Cut the joint at the hoof & fatten the soup. Accept this offering, thank the plant. That I love you with the knowledge of our ways lost to violence. That you will call me up from the silt in your bones.

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Jose Rivera
1992
Marisol and Other Plays

ANGEL: Here’s your big chance, baby. What would you like to ask the Angel of the Lord?

 

MARISOL (Energized): Are you real? Are you true? Are you gonna make the Bronx safe for me? Is it true angels’ favorite food is Thousand Island dressing? Is it true your shit smells like mangoes and when you’re drunk you speak Portuguese?

 

ANGEL: Honey, last time I was drunk…

 

          (Marisol gets a sudden, horrifying realization.)

 

MARISOL: Wait a minute – am I dead?

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Brittany Rogers
2026
Good Dress

UPBRINGING

In an alternate version of this story
I grow up in Denver, Colorado, fenced in
by calcareous mountains and thread-thin air. Who might
I have become had we driven eighteen hours overnight to flee
the Red Zone, Chiron lighting the sky, Detroit’s bass chasing behind?
I imagine Denver homes are large. Ivy clings to the wall
like sap. I imagine I could have walked to school unguarded, no knife
pressed to my ankle in fresh Js my mama wouldn’t buy in the City.

Once the factories stripped the grass of its green, she was willing to leave
her mama on Jane Street and my aunties scattered from Cadieux to Van Dyke.

A diamond band convinced her to stay, but she models
what could still become of me: slips and stockings,
subdivisions, propriety. I could have run when I had the chance
but I’m a daughter of the East Side, that old girl set in her ways.

I grew a mouth like the grown men in my hood. Bouquet of tattoos
across my shoulders. Where brown hair was, a field of watercolors.
 

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Amanda Coplin
2013
The Orchardist
A Novel

There were times when the girls knew where the man was in the orchard, and times they did not. These times they trod slowly and carefully, not that they thought he would harm them—not really—but it had become a kind of game. You might turn the corner into an orchard row and find him there, walking toward you or away, or maybe you saw his legs, his trunk, obscured in leaves.

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Carvell Wallace
2026
Another Word for Love

Once, I read a story—or maybe I imagined a
story—of two children ages eight and twelve
discovering the dead body of the grandmother
who was taking care of them. The older child,
a girl, took responsibility then. Feeding her
younger brother, covering the body, keeping
life going, until the smell got too much, and
they asked a neighbor for help. They were, of
course, rescued. But I often wonder what they
were rescued from. It is good, of course, if
they were brought into a place of safety,
steady reliable meals, home, and hopefully
love and care. But somewhere in me the feeling
of hurtling alone is itself the feeling of
home, a human truth the size of the universe,
the size of my mother and me in a motel with
no future to be certain of. I would never want
that for myself or for my children. I would
never want that for anyone. And yet sometimes,
I want it for myself.

Excerpts from ANOTHER WORD FOR LOVE: A MEMOIR by Carvell Wallace. Copyright © 2024 by Carvell Wallace. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.

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Douglas Crase
1985
The Revisionist
Poems

Unlike the other countries, this one

Begins in houses, specific houses and the upstairs room

Where constitutions vibrate in the blockfront drawers,

A Queen Anne highboy, or maybe the widow’s walk

On a farmhouse hundreds of miles inland and believed

By the family to be a lookout for Indians though clearly

It was a pioneer’s conceit, fresh as the latest politics

From home: so much for that innocent thesis The Frontier.

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