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LULU: Mr. Marcus, I didn’t even want to waste your time. Pride and Prejudice is not a book that makes for a teleplay.

MARTIN: Philco’s killing us with the class acts.

LULU: There’s more to classy material than rich people in mansions talking in high-class accents. There are stories to tell about the little guy, an American guy, and the contributions they make; or even fail to make. You see a bum on the street, or a woman yelling at her kids after working in a factory all day, but to really understand what causes that behavior… Each of these people had goals; they had dreams; they had disappointments. TV can get inside that, can get close, and be honest about it. That’s what’s classy.

MARTIN: So no more period pieces?

LULU: If they’re topical.

MARTIN: Pride and prejudice: sounds topical.

LULU: It’s about marriage. Today’s audience has more on their mind than who marries who.

ALEX: I get panic attacks over nothing. Absolutely nothing. I’ll be at work, or at home, or at school, and suddenly I’ll start shaking and I won’t be able to breathe.

          (pause)

School counselor says that it might be a chemical imbalance. Or, she says, it might have something to do with my past. I think it has something to do with my past, so if you’re my father, it’s probably your fault.

1. Boy, don’t let a shadow in you, I never want to see the devil in your eyes, a traceable line of your daddy’s.

2. If you dream about fish or a river, somebody’s pregnant, we need the water more than it needs us.

3. Dream about snakes, you haven’t been living right, wash your hands of it.

4. They’re shooting boys who look like you. You know my number, use it, keep all your blood.

5. Stay

6. Alive.

There is a strange world

in the changing of a light bulb,

the waxing of a bookshelf

I think I could grow by,

as into a dusty dream

in which each day layers

against one just past

and molds the one to come,

content as cabbage

drudging towards harvest.

We are the nothing-to-lose ones,

the try-anything-once ones,

weed seeds inside our cells –

dandelion, nettle, lizard tail –

roots sunk in, for it is the tips

that count, reaching out to tap

new moisture. Roots, stems, leaves,

the stomata, those little mouths

opening, closing, sucking in air

in the evening when we boil

wild ginger and sleep in its vapor.

Like cures like, we hear in the morning

when we brush ourselves with

vegetable fiber in the shower,

beat ourselves with our fists.

(This is no crazier than anything else.)

The boy’s name is Cecil Mayberry; he is twelve, white, and he knows something. He knows what his mother is going to make for supper, pot roast and green Jell-O salad; he knows that the Russians have put a Sputnik in the sky. But these are not the items that are just now on Cecil’s mind. He is thinking about a man, a waterman, lying face down in a tidal pool two hundred yards from where he sits. Cecil knows the man’s name, Grayson “Tommie” Todman, and he knows that two .22-caliber bullets have made a mess of Tommie’s head. He knows the first one entered just below the right cheekline, cutting short Tommie’s last Fuck You to the world, and the second one grazed through his hair before nipping in at the peak and blowing out a portion of Tommie’s unlamented brain.

In fact, this is going to be the first time in Cecil’s life—but not the last—that he is an undisputed expert on a certain subject. He knows who shot Tommie, and why.