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As Frankel muses on Progress in his Hillman Minx, Ed Markowitz wearily drives a rented Fiat to the Oriental Institute. He had not wanted to go on the day of his arrival, but this is the only time he can be sure to see Mujahid Rashaf, who is returning to Saudi Arabia within the week. Rashaf is an Oxford fellow and the son of a merchant prince. He will provide just the reasoned yet religious opinions that Markowitz seeks for his book, Terrorism: A Civilized Creed.

I draw the curtains.     The room darkens, but

the mirror still reflects          a crescent moon.

I pull        the crescent out,          a rigid curve

that softens                    into a length of cloth.

I wrap the cloth around                     my eyes,

and I’m peering    through a crack in the wall

revealing                        a landscape of snow.

“This was when my dad was still living with us, but he would come to services from work, so when we went home afterward I’d have to choose who to go home with.  I don’t know if it upset my dad, but I always went home with my mom.  Mostly because she drove the Beetle, which was so much more fun. She would play these old Patti Smith cassettes, and I’d sing with her. But the best part was she’d let me put on the dome light, so it felt like we were in this little space capsule, just the two of us. That’s my favorite memory, me and my mom going home from temple Friday nights.  That car was like a lit-up igloo rolling through the dark.” 

The man asks, Do you have a family? My thinking

brushes the air between us like a wet mark

stains white paper. My mother’s mother, dead

twenty-two years. A stone house. The ants I’ve killed.

Robyne, who, when someone hurls 

toward me a small cruelty, cries. Memphis in August.

My twin brother crunching ice. All the cousins

I’ve made. Walking amongst cedar trees.

   We had dozens of books. My father never bought us toys, and he always claimed that he was too broke to buy us new clothes, but somehow we each received at least three new books each month. Most of our books were nonfiction - short biographies, children’s encyclopedias, textbooks - because Dad was convinced that novels were for entertainment purposes only, and he always told us that we would have time for entertainment when we were old enough to make our own decisions. So Tayo and I would huddle in a single bed, his or mine, with a biography about George Washington, or a book about the invention of the telephone, and each of us would read a page and hand the flashlight over. 
  We eventually grew tired of these books, though, so we began to make up our own stories. Actually, Tayo made them up. Even though Tayo was younger than me, even though he looked up to me and followed me in every other part of our lives, he was a much better storyteller than I was. He was almost as good as Mom. 
     He always began: 
     “Once upon a time . . .”