Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Negar Azimi Nonfiction 2026
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009

Selected winners

Rickey Laurentiis
2018
Boy with Thorn
Poems

Masters, never trust me. Listen: each day

is a Negro boy, chained, slogging out of the waves,

panting, gripping the sum of his captain, the head,

ripped off, the blood purpling down, the red

hair flossed between the knuckles, swinging it

before him like judgment, saying to the mist,

then not, then quietly only to himself, This is what

I’ll do to you, what you dream I do, sir, if you like it.

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Francisco Cantú
2017
The Line Becomes a River

To live in the city of El Paso in those days was to hover at the edge of crushing and proximate cruelty, to safely fill the lungs with air steeped in horror. In news, in academic texts, in literature and art, El Paso’s twin city of Juárez was perpetually being presented as a place of murder and violence, a landscape of factories, maquiladoras, drug cartels, narcos, hit men, sicarios, delinquents, military, police, poverty, femicide, rape, kidnapping, disappearance, homicide, slaughter, massacre, shootings, gun fights, turf wars, mass graves, garbage dumps, impunity, corruption, decay, erosion, a hemispheric laboratory of social and economic horror. This representation—the narrative of a city irreparably fractured by its looming border, saddled with broken institutions and a terrorized populace—had become part and parcel of its legacy, the subconscious inheritance of all those who came into the city’s orbit.

 

From THE LINE BECOMES A RIVER by Francisco Cantu, to be published on February 6, 2018 by Riverhead Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. Copyright (c) 2018 by Francisco Cantu.

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Mary Swander
1994
Heaven-And-Earth House
Poems

We are the nothing-to-lose ones,

the try-anything-once ones,

weed seeds inside our cells –

dandelion, nettle, lizard tail –

roots sunk in, for it is the tips

that count, reaching out to tap

new moisture. Roots, stems, leaves,

the stomata, those little mouths

opening, closing, sucking in air

in the evening when we boil

wild ginger and sleep in its vapor.

Like cures like, we hear in the morning

when we brush ourselves with

vegetable fiber in the shower,

beat ourselves with our fists.

(This is no crazier than anything else.)

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Stanley Crouch
1991
Notes of a Hanging Judge
Essays and Reviews, 1979-1989

Breaker, trick rider, picador, and the heavyweight ring’s fastest jockey, Ali has made ring time canter and canter, bow, leap over giant bushes, and move so much in his own terms that time became mutual with his grace, Truly the Professor of Boxing, he elasticized his profession, made daring and cunning and mystery part of the craft. Did we ever wonder as much during anybody else’s fights what the champ was thinking?

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Shayok Misha Chowdhury
2024
Public Obscenities
A Play

CHOTON

I’m just saying like taxonomically, does it even make sense to categorize my genitalia and your genitalia as the same thing, like…

He indicates RAHEEM’s penis.

…if that’s a penis then…

He pulls his boxers down to show his own penis.

I mean what is this? It’s a polyp.

 

RAHEEM

Okay.

 

CHOTON

It’s a little nunu.

 

RAHEEM

Well I like your little nunu…

 

RAHEEM examines CHOTON’s penis. He pulls back his foreskin just a bit. CHOTON winces.

 

CHOTON

Ow. Careful.

 

RAHEEM

What?

 

CHOTON

No it’s— it’s just sensitive.

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